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This is sheer brilliance from the lads at Storymap and Shane MacThomais, historian at Glasnevin Cemetery. It tells the story of a UVF man buried among some of our own ‘patriot dead’.

There were  a number of highly significant and influential one-day and two-day Punk and New Wave festivals from mid 1977 to late 1978 in Dublin.

The first was the Belfield Festival in UCD which took place on 25 June 1977. The line up was The Radiators from Space, The Undertones, The Vipers, Revolver and The Gamblers. Sadly the gig is perhaps best known for the tragic fatal stabbing which took place on the night.

Philip Byrne of Revolver. (Picture: U2TheEarlyDaze)

Secondly, there was the first annual New Wave Festival which took place over two nights in The Project Arts Centre on 8 – 9 November 1977. The first night saw The Vipers and The Gamblers and the second night Revolver, Fabulous Fabrics and The Kamikaze Kids.

Paul Boyle (The Vipers), Steve Jones (The Sex Pistols), George Sweeney (The Vipers) & Larry Mullen (U2) at the Hot Press Xmas Party, '78. (Picture: U2TheEarlyDaze)

Thirdly, there was the one day Punk Festival on 28 November 1978 in St. Anthony’s Hall on the quays. The line up was The New Versions, Berlin, Virgin Prunes, Strange Movements, the Skank Mooks and The Citizens.

Strange Movements (Picture - Irishrock.org)

Anyone have any memories, pictures or gig posters of the above, please do get in touch.

Interesting photo posted to Facebook, the inevitable fall out with local business for Occupy Dame Street?

The story of the dispute between the owner of the Forum Cinema in Dun Laoghaire and the Irish Transport and General Workers Union in 1979 is a fascinating one.

On November 19 1979, Barney O’Reilly went on hungerstrike with the intention of drawing public attention to a dispute involving his cinema and the Irish Transport and General Workers Union.

The Irish Press reported that Mr.O’Reilly had told them he would “neither eat nor open the door until he had the choice to run his cinema as a non-union house. After the film was run in the cinema last night he locked the door to begin his protest.”

O’Reilly had been in dispute with the No.7 branch of the union, with members of the union refusing to co-operate with him. The first film due to be shown in his brand new cinema was Kelly’s Heroes which was distributed by M.G.M, but I.T.G.W.U members inside M.G.M’s dispatch department refused to handle a film intended to be shown in the Forum Cinema, owing to O’Reilly’s anti-union policies. The Irish Times noted O’Reilly had to replace the planned film with The Trials Of Oscar Wilde at short notice.

The Irish Times report at the start of O’Reilly’s hunger strike noted that he had spent £25,000 on renovating the cinema, formerly the Astoria, and that he intended to use a small-skeleton staff, unpaid and consisting mainly of family members for the first three months following opening.

Patrons who arrived at the cinema to see Kelly’s Heroes were met by a sign informing them that because of “victimisation and intimidation by the Irish Transport and General Workers Union” the film could not be shown. The union had blacklisted the cinema until O’Reilly agreed to employ union labour.

An I.T.G.W.U spokesperson told newspapers at the time that their letter to O’Reilly had gone unresponded to, a letter in which they informed him that they represented cinema workers in the Dublin and Bray areas. Members of the union who had been working in The Forum cinema installing automated equipment then withdrew their labour.

I.T.G.W.U members at other cinemas in Dublin had engaged in radical action in the 1970s, for example the sit-in protests which occurred at both the Ambassador and Academy Cinemas in 1977 with the announcement of the closure of those two cinemas. Earlier, in 1973, a strike of 300 I.T.G.W.U workers against Odeon Ltd. had closed nine cinemas in Dublin and Bray.

The hunger strike went on for a number of days. The Irish Press noted that on the fifth day of the strike O’Reilly was visited by a doctor who advised him to end his fast, and it was upon the advice of this doctor that O’Reilly thankfully ended his five day hunger strike. He told The Irish Press that his 120-hour fast had led to “other people and organisations getting involved” and brought public attention to his cause.

The Forum cinema is no longer with us, demolished in the summer of 2002, having closed in 1999. It was a small, two-screen cinema, and sadly many such cinemas would lose out in the days of the new multiplex outlets. As Justin Comiskey wrote in The Irish Times at the time of the Forum’s closure: ‘Small cinemas are dead, long live the multiplexes. That would appear to be the message following the closure of The Forum in Glasthule four weeks ago, leaving two small independent cinemas in Dublin.’

I’d be interested in hearing more from people about relations between the I.T.G.W.U and The Forum cinema following this dispute.

On a sidenote, some of you may remember a recent piece on this site from jaycarax which looked at a Dublin industrial dispute which lasted fourteen years. It occurred in Dun Laoghaire too, at Downey’s Pub.

Mark O’Brien in his 2001 book De Valera, Fianna Fáil and the Irish Press makes fleeting reference to an Irish Press reporter named Paddy Clare who ‘took sabbatical leave’ [1] in order to join the International Brigade during the Spanish Civil War.

