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Archive for July, 2010

Raves and free parties are few and far between in Dublin, so the chance of a ‘secret’ BYOB gig in the city centre should probably be taken advantage of. (Even its only on for 4 hours!)

Medusa welcomes you to A Midsummer Night’s Party on July 24, 2010. This creative happening of electronic beats, holistic and visual arts is practically a free night out for guests – €3 adm + B.Y.O.B. in a luxurious central D2 location.

This party is invite only and there are limit…ed places so to be added to the guestlist please enter your name by following the link below:

https://spreadsheets.google.com/viewform?formkey=dFRmOFFodjAxQWpDODdWNVRaa1VGTHc6MQ

Full details about the night will be emailed to all those who sign up closer to the day with directions to the venue, line-up etc.

300+ guests have already signed up to attend on Facebook. (If you like the whole secret garden buzz, check out this amazing looking event across the pond.)

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“The old guard and the new”, this is a classic Fianna Fail election leaflet encouraging the public to get behind two 1916 veterans (Oscar Traynor and Harry Colley), “stand by De Valera” and to put faith in two newer faces, Eugene Timmons and Charles Haughey. It is a most unusual piece, from the Dublin North East constituency.

Traynor is a well-known figure in Irish political history, in command at the Metropole Hotel during the 1916 Rising. Unusually, he was a soccer-man, and had toured Europe with Belfast Celtic in 1912. The image below is taken from a piece on his time at that club over on the excellent Belfast Celtic historical site.

Traynor (Goalkeeper) with the rest of the Belfast Celtic team in 1912.

Harry Colley had also taken part in the Rising, and the leaflet notes that he was “..left for dead at a Dublin street barricade” during the rebellion.

Ultimately, Charles Haughey would fail to win a seat in 1954, obtaining 1,812 votes. When Haughey did obtain a seat three years later in 1957, it was at the expense of Colley. The rest, as they say, is history.

Click to expand and read:

(more…)

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Today, I started a volunteer work placement in the archives of the Irish Labour History Museum. My day job for the next few weeks will be cataloging the archive of the Wexford ITGWU branch (c. 1978 – 1990) along with some Wexford Labour Party material. They were saved by our good friend Conor McCabe from Dublin Opinion just before they were thrown into a skip! Here are some gems from today:

ITGWU Wexford Membership Cards for employees of North Slob Farming Company, 1987.

Back of ITGWU Wexford Membership Cards for employees of North Slob Farming Company, 1987.

Header of letters to Labour Party delgates for the 31st Annual Conference in Cork City, May 1985.

ITGWU sticker, date unknown.

ITGWU ballot paper, date unknown.

Invitation from ITGWU Social Clun to Presentation Dinner Dance (to mark retirement of Tom Carr P.C. Branch Secretary) Talbot Hotel, Year unknown.

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Telepathe

Soon, I will have no money at all. The logic behind this is that for the first summer in yonks plenty of international talent is making its way to the city, taking my income in exchange for gig tickets. The upcoming gig from Joanna Newsom was exciting enough at first.

Telepathe are a band I’ve been on and on about for months to anyone who’ll listen. Coming from that great electronic music borough that is Brooklyn, they came to my attention with their 2009 effort Dance Mother, produced by David Sitek of TV On The Radio. An electronic band if such specific labelling was required, their roots and influences span a broad musical field. Hip hop influences mix with punk and noise-pop influences, and the sound that comes out of the big musical machine is unique to say the least.

I’m not the biggest fan of Whelan’s (Too dark for me, few lightbulbs’d be great lads…) but as with my recent trip to see Ted Leo exceptions do arise. I look forward to this one.

Telepathe play Whelan’s on August 14. Tickets are available from tickets.ie , priced at €15. It’s a Saturday, if you’re wondering….

Also, that legend Andy Milonakis off the telly reckons they’re good for the money. You’d trust him.

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Shanew from the Dublin.ie forums has uploaded a remarkable number of old maps of Dublin on his website. Maps from the following years are available: 1818, 1837, 1840, 1848 (x2), 1863, c. 1880 (x2), 1885 (x2) 1912 and 1916. To make it even more outsanding, they are all in Google map format. Thanks Shane!

St. Stephens Green and the surrounding area, 1818. (Click to enter full map)

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Typical enough sign in a Belfast boozer.

I’ve long been fascinated by F.C United of Manchester.

A football team unlike any other, they are owned by supporters and represent football in its truest form. Cheap tickets, fan culture and a sense of community. The demise of Manchester United F.C as a community entity ultimately paved the way for a club like this in Manchester, and FCUM enjoy cult like support in Manchester and beyond. The idea of seeing them take on North Belfast side Cliftonville at the West Belfast home of Donegal Celtic F.C was an appealing one, so up we went.

