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Archive for January, 2011

The famous Jarrow Crusade of 1936.

I’ve just been on Liveline, which was a new experience.

I was approached to give a bit of historical context to the march on the capital by a group of South Kilkenny men who are completely fed up with how things have turned out for them and indeed all ordinary people in this state in recent times. Some of them are now unemployed, others have had to wave children off at the airport. In short, they decided to march onto the capital because in years to come none of them could stomach the idea of saying ‘we sat back and watched’.

In my brief time on air, I spoke about a 1953 march on the Dail, dealt with here before by Sam. In that piece, Sam wrote that

Jubilant scenes follow when the news is spread that the march will make its way down to the Dail, “the first time such a protest has been held at its gates”.

Now, taking your anger to the gates of the Dail is routine. Walking so far to do it however is not. It is an incredible act on the part of these men.

We are supposed to have come a long way from the doom and gloom of the 50’s and later the 80’s, but have we really? Tomorrow, those men will begin their march on the Dail, passing so many areas of historical importance. They will begin at Kilmainham Jail, where the leaders of the 1916 insurection were executed, and will pass the spot where Robert Emmet was hanged. Along the way too, Dublin Castle, for so long the fortified home of the British administration in Ireland. Yet a ‘free’ Ireland, appears to be one of great economic and social divisions and barriers, and a nation that could be described as on a life support machine.

Post independence, we know Dublin Castle as the place where Bertie Ahern went to justify(or talk away) his actions before a Tribunal. What a sad, sad reflection on our state.

I ended my brief time on air today by quoting a few lines from the great folk singer Liam Weldon, about how those who died for liberty “have died but for a dream.” We are living through extraordinary times to say the least, and I was delighted to be asked to show these men some historical spots in the capital on their way to the Dail. Like them, I just hope in decades to come I can say I didn’t sit at home through this incredible chapter of Irish history.

You’re more than welcome to join them, they will set out from Kilmainham Jail at 12 tomorrow.

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Though we’re still riding out a cold January, it wouldn’t be fair to exclude this chart-topping radio-friendly rock ballad just because of its title.

I’m not sure what the story is with the video though. While the single came out in 1980 the video has live footage from 1985 and it would seem near impossible to date the opening scenes of the city. My guess would be mid 80s.

The first minute and a half features Grafton Street, Suffolk Street, Ha’Penny Bridge, College Green and the quays. How dated do the green buses look!

Damien Corless, in a piece last year entitled ‘I remember that summer in Dublin. . . and it was bloody awful’, deflated the idea that Dublin in 1980 was a care free, wonderful place and took issue with Bagatelle’s single.

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On Monday night I popped along to the launch of ‘Why Pamper Life’s Complexities?’, a book of essays on The Smiths edited by Seam Campbell and Colin Coulter. The launch took place in the lovely Workman’s Club on a cold Monday in January. A warm fire and that view over the Liffey really makes the upstairs of the Workman’s a great little venue.

I’d just finished the book recently and thought it a very interesting look at a band we so often forget had second generation Irish blood in their veins. I’ve seen Morrissey here in Dublin before, but of course am more likely to see Jim Corr in the Dáil than ever catch The Smiths here.

The book examines issues like class, regional identity (Who did put the ‘M’ in Manchester?) , sexuality, the lyrics of the band, the emigrant experience and more besides.

We’ve a fascination with left-wing publications here at Come Here To Me, from obscure student produced pamphlets of the late 60s and 70s to the more common names, political weeklies like The United Irishman, An Phoblacht and the like. Imagine my surprise then when reading ‘Why Pamper Life’s Complexities’ to find this piece in Sean Campbell’s excellent chapter ‘Ambivalence, Unease and The Smiths’, relating to Morrissey’s infamous comments in light of the Brighton bombing which almost killed Margaret Thatcher. His comments were made on the eve of a visit to the north by the band.

The bands anxiousness about the trip increased when they were handed a copy of the Irish Republican newspaper An Phoblacht by an IRA-affiliated individual in Manchester. The paper, whose pages were usually taken up with ‘war news’, praised Morrissey for his Brighton bomb comments (which it reprinted in full) and laid stress on The Smith’s Irish provenance: ‘with names like that who could doubt their antecedents?’ The news-sheet-not known for its interest in rock- also praised The Smith’s anti-establishment ethos and concern for the ‘dispossessed’, before offering a ringing endorsement: The Smiths, proclaimed An Phoblacht, were ‘very good indeed’.

Wow.

Well done to Sean and Colin on producing such an excellent work, Smiths fanatics (there are no ‘fans’) can pick a copy up over on Amazon.

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What recession?

The University Times promised a good report on this today and they delivered, to say the least. Reports of a Dublin University Snowsports Club trip to Grenoble getting up to all sorts were all over Twitter and had begun to make their way into the mainstream media, but the college paper has an excellent look at events on its website. It mainly involves students from Trinity College Dublin (how do you go from Swift and Wilde to this?) but a few UCD students decided to drag that institution into the dirt too. It’s an incredible piece of journalism from a student paper and it should be commended.

