Come Here To Me!

Close up of plaque. Notice bulletholes in stonework.

One of the great mysteries of O’Connell Street for me was always the location of this Cathal Brugha plaque I’d seen photographed. Showing an English visiting friend around Fortress Dublin last week, I was surprised to find it right above Burger King. It’s a small plaque and easy to miss, but a great one to a fascinating character.

Brugha’s plaque was once a vanishing one, as this Irish Press report from 1934 notes:

Cathal Brugha, or Charles Burgess as he was first known before changing his name upon joining the Gaelic League, is one of the most celebrated characters of the revolutionary period. Educated at Belvedere and company director at Lalor’s candle factory on Ormond Quay, he famously survived a grand total of 25 injuries sustained in the 1916 rebellion.

It was out of the building marked by the plaque today that Brugha emerged during the Civil War, a leading figure in the Anti Treaty IRA who had refused to surrender, as ordered. The excellent recently released History of Cathal Brugha Barracks noted that Brugha appeared from the doorway of the building, revolver in hand, and was hit by a snipers bullet from the Findlater’s building. I noted here in a previous article on Nurse Linda Kearns that:

Linda Kearns witnessed the wounding of Cathal Brugha, who had refused to surrender to the forces of the new state. She held his severed artery between her fingers as he was driven to hospital, but he would die two days later. Cumann na mBan activists stood guard over Brugha when his body lay in state.

In a great write-up for sadly lost Tribune, Valerie Shanley put it all beautifully when she noted how the revolutionary history of the city is to be found in a very different one today.

fI the events of Dublin’s rebel past were transported to the modern capital, the result would have a Flann O’Brien touch of the surreal. The Irish Volunteers would be ensconced in the Ambassador cinema, which is now a gig venue; the 1916 leaders fleeing the GPO would emerge from the Swarovski crystal shop on Henry Street; and Cathal Brugha would be shot coming out of Burger King on O’Connell Street.

Notice the bullet holes in the stone work around Brugha’s plaque today. Next time you pass Burger King, look up!

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A great piece this, and my thanks to Paddy Kelly for providing it.

This is a fascinating propaganda leaflet from 1922, deriding Michael Collins and the Free State. A different Queen Elizabeth to the one currently making the headlines here of course!

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Previous ‘Plaques of Dublin’:
The Eagle Tavern, Lord Edward Carson, Sean Healy- Irish Volunteers

The Grand Orange Lodge, in the wake of the Love Ulster fiasco and riots in Dublin, posted an article to their site relating to a 1998 planned plaque unveiling on Dawson Street.

Dublin has a long history of such intolerance, and Orangemen have only to reflect on what happened in 1998 to prove the depth of this intolerance.

That year the Dublin and Wicklow Orange Lodge had planned to have a small ceremony at the unveiling and dedication of a small plaque in Dawson Street, close to the city centre.
(…)
No march was involved, and it would have been a low-key and non-contentious event, involving mostly Southern Orangemen, and a number from Northern Ireland who wanted to be present at a truly historic affair.
(…)
However, republicans had other ideas, and weeks before the unveiling ceremony, pressure was exerted on local traders and shop-keepers, who produced a statement expressing their opposition.
(…)
The plaque was unveiled, but without any Orange presence and the affair proved that the Republic of Ireland had not matured to the extent that it could accommodate even a small Orange ceremony in its capital city.

The plaque in question is one I’ve been walking past for years, but never really noticed. It sits in the ground by busy bus stops.

The plaque had made its way into the national media in May 2000 when plans to unveil it proved controversial. The Dublin Wicklow Lodge had planned a short parade and ceremony to unveil the plaque, but claimed politicians in the south had stood in the way of such an event.

An Irish Independent report at the time noted:

“We came to a compromise about four weeks ago with Dublin Corporation under which the Lord Mayor Mary Freehill would have a civic unveiling of the plaque and we’d have a parade and our own unveiling. We weren’t happy but we agreed. A week later, we received a letter demanding that we `enter dialogue and lift the siege of the beleaguered Nationalist community on Garvaghy Road’. That’s ridiculous and deeply insulting. We are citizens of, and loyal to, a different state.”

