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The Irish Independent – Sep 15, 1939.

In September and October 1939 a 21-year-old “coloured alien” by the name of Karl Schumann, who also used the alias Ashely Shoeman, was found sleeping, on at least on two occasions, on the roof of the Polo Pavilion in the Phoenix Park.

It was heard in court that Schumann first arrived into Ireland, via Limerick, on a German steamer boat and decided that he “did not want to go further”.

Due to the fact that he reached Ireland in a German vessel, there was some confusion over his his nationality.

He was described first in court in by Senior District Justice Little as a “German from Cape Town”. However Mr. Donovan from the Chief Solictor’s Office raised the point that it “was mere chance that he was on a German ship” and because of his South African birth he should be described as a “British subject”.

The Victorian Polo Pavilion on the Nine Acres in The Phoenix Park from ‘The Illustrated Sporting & Dramatic News’, September 8 1900.

At the time, Schumann was living at an address in James Street but the house number was not given.

Schumann was again up in court in October 1939 for the same offence and here he was described as “British national … born in Cape Town”. The case was dismissed by the judge.

That’s when his trail ends.

I wonder what happened to Karl Schumann? Did he stay in Dublin? Return to his birthplace of Cape Town? Or perhaps make a new life in Britain?

He was born in 1917/1918 so he has, most likely, passed away at this stage.

If anyone has any information, please get in touch.
[References –  Irish Press; Sep 15 1939 & Oct 03 1939. Irish Independent; Sep 15 1939.]

Is there anything as sweet in football, or as painful, as a last minute goal? At half-time tonight in the Dublin derby between Saint Patrick’s Athletic and Bohemians i genuinely considered sticking in McDowell’s pub. 45 minutes later, and we’d gone from a goal down and playing horrific football to robbing it with what was basically the last kick of the game. We’ve been on the wrong side of the oul’ ‘last kick of the game’ a bit too often for my liking in recent years, so it felt very sweet indeed. A classic bit of Northern Soul from The Shirelles came to mind.

Pre match effort from Saint Patrick’s Athletic fans. It’s draws, mainly.

Perhaps the most interesting part of tonight however was the appearance of protest banners across the league in opposition to the total shambles that is the current set-up within the Football Association of Ireland. The FAI has the dubious honour of paying its president more than the combined prize-money available to all sides across the league. While the associations president, John Delaney, was recorded on the total piss in Poland engaging in sing-song sessions, Monaghan United were forced to drop out of the domestic league in less than dignified circumstances, only mid-season. They are not the first, and I dare say won’t be the last, top-tier side to fall in such circumstances.

Saint Patrick’s Athletic (“Seven Clubs, Six Years: Too Much FAIlure”), Derry City (“JD Drinks, while the LOI sinks”), Bohs (“Ireland’s Football Problems Can’t Be Sung Away”) and Drogheda (“Gr€€dy, Corrupt, FAIlures”) fans all unveiled banners tonight making their feelings known on the running of ‘The Beautiful Game’ here. For me, the Bohs banner captured it all perfectly. It may be loney ’round the fields of Athenry, but it’s pretty grim in Gortakeegan too, without a local football side.

Saint Patrick’s Athletic protest banner. Photo (c) Paul Reynolds.

Bohs protest banner. Photo (C) Paul Reynolds.

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Matt Stafford. go Irish Press – Apr 01, 1938.

Dublin-born Matt Stafford took part in both The Fenian Rising of 1867 and The Easter Rising of 1916. I have not heard of any other individual who could boast of such an achievement.

He was described by Sean O’Casey as “a fine old skin, & a brave, honest man”. (The Letters of Sean O’Casey: 1942-54, p. 995)

My knowledge of Stafford from reading Harry Colley’s Witness Statement (no. 1687) to the Bureau of Military History in which he remembered:

… one Sunday morning when the whole Battalion was on parade we were doubling around Fr. Matthew Park and after two rounds an elderly man fell out of the ranks. I discovered that this man was Matt Stafford who must have been at at that time 64 years of age, and that he had been “out” with the Fenians at Tallaght as a boy. I always think what marvellous energy and enthusiasm he must have possessed to be able to double two rounds of Fr. Matthew Park at that age. Matt Stafford was later a Senator for a number of years and died at 95 years of age.

In actual fact, Stafford lived until he was 98!

A founding member of Sinn Fein, he played a prominent part in the Rising and then went onto become a founding member of Fianna Fail. Described by The Irish Times at the time of his death as “one of the last surviving members of the Fenian Brotherhood”, Stafford outlived his son Matt Stafford Jr. (d. 1947) who had taken part in the War of Independence and was interned in the Ballykinlar Camp in 1920-21.

