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Archive for the ‘Music’ Category

A who’s who of the Irish comedy and entertainment world played a major benefit gig, entitled The Entertainment Party Conference, in The Olmypia Theatre on July 15 1990. Money raised went to the Simon Community and a new ‘Comedy Fund’ to help subsidise improv and writing workshops for up and coming comics.

Here are two pictures of the event that have never been published before.

The first shows Philip Chevron (The Radiators of Space/The Pogues), Ronnie Drew (The Dubliners), Terry Woods (Sweeney’s Men/Steeleye Span/The Pogues) and Paul Brady.

(c) Billy Magra collection. Scanned up by Carax.

The second picture shows the closing ceremony and the crowd includes Terry Woods, Ronnie Drew, Ardal O’Hanlon, Dermot Carmody,Shay Healy, Michael Redmond, Barry Murphy, Gerry Ryan, Dave Fanning, Agnes Bernelle, Niall MacAnna, Billy Magra and a few others.

(c) Billy Magra collection. Scanned up Carax.

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“I was rapping with an American accent til I was about fifteen or sixteen and someone turned around and went ‘here you’re not from the Bronx. You’re from the Blanch – you should rap like it.’

Costello

I saw Costello with the other Street Literature lads at a fundraiser for Rabble magazine last Saturday (issue three of that magazine should be on the streets of Dublin by the day of Saint Patrick), and as ever they delivered. Of course the Street Literature lads were among those to feature in the recent ‘Ireland’s Rappers’ documentary on RTE, which I have to be honest and say like a lot of others I found a bit disappointing. It lacked the right historical context (where were Scary Éire!), and seemed to want to present some sort of American ‘feud’ where really there doesn’t seem to be one in reality. Still, the Street Literature lads at least came off as genuine and people who do what they do because, well, they like doing it.

Workin’ Class Records continue to keep their music easily available to all, with all releases available to stream via their site and respective bandcamp sites, for example LD50 Part II from Lethal Dialect, one of the most talked about Irish hip hop albums in a long time. This seems to be as much a matter of principle as anything else, and should be welcomed these days. The buzz they’ve generated through this approach should be noted.

Costello’s album is something we’ve been looking forward to since the video for Young Apprentice was released a few weeks ago. The album ‘Illosophical’ is now available to listen to, free, by clicking here. My personal favourite track on it is ‘The Devil’s A Liar’, taking aim at the government and church, it’s a sharp piece of Dublin hip hop.

Enjoy. Costello will formally launch the album March 15th with Junior Spesh at the Twisted Pepper.

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Michael Kiwanuka

Debut Album released 13th March 2012.

It’s fascinating to watch an artists rise to fame, especially from a Dublin angle.

Michael Kiwanuka, the extraordinarily talented 23-year-old London-born soul singer, made his Dublin debut upstairs in The Grand Social on 30th October 2011. Tickets were €14.50 and I heard that The Loft, which has a capacity of 230 seating, was reasonably full. You could argue that only people really on the ball would have known about this gig. The music bloggers, their mates and everyone who spends that little more time than most keeping ahead with what’s going on.

I wish I had been there.

Then, last Saturday (Feb 11) Michael played The Sugar Club. It was one of my favourite gigs, by far, of the last year. Tickets were still priced at a very reasonable €14.50. The Sugar Club, one of Dublin’s most intimate venues, has a capacity of 350 and the gig was completely sold out. Knowledge of this gig would have been known to the next ‘layer’, people like myself who read State.ie, Nialler9 and (occasionally) The Hot Press and pretend to think that they know what’s going on. Reviews here (GoldenPlec) and here (cockandbullTV).

Earlier this week it was announced, obviously on the back of the successful Sugar Club gig, that Michael will be returning to Dublin in May to play The Academy. It’s great to see that tickets have remained low, at only €16.00. Capacity is 650 people with possibility for an additional 200 on the upper balcony, over three times the size of The Grand Social where he first played only four months ago. By this stage the third ‘layer’ of people will be aware of Michael, probably reading about him in Jim O’Carrol’s excellent Ticket (Irish Times).

What’s next? Assuming, everything goes right for the guy maybe a date at The Village (550 capacity) or The Button Factory (750 capacity) early next year followed by a sell out night in Vicar St. (1000 capacity) or even The Olympia Theatre (1300 capacity) in 2013? Who knows.

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Free State Nova.

Glad to see that Dundalk’s finest Jinx Lennon is coming back to the capital in February, with a gig on Thursday the 16th at Bewleys Cafe Theatre. I’ve not been to a gig in the venue yet believe it or not so I’m looking forward to it, and I loved the recent effort Hungry Bastard Hibernia from Jinx, and I saw him around the time of its release playing live on Dame Street in the freezing cold.

