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This is sheer brilliance from the lads at Storymap and Shane MacThomais, historian at Glasnevin Cemetery. It tells the story of a UVF man buried among some of our own ‘patriot dead’.

There were  a number of highly significant and influential one-day and two-day Punk and New Wave festivals from mid 1977 to late 1978 in Dublin.

The first was the Belfield Festival in UCD which took place on 25 June 1977. The line up was The Radiators from Space, The Undertones, The Vipers, Revolver and The Gamblers. Sadly the gig is perhaps best known for the tragic fatal stabbing which took place on the night.

Philip Byrne of Revolver. (Picture: U2TheEarlyDaze)

Secondly, there was the first annual New Wave Festival which took place over two nights in The Project Arts Centre on 8 – 9 November 1977. The first night saw The Vipers and The Gamblers and the second night Revolver, Fabulous Fabrics and The Kamikaze Kids.

Paul Boyle (The Vipers), Steve Jones (The Sex Pistols), George Sweeney (The Vipers) & Larry Mullen (U2) at the Hot Press Xmas Party, '78. (Picture: U2TheEarlyDaze)

Thirdly, there was the one day Punk Festival on 28 November 1978 in St. Anthony’s Hall on the quays. The line up was The New Versions, Berlin, Virgin Prunes, Strange Movements, the Skank Mooks and The Citizens.

Strange Movements (Picture - Irishrock.org)

Anyone have any memories, pictures or gig posters of the above, please do get in touch.

Interesting photo posted to Facebook, the inevitable fall out with local business for Occupy Dame Street?

The story of the dispute between the owner of the Forum Cinema in Dun Laoghaire and the Irish Transport and General Workers Union in 1979 is a fascinating one.

On November 19 1979, Barney O’Reilly went on hungerstrike with the intention of drawing public attention to a dispute involving his cinema and the Irish Transport and General Workers Union.

The Irish Press reported that Mr.O’Reilly had told them he would “neither eat nor open the door until he had the choice to run his cinema as a non-union house. After the film was run in the cinema last night he locked the door to begin his protest.”

O’Reilly had been in dispute with the No.7 branch of the union, with members of the union refusing to co-operate with him. The first film due to be shown in his brand new cinema was Kelly’s Heroes which was distributed by M.G.M, but I.T.G.W.U members inside M.G.M’s dispatch department refused to handle a film intended to be shown in the Forum Cinema, owing to O’Reilly’s anti-union policies. The Irish Times noted O’Reilly had to replace the planned film with The Trials Of Oscar Wilde at short notice.

The Irish Times report at the start of O’Reilly’s hunger strike noted that he had spent £25,000 on renovating the cinema, formerly the Astoria, and that he intended to use a small-skeleton staff, unpaid and consisting mainly of family members for the first three months following opening.

Patrons who arrived at the cinema to see Kelly’s Heroes were met by a sign informing them that because of “victimisation and intimidation by the Irish Transport and General Workers Union” the film could not be shown. The union had blacklisted the cinema until O’Reilly agreed to employ union labour.

An I.T.G.W.U spokesperson told newspapers at the time that their letter to O’Reilly had gone unresponded to, a letter in which they informed him that they represented cinema workers in the Dublin and Bray areas. Members of the union who had been working in The Forum cinema installing automated equipment then withdrew their labour.

I.T.G.W.U members at other cinemas in Dublin had engaged in radical action in the 1970s, for example the sit-in protests which occurred at both the Ambassador and Academy Cinemas in 1977 with the announcement of the closure of those two cinemas. Earlier, in 1973, a strike of 300 I.T.G.W.U workers against Odeon Ltd. had closed nine cinemas in Dublin and Bray.

The hunger strike went on for a number of days. The Irish Press noted that on the fifth day of the strike O’Reilly was visited by a doctor who advised him to end his fast, and it was upon the advice of this doctor that O’Reilly thankfully ended his five day hunger strike. He told The Irish Press that his 120-hour fast had led to “other people and organisations getting involved” and brought public attention to his cause.

The Forum cinema is no longer with us, demolished in the summer of 2002, having closed in 1999. It was a small, two-screen cinema, and sadly many such cinemas would lose out in the days of the new multiplex outlets. As Justin Comiskey wrote in The Irish Times at the time of the Forum’s closure: ‘Small cinemas are dead, long live the multiplexes. That would appear to be the message following the closure of The Forum in Glasthule four weeks ago, leaving two small independent cinemas in Dublin.’

