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Saints blasts from the past.

The folks over at the Saint Patrick’s Athletic site have been excellent for getting archive clips onto YouTube, from both historical victories and defeats. It’s interesting to look at how the game has changed in Ireland, and indeed everything from stadiums to supporters flags and banners have come on in leaps and bounds.

This RTE 1993 report on the return to Richmond Park is excellent.

“..always a warm welcome from one of the friendliest clubs in the League.”

1996 FAI Cup Final footage from a clash with Shelbourne, from Lansdowne Road. Will we be back there this year?

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Against The Wall.

This weekend sees the launch of ‘Against The Wall’, a book on the work of artists both local and international that has turned the infamous wall erected by the Israeli state into a blank art canvas to work from. Sometimes humour shines through, more often anger. Among the graffiti artists to add to the wall one finds the likes of household name Banksy and Ron English.

Before the book launch there will be accompanying events where street art inspired by the book will be painted at The Bernard Shaw pub. This will take place on Friday October 15 from 3pm.

Following this event, the book will be launched at Connolly Books, East Essex Street at 6.30pm.

More information is available from the Irish Palestine Solidarity Campaign over here.

Go, fetch to me a pint o’ wine,
And fill it in a silver tassie,
That I may drink before I go.
A service to my bonie lassie

From that song came the footballer, Harry Heegan, who won the cup and went to war, and the entire narrative of The Silver Tassie….Sean had spoken with great excitement and urgency of his treatment of the second act in the war zone on The Western Front.
Eileen O’ Casey from ‘Sean’

The 1920s in Britain produced plenty of literature, plays and drama inspired by the ‘Great War’. The majority of this of course was almost nostalgic, reflecting the soldiers of the empire as a unified organisation of heroes. It was also for the most part the product of men who had been nowhere near the war, and C. Desmond Greaves remarked in his excellent study of the politics of Sean O’ Casey that in such works “..officers and gentlemen emitted the cosy sentiments of the cricket field”.

The cosy repackaging of the war was a long way removed from the view held by many in the labour movement of course. James Connolly had written in the midst of the war that “the carnival of murder on the continent will be remembered as a nightmare in the future”, a view no doubt shared by O’ Casey. In The Silver Tassie, O’ Casey’s excellent anti-war play, we see a rejection of the more comfortable version of events. Like Connolly before him, O’ Casey saw the war as nothing but the slaughter of working class men.

The Abbey rejection of The Silver Tassie is well documented. It was perhaps unsurprising, owing to the response to The Plough and the Stars in 1926, and the new direction of O’ Casey’s work. Yeats famously wrote to O’ Casey that “…you are not interested in the Great War; you never stood on its battlefields, never walked in its hospitals, and so write out of your opinions.” Yet O’ Casey had seen the horror of the war firsthand. While at St. Vincent’s Hospital he had been in the presence of men completely destroyed by the war. His own brothers had been in the British army, and like any working class Dubliner O’ Casey had seen men walking around the city as shadows of their former selves. The hurt caused to O’ Casey by the rejection of the play was perhaps clearest when he refused to meet Lady Gregory in London, despite her writing of her desires to see the play there.

Men of the 10th (Irish) Division.

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Sunday Morning Coming Down.

There is something about town at 6am on a Sunday morning. Traffic lights change with nobody to even notice, the taxi men have gone home for the most part and in that awkward three hours between the last Nitelink and the first commuter bus, even Westmoreland Street is quiet. You pass Supermacs, Abrakebabra and the sort and see workers cleaning up, but no activity beyond that. The maddest night of the week has passed for them, and unlike Londis on the corner their windows have made it through in one piece.

There is no real activity anywhere beyond McDonalds, where 6am appears a fine time to many Dubliners to grab breakfast. A bizarre mix of people await you inside, ranging from those who have finally given up the ghost on Saturday night and have made the decision to return home to those whose high-vis jackets suggest the working day is about to begin. Coffee flows freely, while the odd drunken youth demands a Coca Cola. Nothing works better with a Bacon Egg McMuffin, I imagine. It’s made fairly clear to punters that McDonalds does not a bus terminus make, and in the course of half an hour numerous people are moved along. I take the tip, grab a coffee and we’re off.

The base of the Daniel O’ Connell status resembles a public bin, but as such is just in keeping with the general vibe of the street behind him. You wouldn’t envy the street cleaners. Among the more unusual items discarded here, we find a swivel chair (where did that come from?), which is later spotted coming up the street with a merry youngster in the driving seat. Gardaí pass in groups of four or even five, but a lad on a swivel chair doesn’t seem too much of a threat to the peace.

We pass a father and son combination going from shop to shop to drop off the Sunday newspapers. The young lad is flying, Tribunes and Sunday Times left from shop to shop at record pace. His passion for the job at hand isn’t shared by many, and more than a few people on route to work can be heard to mutter “fucking hells…” and the like about the streetscape before them, in a rigged sheep competition kind of astonishment.