The three Come Here To Me contributers were joined by Luke, one of the Bohemian F.C faithful. Our understanding of football from the north-east is generally limited to Setanta Cup experiences in truth, with Cliftonville, Glentoran and Linfield being among the sides that southern teams frequently encounter in the competition. We’ve never been to Donegal Celtic Park, and are advised by a friend of one of the lads to taxi it, owing to the distance from the city centre. This city is soccer crazy in a way few are, everyone from Oscar Traynor to George Best kicked a football up here remember. The taxi driver is a Crusaders man himself. Everyone has a team.


“I am an F.C fan
I am Mancunian
I know what I want and I know how to get it
I want to destroy Glazer and Sky….”

FCUM have brought great support with them, several hundred fans are in the shed and they chant for 90 minutes. Cliftonville don’t bring many, though to their credit are fresh from a pretty impressive Euro victory and this game isn’t even in their own home stadium. We get in to the ground just as FCUM score, and the place erupts. The connection between the fans and players is excellent, and they feed off one another.

A Glagow Celtic/ F.C Sankt Pauli banner inside the stadium

One thing you notice straight away, and unlike any kickabout at Richmond Park or over on the northside, is the absolute lack of police inside the stadium. The amazing pride Donegal Celtic obviously have in their ground is clear too, a beautiful clubhouse and ground in perfect order meets the visitor. Post match, which Cliftonville win comfortably following a most impressive second half comeback, we’re in the company of both sets of supporters and fans of Celtic, Aston Villa and other clubs.

Belfast is a top class city, and much is owed to Donal, a friend of one of our own lads now at home there, for showing us around the pubs. A 1am bus home, wrapped in a new FCUM/Cliftonville scarf, and our day was over. A long way from the League of Ireland, and far more exciting than any Setanta Cup trip North.

FCUM, come back!

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My Grandfather, Patrick Devereux, and his sister, Mollyanne, were members of the Irish Citizens Army, and they fought during Easter Week. My Grandfather fought in the Imperial Hotel in O’Connell Streeet (now Clery’s Store), and Mollyanne fought in the College of Surgeons, Stephen’s Green. Christy Moore invited me to sing this song at the Centenary Concert of the SIPTU Union in Liberty Hall December 2009. – Brendan Devereux

I’ve just stumbled upon this catchy ballad on youtube. It’s only been on youtube for a week. No doubt it will quickly spread amongst left-wing and trade unuon circles online. Brenan Devereux has released two albums so far; Copper Alley (1996) and Songs from a Yellow Chair (2005) both of which you can purchase online from CDBaby. For more information on Devereux, you can visit his website here.

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This (presumably incorrectly captioned) photograph was on the front page of The Irish Times website for some time this morning. Definitely one of my favourite news ‘fails’ of the year.

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Grafton Street, 1911.

A timely gem this, from the National Archives online site.

I have gone from a weekly visitor to the Archives to never having time to set foot in the place owing to work,and you’d miss it. This leaflet is taken from 1911, and written by James Connolly. It can be read by expanding the image below.

Fellow-workers, stand by the dignity of your class. All these parading royalties, all this insolent aristocracy, all these grovelling, dirt-eating capitalist traitors, all these are but signs of disease in any social state – diseases which a royal visit brings to a head and spews in all its nastiness before our horrified eyes. But as the recognition of the disease is the first stage towards its cure, so that we may rid our social state of its political and social diseases, we must recognise the elements of corruption.

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Above: Oyasumi by Adebisi Shank, taken from The Richter Collective Label Sampler, which is only a click away from you right now.

Whenever I find it’s hurting my head trying to describe a band to someone, I like to google around and see what music journos think. They’re like me and you, only they make a living loving music. It’s always nice to find the odd gem that stumps even the best of them. NME described this act live as being “baffling, terrifying and utterly riveting.”

Baffling, I’m not so sure. This Is The Album Of A Band Called Adebisi Shank (see what they did there?) was very well received upon its release in 2007, and came in for praise from those prior mentioned journos from a wide variety of places. That bloody term ‘Robot rock’ has been thrown around, which is probably fitting, but I just think it sounds too silly to use so try not to. Still, if instrumental ‘robot rock’ sounds up your street, or like me you’re not entirely sure what that is yet but still enjoy good music, this gig may be right up your street.

The gig is designed to give Adebisi Shank a chance to try out some new material, with a new album dropping in August. Math rock, robot rock, catchy-as-hell rock, pick the label of your choice. Not Squares, Nialler9 and Gav (SEBP) will be on hand to DJ on the night. Show kicks off at 11.30, and will cost you one tenner note, two fivers, or whatever change in your pocket makes up €10.