The Lodge decided to postpone the march. It is now considering whether or not to attend the civic unveiling. “We will have to discuss whether we should be seen to lend credibility to a State that has betrayed us,” said Mr Cox.

So, while a very small, hidden and unassuming plaque- this one must surely be among the most controversial in the city?

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No Rare Old Times- but a city with a great story to tell.

The cultural landscape of Dublin will change this summer, when the Little Museum of Dublin opens at 15 St Stephen’s Green. This new non-profit museum will tell the story of Dublin in the 20th Century, and the collection will be completed with the help of the public. In other words it will truly be a people’s museum.

I stumbled across this yesterday by pure chance and have to say it’s quite an interesting idea. Of course many of our cities have museums dedicated to their own history, such as Cork and Galway. The Little Museum of Dublin looks set to open this summer.

In Dublin, we are obviously very lucky to have the National Museums, and also the Story of the Capital at City Hall. The fact the National Museums are free is a huge kudos too.

When on the job with walking tours, I normally direct tourists towards a few places if they want to get to grips with the city a bit better. There’s the Writers Museum, the prior mentioned Story of the Capital at City Hall, the folks at the Dublin Civic Trust and then a number of smaller specialist museums like the excellent Garda Museum or the GPO in-house museum.

I’m interested in seeing how this new venture marks itself out. It’s interesting to note they seem to be looking for people to become patrons of the Museum at this very early stage:

Become a member
As well as donating artefacts, individuals or companies can become Patrons, Life Members or Friends. We have an exclusive programme of benefits for those who support the Little Museum:

Patron (Annual subscription €5000)
Life Member (€1000)
Friend (Annual subscription €95)

A report in todays Irish Times suggests the museum will have a focus on twentieth century Dublin.

Come to think of it, we’ll consider anything to do with Dublin in the 20th century.

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It’s often forgotten that the late and very great Charlie Chaplin has a statue in this country, located in Kerry, where he spent happy times as a visitor.

In recent times, whenever I’m on the job and providing tours of the city to tourists, I’ve stopped at the statue to another great man, Jim Larkin. When I stand there I think of Austin Clarke’s wonderful words of tribute, when he wrote:

What Larkin bawled to hungry crowds
Is murmured now in dining-hall
And study. Faith bestirs itself
Lest infidels in their impatience
Leave it behind. Who could have guessed
Batons were blessings in disguise,
When every ambulance was filled
With half-killed men and Sunday trampled
Upon unrest? Such fear can harden
Or soften heart, knowing too clearly
His name endures on our holiest page,
Scrawled in a rage by Dublin’s poor.

One of the giants of Irish history, Larkin stands proudly and defiantly on the very street where workers he organised were hospitalised and even killed on a Bloody Sunday.

“Who is missing a statue here?” I always ask. The answer is Charlie.

It was through Emmet O’Connor’s wonderful biography of Larkin I first stumbled across a most unusual episode in Larkin’s life, which occurred when he was imprisoned in the United States. Larkin had found himself imprisoned for “criminal anarchy”, essentially a sentence placed upon him as a result of his radical politics.

While sentenced to five to ten years, Larkin found himself in Sing-Sing Prison. Among his more unusual visitors was Charlie Chaplin.

Chaplin wrote of the visit:

The last day in New York, I visited Sing-Sing with Frank Harris. Jim Larkin, the Irish rebel and labour union organiser, was serving five years in Sing-Sing, and Frank wanted to see him. Larkin was a brilliant orator who had been sentenced by a prejudiced judge and jury on false charges of attempting to overthrow the Government, so Frank claimed, and this was proved later when Governor Al Smith quashed the sentence, though Larkin had already served years of it.
Frank inquired about Jim Larkin and the warder agreed that we could see him; although it was against the rules, he would make an exception. Larkin was in the shoe factory, and here he greeted us, a tall handsome man, about six foot four, with piercing blue eyes but a gentle smile.