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There were  a number of highly significant and influential one-day and two-day Punk and New Wave festivals from mid 1977 to late 1978 in Dublin.

The first was the Belfield Festival in UCD which took place on 25 June 1977. The line up was The Radiators from Space, The Undertones, The Vipers, Revolver and The Gamblers. Sadly the gig is perhaps best known for the tragic fatal stabbing which took place on the night.

Philip Byrne of Revolver. (Picture: U2TheEarlyDaze)

Secondly, there was the first annual New Wave Festival which took place over two nights in The Project Arts Centre on 8 – 9 November 1977. The first night saw The Vipers and The Gamblers and the second night Revolver, Fabulous Fabrics and The Kamikaze Kids.

Paul Boyle (The Vipers), Steve Jones (The Sex Pistols), George Sweeney (The Vipers) & Larry Mullen (U2) at the Hot Press Xmas Party, '78. (Picture: U2TheEarlyDaze)

Thirdly, there was the one day Punk Festival on 28 November 1978 in St. Anthony’s Hall on the quays. The line up was The New Versions, Berlin, Virgin Prunes, Strange Movements, the Skank Mooks and The Citizens.

Strange Movements (Picture - Irishrock.org)

Anyone have any memories, pictures or gig posters of the above, please do get in touch.

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Great stuff this from Workin Class Records, more Dublin hip hop worth your time and ears.

Previously:
Street Literature-Products of the Environment

Costello- Young Apprentice.

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The Free Peace Festival in The Phoenix Park in 1978 can either be seen as a bitter disappointment or as a fantastic achievement depending on your outlook.

It can be seen as a disappointment for it was supposed to take place over a full weekend, feature over ninety acts over three stages and attract over 50,000 revelers, but in the end, the festival opened with only one stage, a handful of bands and only 3,000 or so fans.

The achievement lies that in the fact that a free festival took place in The Phoenix Park which attracted 3,000 people, three times more than the one the year before.

Irish Press, Aug 08, 1978.

Bill ‘Ubi’ Dywer (1933 – 2001), the ecentric Irish-born self-described ‘non-violent anarchist’ and main organiser, made his name running the Windsor Free Festival in London from 1972 – 1974 which saw over 100,000 attend and was widely seen as being the forerunner for the Free Festival Movement and directly the Stonehenge Free Festival and the later Glastonbury Festival.

Ubi and Friend. © Al Lyons

The 1978 festival in The Phoenix Park was supposed to feature over ninety acts including U2, De Dannan, Clannad, Horslips, Paul Brady, The Bach St Kids, VHF, Biro’s, Revolver, Rocky De Valera & The Gravediggers and Brown Thomas. I’m not sure which of those actually played in the end. As well as music, there was theatre, mime and an adventure playground for children.

Gareth Byrne remembers that day:

Saturday 5th August the first morning was bright when organisers began to arrive at The Hollow. The first band played to a trickle of spectators. By midday I spotted half a dozen individuals in wheel chairs at one corner, supervised helpfully by Fergus Rowan and a friend, who had arranged special transport. Gradually the attendance swelled to a few hundred individuals and parents with children. More bands arrived and got their gear ready. By lunchtime the sky had clouded over and there was a heavy downpour. Ubi donned a yellow showerproof cape and put a cheerful face on things by dancing and twirling to the music around the bandstand. I noticed a sharp row he had with members of one band who got nervous about the possibility of electric shock and wanted to switch off the AC/DC system. He effed and blinded loudly at them and insisted that the show go on. The shower died down, the sun reappeared, and Ubi disappeared. More people turned up to listen and the music went on smoothly until about 7 p.m.

Around 4 p.m. Ubi reappeared at the bandstand and looked the worse for drink. His reeking breath and raving demeanour suggested several double shots of Irish whiskey in addition to the customary pints of Guinness. A uniformed member of the Gardai (police) and a plainclothes detective tried to reason with him. He was escorted from The Hollow, somehow got to the ferry harbour at Dun Laoghaire and took the boat and overnight train to London. British newspapers reported a week later that Thames Valley police arrested him as he arrived at Windsor Park intending to launch a banned free music festival there. He was sentenced to jail and didn’t return to Dublin until the autumn of 1979.

In many ways, the Free Peace Festival was overshadowed by the first Carnsore Anti-Nuclear Rally which took place just two weeks after and attracted over 10,000 people.