I’d be interested in hearing more from people about relations between the I.T.G.W.U and The Forum cinema following this dispute.

On a sidenote, some of you may remember a recent piece on this site from jaycarax which looked at a Dublin industrial dispute which lasted fourteen years. It occurred in Dun Laoghaire too, at Downey’s Pub.

The most popular posting in the history of Come Here To Me?

It was the story of Broombridge train station, the sheer state of the place, and the campaign for Broombridge to win the Irish Rail station of the year. There was just something incredibly Irish about Irish Rail even asking ‘hey, which of our stations do you think is the best?’ as opposed to ‘which stations really need a lick of paint?’

At the time we wrote:

Anyone who has been through Broombridge station will know it is beyond the words ‘awful kip’, a station neglected while those around her have been modernised, she continues to crumble, the very station sign telling you where you are difficult to read.

Brrombridge winning the ‘Best Station’ award would draw some attention to the sheer state of the place, and be the best coup for a public vote campaign since the BBC had to award the Wolfe Tones the best song of the last century

It emerged out of a Facebook campaign which caught our attention, and the story seemed to grow legs from there, with our original story posted by Broadsheet.ie and Colm O’Rourke, the man behind the Facebook campaign, interviewed by the Irish Daily Mail.

Thousands of you read the piece, but more importantly a very sizable chunk of you went on to visit the Irish Rail website and vote for Broombridge, something you can still do and should still do by clicking here.

Today I came home to an e-mail from Come Here To Me reader Ado with some great news regarding Iarnród Éireann:

Iarnrod Eireann today started cleaning up the Broombridge train station, new paintwork, signs, markings etc.., Nothing major but they are reacting to the email voting campaign. Well done to all involved.

He went on to note below:

The fact is we, the local Community Council, were informed by IE management in December that no upgrade was planned for Broombridge due to vandalism. A pathetic reason for abandoning our station. It’s IE’s duty to secure their property and maintain it to the same standards of every other station.

Nothing major indeed, but it is a start. Historically overlooked, even during times of renovation, it’s great that thousands of people have taken the time to register their protest with Irish Rail over the sheer state of Broombridge. For many Dubliners, Broombridge is the local train station remember. It’s just not up to scratch.

A bit later than normal getting this up, but just to flag that the new Look Left is in stores now…

Look Left

LookLeft 9 – only €2 – includes;

Reports on student protests, Occupy Dame Street, turf wars in Kildare, AFA action against Nick Griffin, defending health services, the community fight against drugs, Occupy Wall Street, the sex industry, doctors in El Salvador, Ship to Gaza, turmoil in Egypt, the Greek Communist Party , Belfast’s Fresh Claim Café, WP Northern Ireland conference

Interviews with PUP leader Billy Hutchinson, America Radical Fred Magdoff, Rapper Captain Moonlight

Main Feature; Ireland’ addiction to low corporation tax and Corporate Imperialism

Features; Occupy – where to now, Revolution in Cork City FC, Friedrich Engels on Ireland, Irish Graphic Novels, book reviews, the Jemmy Hope Column and Around the Left (news from progressive organisations)

Views; WP President Mick Finnegan on Budget 2012, Socialist Party MEP Paul Murphy on the need for an EU referendum

 

Once In A Lifetime.

Great stuff from Maser, this is painted onto the side of the Dublin Simon Community shop on Camden Street in Dublin 2, and like the prior featured piece from ADW, is a part of the First Fortnight mental health awareness project.

Maser has been bringing good vibes to the city for years now, from the They Are Us collaboration with Damien Dempsey to his projected show on the side of the convention centre, a love letter to the city almost. He also dabbles on occasion in more traditional acts like signwriting. The shopfront writing of Kevin Freeney and the like is a Come Here To Me feature which will have to be done down the line of course, but for now we’re always happy to post the latest from the contemporary artists of the city. Nice one Maser.

Paul Gogarty and Jedward.

Twitter really is awful when you’ve work to do. Surreal stuff all the same. “Something only we three would know”

The question above is posed by Shane MacThomais, historian at Glasnevin cemetery. Shane contacted me with this image and the information below, and I’m sharing here in the hope someone can provide an answer either way. The photograph relates to the Dublin Main Drainage Scheme, and Shane details some of the characters in the photograph below. What about the man second on the left? Connolly did work on the scheme in the 1890s, could this be him? The man certainly bares more than some resemblance to Connolly.