Immediately, I became fond of this chap who decided to take a ‘leave of absence’ from work, not to go on holiday but to join the International Brigade and his risk his life in the defence of the Second Spanish Republic.

A bit of digging unearthed that Clare was firstly, a life long Irish Republican who fought in both the War of Independence and in the Civil War on the Anti-Treaty side and secondly, an individual who has largely been forgotten.

Born in Dublin into a republican family in 1908, his father Mick was an old Fenian. Joining Na Fianna Éireann in his early teens, he saw action in Dublin during the War of Independence. Following the treaty, he took the Republican side in the Civil War and was a member of the Four Courts garrison in 1922. Subsequently, he was imprisoned in both Kilmainham and Mountjoy where, in the latter, he once went on hunger strike. [2]

Always a keen writer, Clare contributed articles to An Phoblact and The Nation. His work caught the eye of De Valera who asked him to join the fledgling Irish Press in 1931. He would stay with the paper for the next forty-three years, first as diary clerk, then a reporter and finally as ‘night-town man’.

Still committed to Irish Republican Socialist politics, he made the decision to take a period of leave from the newspaper to join the International Brigade.

Unfortunately that is all I know about his involvement in the SCW. I’ve emailed Ciaran Crossey (from the Irish SCW website) to see if he has any more information

Returning to Dublin and to The Irish Press, he was appointed as the paper’s ‘night-town’ reporter, a post in which he’d keep until 1973. A tough job, Clare would man the office throughout the night and chase any leads or stories that occurred during the hours of darkness.

Grainy photo from The Irish Press (March 1, 1983)

Clare passed away in 1983 at the age of seventy-five. Tim-Pat Coogan wrote at the time:

Gravely voiced, indefatigably cheerful, with the yellow pallor of the night worker, which he was for scores of years, Paddy Clare to generations of young Irish Press journalists, epitomised the ideal of the hard-shelled, heart-of-gold professional reporter.

An IRA veteran of at least two wars (possibly three) and a respected journalist of over forty years, Clare lived a full life.

1 Mark O’Brien, De Valera, Fianna Fáil and the Irish Press (Dublin, 2001), 68
2 Unknown, Death of Paddy Clare, Irish Press, Mar 1, 1983

The most popular posting in the history of Come Here To Me?

It was the story of Broombridge train station, the sheer state of the place, and the campaign for Broombridge to win the Irish Rail station of the year. There was just something incredibly Irish about Irish Rail even asking ‘hey, which of our stations do you think is the best?’ as opposed to ‘which stations really need a lick of paint?’

At the time we wrote:

Anyone who has been through Broombridge station will know it is beyond the words ‘awful kip’, a station neglected while those around her have been modernised, she continues to crumble, the very station sign telling you where you are difficult to read.

Brrombridge winning the ‘Best Station’ award would draw some attention to the sheer state of the place, and be the best coup for a public vote campaign since the BBC had to award the Wolfe Tones the best song of the last century

It emerged out of a Facebook campaign which caught our attention, and the story seemed to grow legs from there, with our original story posted by Broadsheet.ie and Colm O’Rourke, the man behind the Facebook campaign, interviewed by the Irish Daily Mail.

Thousands of you read the piece, but more importantly a very sizable chunk of you went on to visit the Irish Rail website and vote for Broombridge, something you can still do and should still do by clicking here.

Today I came home to an e-mail from Come Here To Me reader Ado with some great news regarding Iarnród Éireann:

Iarnrod Eireann today started cleaning up the Broombridge train station, new paintwork, signs, markings etc.., Nothing major but they are reacting to the email voting campaign. Well done to all involved.

He went on to note below:

The fact is we, the local Community Council, were informed by IE management in December that no upgrade was planned for Broombridge due to vandalism. A pathetic reason for abandoning our station. It’s IE’s duty to secure their property and maintain it to the same standards of every other station.

Nothing major indeed, but it is a start. Historically overlooked, even during times of renovation, it’s great that thousands of people have taken the time to register their protest with Irish Rail over the sheer state of Broombridge. For many Dubliners, Broombridge is the local train station remember. It’s just not up to scratch.

A bit later than normal getting this up, but just to flag that the new Look Left is in stores now…

Look Left

LookLeft 9 – only €2 – includes;

Reports on student protests, Occupy Dame Street, turf wars in Kildare, AFA action against Nick Griffin, defending health services, the community fight against drugs, Occupy Wall Street, the sex industry, doctors in El Salvador, Ship to Gaza, turmoil in Egypt, the Greek Communist Party , Belfast’s Fresh Claim Café, WP Northern Ireland conference

Interviews with PUP leader Billy Hutchinson, America Radical Fred Magdoff, Rapper Captain Moonlight

Main Feature; Ireland’ addiction to low corporation tax and Corporate Imperialism

Features; Occupy – where to now, Revolution in Cork City FC, Friedrich Engels on Ireland, Irish Graphic Novels, book reviews, the Jemmy Hope Column and Around the Left (news from progressive organisations)

Views; WP President Mick Finnegan on Budget 2012, Socialist Party MEP Paul Murphy on the need for an EU referendum

 

Once In A Lifetime.