Adebisi Shank
The Twisted Pepper, Middle Abbey Street
Saturday 11.30 P.M

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(Hopefully this will be the first of a series on movies set or filmed in Dublin.)

Though set in Liverpool, Willy Russell’s Educating Rita about a young working class girl (Julie Waters) hoping to better herself by studying literature, was filmed in Ireland. TCD, UCD, Maynooth, Phoenix Park, Connolly Station and Ringsend all make appearances.

Various shots of Trinity College. Byrant’s (Michael Caine) office was filmed in the rooms of the College Historical Society and the University Philosophical Society respectively, and while the building was considerably refurnished, the production chose to leave portraits of Douglas Hyde and Isaac Butt and committee photographs in the former and a bust of John Pentland Mahaffy in the latter.

02:13 – Southside quays opposite Liberty Hall. 02:48 – Rathgar. 10:15 – South Lotts, Ringsend.

01:31 – Pub, Exterior. The Dame Tavern. 01:54 – Pub, Interior. The Stags Head. 06:24 – Church of the Holy Family, Aughrim Street.

04:33 – 04:44 – Belfield, UCD. 04:45 – 04:57: Maynooth College. 05:01 – Library. UCD? NUIM? TCD? 05:35 – NUIM? 07:37 – The old Connolly DART station. 08:22 – People’s Gardens, Phoenix Park. 09:35 – Crosthwaite Park, Dublin.

04:04 – Dobbin’s Wine Bistro – 15 Stephens Lane.

05:40 – “Flamingo, Parkes Hotel” Stillorgan Park Hotel, Stillorgan Road, Dublin. 08:29 – Ringsend

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Dance around the fountain with your Spanish friends.

We’re in Pygmalion, and the drinks are cheap. Half price, everything. The whole lot. We’re into extra time now and this game is going to the wire. Chris turns to me, with a look that says ‘I have a really, really good idea’.

If Spain get this, I’m straight off to Temple Bar”.

They get it. 1 nil, and the anti-football of the Dutch has lost. We’re off, straight out the door towards Temple Bar. A small-scale Saint Patrick’s Day for Spaniards has kicked off from the bottom of Grafton Street, moving towards Temple Bar in drunken ecstacy . By the time we get to the fountain by College Green, it’s pure madness. We’re dancing around the thing, singing songs we don’t even understand. Brian, one of the lads who finds himself in the company of the drunken Spaniards, has to collect his car and can’t drink. This must have been a sight to sober eyes. Vuvuzelas and fountains come together, girls (and boys) get IN the thing, and Gardai look on and smile.

We stuff our face at Ray’s (Dublin’s best pizza, anyone who says otherwise is wrong) and head for Westmoreland Street and the bus home. BUT WAIT. It’s a woman with what look like vouchers for something. Something free perhaps. ALL IN.

We’re now in the doorway of what we know as Doran’s. It’s bizarre, the place is completely unrecognisable. The walls are decorated with bizarre Irish stuff, ranging from a Land War poster to a copy of the 1916 Proclamation, and loads of Guinness malarky. They’ve essentially tried to create a ‘traditional pub’ (whatever that is) out of nothing. What better way to compliment that than a bizarre 1980’s themed club?

Down the stairs and we’re into Madonna’s. Pints are ordered, and free shots handed over.

“Here, fill that up” says Simon, not responding well to a half empty plastic shot glass. You’d wonder why he asked, we’re essentially drinking Calpol. I’ve ordered a pint of Guinness, and when it returns I’m asked to fork over €5.50 for it. Brian is still taking in the things only a truly sober eye can notice, like the decor of the place. “You know anywhere with a carpeted floor is going to be classy”. Good observation that, take note.

If you’ve played Grand Theft Auto Vice City, this IS that nightclub.

When playing Vice City, this is when I take out my rocket launcher.

They’re playing Never Gonna Give You Up, and it’s not even closing time. Now they’re playing Michael Jackson. Girls Just Wanna Have Fun is next. The place has a sort of disco look to it, and a general sort of ‘bit of a laugh’ vibe off it. It’s a long, long way from what was here before it however, and feels about as genuine as the ‘traditional’ pub they’ve put upstairs. Everyone here seems to be a tourist, which says it all really. It’s sure to make enough money to survive in Temple Bar, but does Temple Bar need an eighties bar? Most of the kips in the area don’t look like they’ve changed much since then anyway.

I look forward to seeing what this is turned into next month. Still, what a night. I wouldn’t have changed a single thing.

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