A senator from 1937 – 1948, Stafford was also a member of Dublin Corporation, the Central Midwives’ Board and the Grangegorman Mental Hospital Committee.

Irish Press – Oct 05, 1939.

In 1945, De Valera described Stafford as the “longest link they had going back to the Fenian days”. (IT, 12/10/45)

Two years later, Stafford was formally honoured by the Fianna Fail party and was presented with his portrait in oils.

Irish Press – May 29, 1947.

De Valera said during this presentation:

The whole history of the past one hundred years can be exemplified in his person. He bridges all that immense period of time, which probably was one of the most eventful in Irish history and, indeed, taking a broader view, of the history of the world. To be able to look back on seventy-five years of active national work is given to a very few.

A 1942 election leaflet of his can be viewed on the wonderful Irish Election Literature blog here.

Image of The Patriots Inn from official website.

Interest in our recent post of the stonework of the Lafayette Building and others like it show that Dubliners are always interested in the former lives of the buildings of Dublin. Another building with an interesting historical feature is The Patriots Inn pub in Kilmainham. A more than decent pub, it sits in a fine historic location, with the Royal Hospital and Kilmainham Gaol among its neighbours. There has been an inn located on the site since the 1790s, historically enjoying both the custom of workers of Kilmainham Gaol and those of the Great Southern and Western Railway.

The pub is one of the last buildings in Dublin to boast an insurance firemark upon it:

Thanks to David Power for this image.

Before the establishment of a public fire service, insurance companies offered protection to premises marked by a ‘firemark’. These were essentially emblems (usually of lead) which displayed a company logo and insurance number. Before the establishment of a public fire service, no premises was covered until a firemark was in place.

In his history of the Cork fire service, For Whom The Bells Tolled, Pat Poland noted that:

The firemark served a number of purposes: it marked the property so it was obvious to all that the building was covered by insurance, it acted as an advertisement for the insurance company, and it let firemen responding to a call in no doubt as to which particular building was insured with their office.

There are very few such firemarks left to be seen in the city today. There is perhaps a joke to be made somewhere in the fact that from earlier this year, a €500+ call-out charge has come with a ring to the Dublin Fire Brigade!

This is a very interesting map compiled by the folks at Unlock NAMA, and I must say the idea of mapping the city like this a good one. It really brings NAMA to life when you see what falls under its ownership list in an area the size of just Smithfield. Unlock NAMA are holding two discussions in the area in the days ahead. The first discussion will take place in the Macro Community Resource Centre on North King St., at 7pm on Wednesday the 20th of June, while the second discussion will happen in the Prussia Street Parish Centre, 7.30pm on Thursday the 21st of June.

An upcoming public meeting next Tuesday (June 26, 7:30pm) was brought to my attention, entitled ‘New Perspectives on Republicanism in the 1960s’. It takes place in the Pearse Centre at 27 Pearse Street. The building is instantly recognisable by its fantastic restored front appearance, and the name ‘Pearse and Sons’ is found over what was once the business premises of the father of Patrick and William Pearse.

Brian Hanley (Historian, author of The IRA, 1926-1936, The IRA – a Documentary History, and co-author of The Lost Revolution) will be joined by Matt Treacy (Historian, author of The IRA 1956-69: Rethinking the Republic) for what should be an interesting night.

I’m currently doing research for an article in the CHTM! book  on the history of drug use in Dublin from 1964 to 1972.

The Irish Times, 09 Aug 1969.

Primarily focusing on the psychedelic drug LSD and psychoactive drug Cannabis, it’s fascinating to read through The Irish Press, The Irish Times and The Irish Independent and see these types of drugs being talked about for the first time.

You then see the establishment of the Drugs Squad in 1967 (led by the legendary Inspector Denis Mullins) and the general increase in both consumption and arrests relating to the drugs which cumulated in The Yeoman Inn raid in November 1972 which saw 36 police busting the South King Street bar and arresting 34 people. This is where my research ends.

The Sunday Independent. November 19 1972.

So far I’ve only been relying on newspaper articles. I’ve love to hear from anyone who may have any information relating to use of the use of LSD and Cannabis in Dublin in the 1960s and early 1970s. What kind of people were using it first, where were people using it, where were people getting it from etc.

Obviously not looking for names or incriminating evidence (!), just stories or anecdotes. If you can help, drop me a mail at ‘matchgrams(at)gmail.com’. Thanks.

Sacre Bleu (1977 – 1980)

The Irish Times – 05 Feb 1979.

 

Five piece Dublin RnB/New Wave group who released two singles in their three year career.