It was noted in O’Connor’s biography that Chaplin felt compelled to send presents to Elizabeth (the wife of the union leader) and the Larkin children after this visit.

More detail on the visit to the prison can be found on charliechaplin.com, where it is noted:

Other highlights of this tour included meeting Irish radical Jim Larkin and sitting in the electric chair for a few moments. Charlie visited this prison again shortly before his 1931-2 tour, presenting his new film, City Lights, free for the prisoners’ entertainment.

Something to think about this May Day.

Larkin upon his return from America.

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Great credit is due to the North Inner City Folklore Project for its efforts to preserve, protect and cherish the history of its local area. Terry Fagan of the Project has written on everything from local republican women to the madams of Monto, and last year the group put a well deserved plaque on the home of the Connolly siblings of the Irish Citizen Army.

Yesterday, the group unveiled a new plaque, this time to Patrick Heeny who composed the music for The Soldiers Song. It can be seen on the side of the flat complex by Railway Street. Like the Connolly plaque, it’s great to see plaques outside of the city centre itself and in areas like this. The turnout of locals showed how appreciated the efforts of Terry Fagan and the North Inner City Folklore Project are in the area.

Prior to the plaque being unveiled, relatives of James Connolly and young Molly O’Reilly re-enacted the raising of the green flag at Liberty Hall. Writing on the decision to raise the flag over Liberty Hall in 1916, James Connolly wrote:

We are out for Ireland for the Irish. But who are the Irish? Not the rack-renting, slum-owning landlord; not the sweating, profit-grinding capitalist; not the sleek and oily lawyer; not the prostitute pressman – the hired liars of the enemy. Not these are the Irish upon whom the future depends. Not these, but the Irish working class, the only secure foundation upon which a free nation can be reared.

I couldn’t help but think of his words watching the government ‘parade’ on Sunday.

The likes of the Folklore Project empower ordinary people to read and research history. Long may it continue.

Our report from the unveiling of the Connolly siblings plaque in 2010 can be read here.

(more…)

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This ad is taken from the K.Coy 3rd Battallion IRA reunion dinner in Clery’s in March of 1947. It is for the barbershop of James Mallon.

James Mallon, who was born in the north, had a hairdressing business in Eden Quay prior to becoming involved in the republican movement upon joining the Irish Volunteers in 1913. He had fought at Bolands Mills during the insurrection in 1916, and was interned as a result of his role in the rebellion at Frongoch. He is popularly known as the ‘the Frongoch Barber’ from his time there.

The advertisement notes that J Mallon and sons was established in 1907, and refers to the business as “The Frongoch Hairdressing Saloon.” There is great wit in the ad, not to mention a picture of Mallon as an older man. There are some wonderful ads in the souvenier programme I hope to upload here in time.

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There was a great discussion on The Frontline last night around TD’s and whether their role is a local or national one, looking at the role of ‘parish pump politics’ in Irish society.

I love the term ‘parish pump politics’. I firmly believe the roots of it are to be found in the early days of firefighting when church parishes were obligied to provide fire protection.

In 1676 an Order in Council would force every Dublin church to hold thirty-six buckets, two ladders and three hooks for the purpose of fire prevention. By 1711, the Lord Mayor of Dublin ordered that each Parish within Dublin hold two water fire engines, for the purpose of combating fires which broke out in the city.

Remarkably, at Saint Werburgh’s Church on Werburgh Street, one can see two early examples of parish water fire engines.

(c) Las Fallon

Historian of the Cork city fire service Pat Poland noted that heavy penalties were imposed upon churchwardens who did not hold two engines, and also that it was specified that different sums of money should be paid to the first, second and third engines to arrive at fires.

In Dublin, the figures stood at thirty shillings for the first arrival, twenty shillings for the second, and ten shillings for the third. These payment levels did not reflect the level of work put in by particular engine in combating a fire, but rather their speed in reaching one! As Poland notes “These shenanigans and conniving may originally have given rise to the expression ‘parish pump politics’

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