Reports of their antics make Fade Street sound like Moore Street in all truth.

Some gems from the piece:

A University Times investigation has revealed that members of a group of between 25 and 30 students, alumni of the private South Dublin schools Blackrock College, CBC Monkstown and Mount Anville wrought havoc on Trinity’s Snowsports Club’s annual ski trip in the week prior to the start of term.

Students on the DUSSC ski trip, in interviews with The University Times, described the behaviour of the group as “sociopathic”, reporting a “spend-off” between two former Blackrock students, one from Trinity and one from UCD, in which they competed to see who could spend or waste the most money

Both the DUSSC trip and the external trip were ejected from the hotel by gendarmes after a swastika was daubed on the wall of the third floor of the hotel with a two-inch thick paint marker. Displaying a swastika is punishable by a custodial sentence in France.

….and to think they tell you ‘class’ is a dead term.

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Joan Burton, take a bow. While Vincent Browne’s programme has seen some epic car crashes in its time, perhaps none matched that witnessed earlier on tonight. It was a bizarre and awkward performance.

Has anyone ever refered to Joe Higgins as “your MEPship” before?

Thankfully, Conor from Dublinopinion.com got a few seconds of it recorded, but with Joan Burton trending worldwide on Twitter at the moment, it’s likely the TV3 site will see a huge spike in traffic tomorrow. Someone in Ballymount, get it online now!

Bit more here, thanks to Youtuber squidlimerick

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Asher Roth meets House of Pain?

Nearly 20 years since Jump Around and Top o’ the Morning to Ya were released, it’s interesting to see another North American rap group trying to express what it means to be of Irish descent in 2011.

The video reminds me of Baltimore based The Wire (wake scene), a hint of the Boston Irish depicted in The Departed/The Town, Chicago Dropkick Murphy sound-a-likes The Tossers and even a sprinkle of Japan Pogues fans The Cherry Bombs.

First generation born
Toast to those that made it on a boat to New York
And when the English came the colonizer came
They filled up bottles of gasoline, turned ’em into balls of flame
And hurled ’em to protect what’s ours
Don’t touch these lucky charms
Whole bunch of Irish screaming “Fuck the London Guard”
I’m kidding, not dissin’ London, this bloody war
But go against the Irish and get a bloody jaw
Preaching nonviolence but reminds of the scars
And the bias, put a pint up everybody sing a song

From New England to New Brunswick
All the way to Dublin
A rebellious nation of freckled face hustlers
Hard blue collared workers and family
My heritage, proud to be a Haggerty

It should be noted that he’s not just trying to cash in on the Irish roots either, Seattle based Macklemore has released a number of well received mix tapes and EPs.

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Eat My Shorts 2

This looks great, I shall be attending with my much more creative younger brother. The brainwave of students, the event is completely free and the door open to everyone. More of this kind of stuff in recession hit Ath Claith, please…

Eat My Shorts is an event which promotes emerging filmmaking talent from across the globe in a cool, free, sound, deadly space. We do so through taking short film submissions throughout the year and hosting events to screen a diverse selection of what we’ve received.

In June 2010 we set up shop in Exchange Dublin, Temple Bar and gave out free popcorn and cadet soda, had a DJ and 11 exceptionally brilliant shorts.

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City Discs to close

Sad news.

Though I can’t say I was a regular customer, I did my best to pop in now and again and memorably bought my bus ticket here for the Celtek rave back in 2008.

Best wishes to the owners with any future endeavors.

The excellent Dublin record shop City Discs is unfortunately closing down. All stock on sale, €3 an item. Big up Craig, Gerry and all the gang who’ve been supplying tunes to so many people the last 8 years.

Photo credit - 3artes

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Directed by the late Bob Collins (1945 – 2000), who also had a hand in the production of the video for Phil Lynott’s Old Town, The Blades’ Bride Wore White captures great street scenes of a grey, 1980s Dublin.

In the Hotpress National Poll of 1982, The Bride Wore White was voted best single while The Blades were voted ‘the most promising act in Ireland’ and Paul Cleary ‘best Irish songwriter’.

Note: Your able to buy The Blades two album boxset, Those Were The Days, here at the Reekus Records website.

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Enda Kenny tries his luck with the American Idol judges before hitting the campaign trail. The judges reactions make it…

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Opinions on M.C. or on the Collins 22 organisation aside, they’ve uploaded a fascinating amount of archive newspapers here. As well as dozens of old, high -res photos and information on Collins’ various safe houses in Dublin city.

And yes, the Collins 22 group is selling a 50 minute DVD documentary called The Blueshirts for €20 on their online shop.

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It’s one of those great Dublin pub quiz questions. What links the bandstand in Herbert Park and the Long Hall on South Great George’s Street?

Well, both feature heavily in the video to Phill Lynott’s classic 1982 single Old Town. The video was produced by Dave Heffernan and stars the actress Fiona McKenna.

The Dublin locations are as follows:

– Opening scene on Ha’Penny bridge
– Ringsend
– Grafton Street
– The Long Hall
– Bandstand (Herbert Park)
– Ringsend Pier

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