Beyond the boots on the man second from right, the men do not appear in what I would deem workman’s attire, but if there is a foreman or labourer among the pile who knows.

Regardless, read Shane’s information below on ‘Altman The Saltman’, ‘Long John Clancy’ and the Dublin Main Drainage Scheme and then give the photo a close look.

By the middle of the 19th century Dublin Rivers like the Camac, Poddle and Liffey became seriously polluted. Several proposals were put forward in the mid to late 19th Century to mitigate this problem, but it was only in 1886 that the Main Drainage Scheme for Dublin City commenced, involving the construction of the North and South Quay interceptor sewers and the Ringsend treatment plant, the latter being completed in 1906.

When this work was completed in 1906 the Dublin Corporation decided that such sterling work deserved a publication. The Dublin Main Drainage Scheme Souvenir Handbook was published in 1906 and is no doubt a riveting read for anyone interested in centriifugal pumps and the inlet pipes and the affects of silt. The book has an interesting chapter on the history of pollution in Dublin and has countless photographs of the city fathers under whose benevolent eyes this work was carried out.

Amongst the photographs is this one of a group at the commencement of the outfall works. In the photograph are Albert Altman better known as ‘Altman the Saltman” whose business in the liberties supplied salt and coal to the numerous public baths across Dublin at the turn of the 19th century. Alongside Messrs Altman is John Clancy known as “Long John Clancy” who steps in and out of many a James Joyce novel. But it is the man 2nd from the left who raises my curiosity. Could it be the man himself Mr. James Connolly? Connolly did work on the scheme in the late 1890s but is it him?

    UPDATE: Lorcan Collins of the 1916 Rebellion Walking Tour has sent in this image of Connolly from 1894. He’s not convinced it’s Connolly above, and see his logic below in the comment section.

    My thanks to Paula Geraghty of Trade Union TV for these images from Liffey Valley Shopping Centre. Workers from the Grafton Street, Henry Street and Dundrum branches have joined workers at the Liffey Valley branch. Staff who have found themselves out of work have, according to The Irish Times report on the sit-in, not even received P45’s to allow them to seek social welfare payments.

    It goes without saying we wish the workers every success. The Facebook page in support of the workers can be found here.

    It seems fitting to highlight the fact too that Vita Cortex workers, also staging a sit-in at their place of work, will be staging a demonstration at the Dáil this Thursday from 1pm.

    Sean Keating's 'The Men Of The South' (1921)

    Well, this has potential to be quite the debate. The latest Hedge School from History Ireland takes place this Wednesday at the National Library, it’s likely to fill-up and places are first come first served. Here on the site you can find audio from previous Hedge Schools, on topics such as Brian Boru and the Battle of Clontarf and also a previous Hedge School in the National Library at which I spoke around the Animal Gang.

    We’re now into the ‘decade of centenaries’ of course, but just what we’re commemorating is going to be the subject of great debate. It’s a debate we should all involve ourselves in.

    History Ireland Hedge School in association with The National Library, Kildare St., Dublin @Wednesday 11 January 2012, 7pm

    The War of Independence: ‘four glorous years’ or squalid sectarian conflict? Was historic objectivity the real victim?

    The War of Independence 1918-1921 will be commemorated later this decade. Was it ‘Four Glorious Years’, as one protagonist called it (Frank Gallagher, the deputy director of the first Dáil’s Department of Publicity). Or was it a sectarian conflict darkened by ethnic cleansing, as historian Peter Hart has asserted (The IRA and its Enemies. 1998)?

    Speakers: Historians John M. Regan (University of Dundee), David Fitzpatrick (TCD), Eve Morrison (TCD) and John Borgonovo (UCC).

    Today, stand-up comedy is a multi-million Euro business. Comics like Dara O’Briain and Tommy Tiernan regularly do stints of ten or more nights in Vicar Street, Michael McIntyre can sell out The 02 twice over, dozens of comedians release DVDs for the Christmas market and a whole range of venues like The Laughter Lounge on Eden Quay, The Comedy Cellar at The International, Stand Up at Bankers pub and The Ha’Penny Bridge Inn offer people seven nights a week of comedy.

    This wasn’t always the case.