They played their first gig on November 25 1977 in The Castle Inn, Salthill,  toured with The Fabalous Fabrics in February 1979, one of the earliest Irish New Wave tours and played the second New Wave Festival in the Project Arts Centre on September 15 1979.

Niall Stokes (Hot Press) caught them supporting The Boomtown Rats in The Stella Cinema, Rathmines in December 1977:

I caught the support band Sacre Bleu, with old Eyeless mate Pat Courtney on bass, briefly on the second night and liked what I saw. Unfortunate to have to break the ice before what was at the time an almost completely empty hall (the early arrivals had all gone upstairs to the balcony), they manifested a confidence and professionalism far beyond their age as a unit.
I wasn’t able to stay around long enough to offer anything like a constructive critique of their music but this much seemed clear – that if they can further develop the tightness which already marks their collective playing, they’ll produce an R n B sound to match the best that’s ever come out of this country.

Here’s the fantastically designed poster for the 2nd annual New Wave Festival in 1978:

2nd New Wave Festival, 1978

The band released two singles:

Broken Promises/ Mademoiselle Goodnight
7″ – Polydor Records – 2078 104 – IRL – June 1979 – PS
Produced by Dave Moore

and

Move It / Just Another Saturday Night
7″ – Polydor Records – 2078 107 – Irl – Oct 1979 – PS
A-Side produced by Donal Lunny, B-Side by Dave Moore

More info on the band can be found here (Irish Rock Discography) and here (U2 Early Dayz)

One thing we’ve been attempting to do in recent times is get more usage out of the Come Here To Me Facebook page. JayCarax in particular has tried to post interesting third-party links and stories with a Dublin focus, and we’ve posted tidbits there that may not be suitable material for a full post on the blog on their own.

There’s interesting engagement with the page from others too, and people have been very generous with links and images. This fantastic image was left on the Facebook page today by Garry O’Neill, author of Where Were You?. It’s an absolutely incredible image from Wally Cassidy, all the more powerful in black and white. Does anyone know the context of the image?

(C) Wally Cassidy

Connolly Was There

A fantastic image just posted by Dublin street artist Maser, showing the Edinburgh born labour leader James Connolly. Our interview with Maser back in January can be read here.

There is a wealth of history in this city and country that can supply an extensive body of visual work for any artist. There are still a lot of people, places and situations I need to paint and talk about.

Connolly featured also in Maser’s colloborative exhibition effort back in 2010 with Damien Dempsey, entitled They Are Us.

The Lafayette Building on the corner of D’Olier Street and Westmoreland Street is a real Dublin landmark, and stands in great contrast to O’Connell Bridge House next to it. It seems younger Dubs refer to O’Connell Bridge House as the ‘Heineken Building’, but the corporate advertising on the building has changed several times! The Lafayette Building, which looks straight down O’Connell Street, is a far more visually pleasing building. It takes its contemporary name from the famous Lafayette photographers. As Christian Casey has noted in her architectural study of Dublin, it was built for the Liverpool and Lanchasire Insurance Company in the 1890s. Casey has described the building as a “Portland stone baronial excercise with Gothic and Ruskinian leanings”. J.J O’Callaghan was the architect, and the work was dubbed ‘O’Callaghan’s Chance’ by his contemporaries!

O’Callaghan’s contribution to Dublin’s architecture was significant, and as Frederick O’Dwyer has noted he designed a number of Dublin public houses for example, among them Mooney’s on Harry Street but also pubs on Baggot Street, Amiens Street and South Richmond Street among others. O’Callaghan was the architect responsible for the Dolphin Hotel, which for many years was to be found at Essex Street in Temple Bar. The building remains today.

The Dolphin Hotel in the 1930s.

The stonework of the Lafayette Building gives some indication of its former life. Above the Westmoreland Street entrance to the building, the London and Lanchasire Insurance Company logo can be seen. The building was originally constructed for use by this company:

London and Lanchasire Insurance Company.

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The Rioter’s Ideal

This fantastic punch cartoon comes from a London publication and dates from September 10 1913. It relates to the situation in Dublin at the time of the Lockout. James Curry’s recent study of the cartoonist Ernest Kavanagh (‘Artist of the Revolution’) is a great addition to the work on the period, looking at the cartoons of a left-wing artist who worked with the trade union movement of the day, depicting scenes like John Redmond as ‘The New Liberator’ standing upon the body of an Irish suffragete. Cartoons like this one however, from the London press, give fantastic insight into the ‘establishment’ take on the Lockout in Dublin. I scanned this image as this particular cartoon was absent from the internet as far as I could see.

The police man is shown shackled and unable to respond to the riot around him. In the background we see a mob hellbent on destruction.

‘The Rioters Ideal’