Great stuff from Maser, this is painted onto the side of the Dublin Simon Community shop on Camden Street in Dublin 2, and like the prior featured piece from ADW, is a part of the First Fortnight mental health awareness project.

Maser has been bringing good vibes to the city for years now, from the They Are Us collaboration with Damien Dempsey to his projected show on the side of the convention centre, a love letter to the city almost. He also dabbles on occasion in more traditional acts like signwriting. The shopfront writing of Kevin Freeney and the like is a Come Here To Me feature which will have to be done down the line of course, but for now we’re always happy to post the latest from the contemporary artists of the city. Nice one Maser.

Paul Gogarty and Jedward.

Twitter really is awful when you’ve work to do. Surreal stuff all the same. “Something only we three would know”

The question above is posed by Shane MacThomais, historian at Glasnevin cemetery. Shane contacted me with this image and the information below, and I’m sharing here in the hope someone can provide an answer either way. The photograph relates to the Dublin Main Drainage Scheme, and Shane details some of the characters in the photograph below. What about the man second on the left? Connolly did work on the scheme in the 1890s, could this be him? The man certainly bares more than some resemblance to Connolly.

Beyond the boots on the man second from right, the men do not appear in what I would deem workman’s attire, but if there is a foreman or labourer among the pile who knows.

Regardless, read Shane’s information below on ‘Altman The Saltman’, ‘Long John Clancy’ and the Dublin Main Drainage Scheme and then give the photo a close look.

By the middle of the 19th century Dublin Rivers like the Camac, Poddle and Liffey became seriously polluted. Several proposals were put forward in the mid to late 19th Century to mitigate this problem, but it was only in 1886 that the Main Drainage Scheme for Dublin City commenced, involving the construction of the North and South Quay interceptor sewers and the Ringsend treatment plant, the latter being completed in 1906.

When this work was completed in 1906 the Dublin Corporation decided that such sterling work deserved a publication. The Dublin Main Drainage Scheme Souvenir Handbook was published in 1906 and is no doubt a riveting read for anyone interested in centriifugal pumps and the inlet pipes and the affects of silt. The book has an interesting chapter on the history of pollution in Dublin and has countless photographs of the city fathers under whose benevolent eyes this work was carried out.

Amongst the photographs is this one of a group at the commencement of the outfall works. In the photograph are Albert Altman better known as ‘Altman the Saltman” whose business in the liberties supplied salt and coal to the numerous public baths across Dublin at the turn of the 19th century. Alongside Messrs Altman is John Clancy known as “Long John Clancy” who steps in and out of many a James Joyce novel. But it is the man 2nd from the left who raises my curiosity. Could it be the man himself Mr. James Connolly? Connolly did work on the scheme in the late 1890s but is it him?

    UPDATE: Lorcan Collins of the 1916 Rebellion Walking Tour has sent in this image of Connolly from 1894. He’s not convinced it’s Connolly above, and see his logic below in the comment section.

    My thanks to Paula Geraghty of Trade Union TV for these images from Liffey Valley Shopping Centre. Workers from the Grafton Street, Henry Street and Dundrum branches have joined workers at the Liffey Valley branch. Staff who have found themselves out of work have, according to The Irish Times report on the sit-in, not even received P45’s to allow them to seek social welfare payments.

    It goes without saying we wish the workers every success. The Facebook page in support of the workers can be found here.

    It seems fitting to highlight the fact too that Vita Cortex workers, also staging a sit-in at their place of work, will be staging a demonstration at the Dáil this Thursday from 1pm.

    Sean Keating's 'The Men Of The South' (1921)

    Well, this has potential to be quite the debate. The latest Hedge School from History Ireland takes place this Wednesday at the National Library, it’s likely to fill-up and places are first come first served. Here on the site you can find audio from previous Hedge Schools, on topics such as Brian Boru and the Battle of Clontarf and also a previous Hedge School in the National Library at which I spoke around the Animal Gang.

    We’re now into the ‘decade of centenaries’ of course, but just what we’re commemorating is going to be the subject of great debate. It’s a debate we should all involve ourselves in.

    History Ireland Hedge School in association with The National Library, Kildare St., Dublin @Wednesday 11 January 2012, 7pm

    The War of Independence: ‘four glorous years’ or squalid sectarian conflict? Was historic objectivity the real victim?

    The War of Independence 1918-1921 will be commemorated later this decade. Was it ‘Four Glorious Years’, as one protagonist called it (Frank Gallagher, the deputy director of the first Dáil’s Department of Publicity). Or was it a sectarian conflict darkened by ethnic cleansing, as historian Peter Hart has asserted (The IRA and its Enemies. 1998)?

    Speakers: Historians John M. Regan (University of Dundee), David Fitzpatrick (TCD), Eve Morrison (TCD) and John Borgonovo (UCC).