    From the late 1970s to the late 1980s comics struggled to establish comedy nights in the upstairs of pubs, backrooms of hotels and theatres in the city. The history of stand-up comedy in Ireland is quite an overlooked subject (we do use that phrase a lot on this blog) and besides Deirde Falvey and Stephon Dixon’s fantastic Gift of the Gag: The Explosion in Irish Comedy (1999), nothing has really been written on the topic.

    Particularly interesting and forgotten is the development of Irish stand-up from the birth of ‘alternative comedy’ in the late 1970s to the establishment of The Comedy Cellar in The International Bar on Wicklow Street in 1988. The groundwork that a small number of people did in these early years helped to nurture and progress the scene to what it is now.

    The 1970s were, in many ways, dark times for comedy in this country. The first so-called Festival of Humour took place in May 1978 in Virginia, Co. Cavan. Things can be summed up by the fact that the chairman of the festival committee was the local priest Fr. Pat Morris.

    Festival committee of the Cavan’s ‘Festival of Humour’ Irish Independent. May 10, 1978.

    These were the days of Hal Roach at the Jury’s Irish Cabaret and Jimmy O’Dea.

    Coinciding with this brand of boring, ‘king of blarney’ Irish comedy a new generation of jokers were beginning to assert themselves, particularly in the Dram Socs and Rag Weeks of the island’s colleges. In the early 1970s in UCD Billy McGrath/Magra, Paddy Murray and Brendan Martin formed a sketch group called The Spike Milligan Comedy Machine known simply as The Machine. Dermot Morgan (of Father Ted fame) wasn’t too far behind and later performed as Big Gom and The Imbeciles in Theatre L.

    Spurred on by the explosion (a revolution even?) of intelligent, often anarchic, progressive stand-up (coined by Tony Allen as ‘Alternative Comedy’) in London’s Comedy Store by comics such as Alexi Sayle, Andy de la Tour and Pauline Melville and in The Comic Strip which soon followed by comics such as Rik Mayall, Ade Edmondson, Nigel Planer and French & Saunders – stand up comics in Dublin began testing the water and starting up their own nights.

    A review of Billy McGrath’s one-man comedy show ‘An otter you can’t diffuse’. Irish Press. May 9, 1979.

    It has been said that Dublin’s first-ever stand-up comedy club was set up in Harcourt Street in the very late 1970s by a Scottish performance artist called Oscar McLennan.

    In January 1981, novelist Peter O’Connor launched the Comedy Store at the Holyrood Hotel, Harcourt Street. It seems to have lasted only a few months.

    Billy McGrath (Billy Magra) started up Club Comedy in the Sportman’s Inn in Mount Merrion in February 1982. There were further gigs in The Project Arts Centre on East Essex Street, McGonagle’s on South Anne Street, The Mansion House on Dawson Street. The gigs featured Michael Redmond, Kevin McAleer, Ian MacPherson, Mannix Flynn, ‘new wave’ poet Roisin Sheeran, Helen Morrissey, Owen Roe (aka Ronald Raygun), Peter Howick, Garrett Keogh, The Robots (David Rogers and Gerry Sammon), mime group Friends Electric and impressionist Gerry Lavelle.

    Sharing the same venues and many of the same values, this exciting new brand of ‘alternative comedy’ ruffled the feathers of the established comedy scene as much as Punk did to music.

    A piece on Dublin comedienne Roisin Sheeran. Irish Independent. November 28, 1983

    In 1984, the Comedy Store (Dublin) ambitiously released its own live LP

    Image from the LP – The Comedy Store (Dublin) Live At the Project. Recorded October 1983. Released 1984. Picture: “Gerry Lavelle, Ronald Raygun, Michael Redmond, Roisin Sheeran, Billy Magra (Missing Ian Mac Pherson – in London and Helen Morrissey – in hiding)”

    The 13-track LP was recorded live at the Project Arts Centre by Eerie Music Mobile, engineered by Johnny Byrne and Peter Eades, mixed and edited by Slimmer Twins and produced by Stand Treasual (aka Billy McGrath). The executive producer was MCD’s Dennis Desmond.

    Slowly but surely modern ‘alternative’ stand-up comedy began to be assert itself, influence a whole new generation and gain credibility. By the late 1980s, this opened up the path for Mr. Trellis (Ardal O’Hanlon, Barry Murphy & Kevin Gildea) and The Quack Squad (Joe Rooney & Paul Tylak) to open up The Comedy Cellar in The International Bar.

    Thus starting the next chapter of Dublin’s stand-up history…