Catching the 7.05AM bus out-of-town, you can’t help but be surprised how many people are on the thing. So much for Sunday being a day of rest for workers, the vast majority of these people seem to be off to earn a living. A man who boards the bus on the quays is the ultimate ‘thing I don’t want to see on my way to work’ without a doubt, an idiot who proceeds to burst into song.

“WIMAX, ALL ACROSS THE NATION.
SOMETHING SOMETHING NEW SENSATION…”

This is followed by him telling everyone who will listen that his father from Tipperary “hates the blacks”, and him commenting on the amount of “gays” up by Georges Street. I didn’t have the heart to explain this one to him, and it seems to be rolling eyes all over the bus, at least from those who are awake. A Nokia alarm sound wakes one man who seems to have this to a second, and he’s awake and off the bus for work. When he gets the bus back to town, he’ll probably step out into an unrecognisable city from this morning, and WiMax man will likely still be in bed.

A Requiem for Dublin (1998)

A fascinating five part documentary on the history of Dublin, focusing on the city’s markets and the redevelopment of the city, that recently surfaced on Youtube.

View from the roof.

It should no doubt interest a few of our readers to hear that the roof of Liberty Hall is open to Joe Public tomorrow. The view is excellent, and completely destroys the myth that the Guinness Storehouse offers the best view of the city. It’s open to the public from 10am to 1pm, and there is disabled access. I got up myself a few years ago when Siptu opened the roof to the public to mark May Day, and thought the view was well worth the trip.

It’s all thanks to the Open House Dublin Festival, celebrating the architecture of the city.

Here are two videos on YouTube from the roof, taken by YouTuber thebettyfordclinic

Friday

Dublin Bus ticket colours.

theyareus

What I had hoped for in a couple of posts last week has come true. I’m finding it hard to gather my thoughts on it, with two games to go, Bohs could actually snatch victory and win three league titles in a row… I’ll post up more later, but for now, I’ll leave you with this gem from Bohstim.

Glen Crowe, always a legend

Between 9/11 lunatics and the ‘tap water will kill us all’ people, there’s never a dull lamppost in Dublin.

Waiting ages for the Dorsh

I’ve only read one of the Ross O’ Carroll-Kelly books, but I think the idea is excellent. It’s almost surreal that when one visits the areas lampooned in the works, you find young people have almost adopted the ROC lad as a mascot. Infamously, a few goys were inspired to copy his antics and drive through Tallaght throwing €5 notes out the window of a car. Hopefully, all has changed, changed utterly in their own gated community since 2007.

One of the best viral campaigns I’ve seen to date has been Ross O’ Carroll-Kelly’s taking to Facebook. The bigheaded (in more ways than one) goy has been snapped all over the city with Dubliners, in a few choice locations (Blackrock,Dundrum,Trinners and the sort) and a few more unusual ones too.

I’m at, like, Apres Match in Vicar Street. It’s
practically the Liberties. Come quick if you’re coming. I don’t like the way
people are looking at me.

Low lie the fields of Anglesea Road. I’m in Ballsbridge to see Munster take a tonking.

Have a looksie over here

A time before 'Health and Safety'

“For some thirty-five years now this great grim building, empty and neglected, has been falling into serious disrepair.”

My thanks to Luke Fallon for permission to upload this here.

This surfaced recently, and makes for excellent reading. As ever, best read in full screen.

At the minute there is an excellent photo-exhibition running at Kilmainham Jail on the restoration years, entitled Kilmainham Calling. It is important to remember we owe all this to the hard work of volunteers (in some cases ‘Volunteers’ of more than one kind!) who gave up time to help restore Kilmainham Jail to what it is today.

I’m hoping that Dave Fanning’s memoir “The thing is…” which was published last week will be of interest to those like myself with a preoccupation with 1970s & 1980s Dublin youth/music culture.

Till I report back, here’s a hilarious photo of Dave from 1977 (included with a review of the band stepaside) recently published on the website of Kiely’s, a pub in Mount Merrion.

Kiely’s, which used to be called The Sportman’s Inn and before that The Stella, boasts a illustrious musical history going as far as to describe itself as “Ireland’s Oldest Live Pub Rock Music Venue”.

In the 1960s, The Stella was a popular spot with the Showbands. Between 1976 and 1983, The Sportman’s Inn played host to a who’s who of Irish New Wave acts (U2, The Radiators From Space, The Atrix (?), D.C. Nien, The Moondogs,  Auto Da Fe, The Resistors, Fit Kilkenny and the Remoulds and Rocky DeValera and The Grave Diggers) and an array of national and international talent including Desmond Dekker (!!), Dexy’s Midnight Runners, Christy Moore, Van Morrison, Rory Gallagher and Clannad.

It’s great to see that Kiely’s is continuing the tradition having recently launched a new weekly night called Kielys Student Sessions offering €3.50 pints and the chance to see local up and coming bands.