Ubi later ran as an independent in Dun Laoghaire for the Dail in 1981 and 1982, receiving 927 and 418 votes respectively, and later was involved in the campaigning for legalisation of Cannabisand H-Blocks prisoner rights. He was involved in a cycling accident in the late 1990s in the Dublin mountains, never fully recovered from his injuries at died at the age of 68 in 2001.

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This is great stuff from Costello, on Workin’ Class Records. Recently we featured Products Of The Environment from Street Literature, one of my favourite albums I came across this year. The track above comes from Costello’s forthcoming album Illosophical.

The current issue of Rabble, the freebie available throughout the city, includes an interview with Costello, a great read under the title ‘It’s A Dublin Thing’.

I was rapping with an American accent til I was about fifteen or sixteen and someone turned around and went ‘here you’re not from the Bronx, you’re from the Blanch- you should rap like it.’

Workin' Class Records

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This is something else, a blast from the past in the form of Watch Your House, a 1994 tribute to Ireland (and Saint Patrick’s Athletic!) legend Paul McGrath. Well done to Youtuber Cushens for booting this onto Youtube from the original tape. Enjoy.

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The Blades (Live, 1984)

Audio of The Blades playing the TV Club, Harcourt Street on 23 November 1984 has made it online. The bootleg was uploaded by Bill Kealy who runs the For Dancers Only Northern Soul nights in Wexford. Though the audio isn’t crystal clear the tape, which runs at 90mins, really captures the atmosphere of the crowd and gig. Various people shouting things like ‘Get out of me way!’ can be heard throughout.

Side one / Side two.

The Blades live at the SFX on 9 November 1985 can be heard here on the brilliant Fanning Sessions blog while the second part of a 1985 live broadcast of the band can be heard here.

Released last week, The Blades feature on the Reekus Records compilation ‘Too Late To Stop Now’ which marks the 30th anniversary of the influential record label. The Blades feature four times while Paul Cleary features as many times himself with solo material.

[We’ve featured The Blades a number of times on this blog before;  Revelations (Of 45s), The Blades Are Sharp,  os Blades? and  The Blades singles.]

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This Saturday sees the tenth installment of the Punky Reggae Party club nigt in Dublin. We’ll be taking over the the The Dark Horse Inn George’s Quay for a sizzling selection of rudeboy reggae, stompin’ soul and premium punk rock.

The last time our guest DJ Ferdia was behind the decks was the TCD Ball 31 years ago! Legendary singer with one-gig-wonder Johnny Jurex & The Punk Pistols (1976), original punks Rocky de Valera and The Rhythm Kings (1977-79) and respected roots rockers The Rhythm Kings (1980 – 83), MacAnna has been a leading name in Dublin’s punk, new wave and rock music scene for well over three decades. Also a novelist, playwright and television producer MacAnna’s 1991 coming-of-age novel The Last Of The High Kings was made into a was made into a Hollywood movie starring Gabriel Byrne, Stephen Rea and Christina Ricci in 1996.

Our second guest DJ is the ever enduring Traycee who has been a stalwart DJ on the international ska & reggae scene for over 20+ years. Traycee, whose 7inch collection is absolutely legendary, was previously behind the “A Trip To Oi! Town” zine and Knockin’ Boots Promotions which brought over such legendary punk acts as Demob and ska legends as Symarip. Traycee brought the house down last time she played a Punky Reggae Party back in February 2010.

Poster put together by the fab Claire Davey.

For more info, check out the Facebook event here.

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Dark horse on the wind.

I was sent this video earlier on promoting the Spectacle of Defiance and Hope protest this Saturday. This protest is a particularly interesting one, as it revolves around a broad alliance of community organisations from Dublin, including arts groups and the like, which gives the demo a great youthful and colourful atmosphere.

I was taken aback by the tune in the video, a great cover of Liam Weldon’s ‘Dark Horse On The Wind’. The late Liam Weldon has long been one of my favourite singers, and we’ve posted a feature on Liam (once described as being “As Dublin as the Easter Rising and as Irish as the Limerick Soviet that got clobbered.”) here in the past.

Liam’s original version of the track isn’t online, so I took it upon myself to rectify that. It’s words are as timely as ever, his voice as strong as the first time I heard it. Can anyone name the band covering the track in the Spectacle of Defiance ad?


Above:Liam Weldon- Dark Horse On The Wind.

All those who died for liberty have heard the eagle scream
All the ones who died for liberty have died but for a dream
Oh then rise, rise, rise, dark horse on the wind
For in no nation on earth more broken dreams you’ll find

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