A TOURISM trail which will stretch from the gates of Trinity College to Kilmainham Jail and has been called the “golden mile” is being developed by Fáilte Ireland.
The trail will take in some of Dublin’s best known landmarks, including Dublin Castle, Christchurch Cathedral and the Guinness Storehouse creating an east-west trail which it is hoped will be a major attraction for visitors to the capital.
The trail is being developed in conjunction with Dublin City Council, the Office of Public Works and the Dublin Civic Trust and plans are due to go to the Fáilte Ireland board for approval imminently.
It is envisaged that the trail will employ full-time guides and amateur performers depicting historical scenes from events such as the hanging of Robert Emmet in Thomas Street, the site of which is another landmark on the proposed trail. – The Irish Times
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Recently, I was giving a tour of the city to visitors who were as horrified/distraught/confused by the Spire as we all were in 2003. It dominates the street, and it’s frankly impossible to discuss Daniel O’ Connell, the legacy of the 1913 lockout or anything else until you address it.
The questions begin.
“What’s it supposed to represent?”
I explained its official title is An Túr Solas, or Monument of Light, and it is supposed to represent our rise to prosperity, and capture the spirit of modern Ireland.
“Hmmm, I suppose Neil Young should swing by” she noted.
Confused, I asked why.
“Perhaps a performance of the Needle and the Damage Done?”
Genius. You have to love people….
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We popped down to Whelan’s last night for the Ones to Watch 2011 Festival.
Five quid on the door, you get a free pint of piss (Heineken) for your efforts, but you’re not there for that in fairness. The line up was stellar. We went along mainly to check out the excellent Hunter-Gatherer, but Toby Kaar was undoubtedly the find of the night. County Cork electronica had the room upstairs dancing away.
Were I not working early in the morning (very early in the morning), I’d be there again tonight. Get on it.
FRIDAY JAN 14TH
Whelans Main Room (Doors – 7:30pm)
Squarehead
Shouting At Planes
Grand Pocket Orchestra
Miracle Bell
Whelans Upstairs (Doors – 11.30pm)
Strait Laces
Hired Hands
Alarmist
Lost Chord
SATURDAY JAN 15TH
Whelans Upstairs (Doors – 7:30pm)
No Monster Club
Bill Coleman
TBC
Whelans Main Room (Doors – 7:30pm)
Heroes In Hiding
The Danger Is
The Casanova Wave
The Village (Doors – 7:30pm)
Planet Parade
This Club (Hoarsebox)
Cashier No 9
TBC
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The Hop House on Parnell St, for some unknown reason, has been a popular haunt for lefties, radicals and fellow travelers for a number of years. There has been a public house on the premises for at least 163 years. It was first named The Rotunda Tavern and then The Shakespeare.
I’ve tried my best to give you a snapshot of the history of 160 Parnell Street (formally Great Britain Street).
Thanks to Shaneew147 for looking up Thoms directory:
1948 – P. O’Shea, Shakespeare Bar
1938 – A.T. Duffy, wine and spirit merchant
1927 – Michl. Hayes, wine and spirit merchant
1914 – Mrs. Potter, grocer & wine merchant.
1894 – Sarah Daly, grocer. & wine merchant.
1884 – Andrew Daly, grocer & wine merchant
1879 – Sarah Ward, spirit merchant
1872 – John Ward, spirit merchant
1863 – John Ward, spirit merchant
1852 – John Ward, Rotunda Tavern
1848 – Daniel Shelly, vintner
The first newspaper reference I’ve found is from 1917 and shows the bar up for sale:
In 1921, Edward Bullock was up in court for selling whiskey, which he said was, ‘watered by mistake’:
In 1923, The Freeman’s Journal reports that the proprietress was fined £10 for having customers in the bar at 10:20pm:
In 1925, The Shakespeare is put for auction:
In 1971, The Irish Independent gave an interesting description of the pub:
Also from 1971, this old advertisement which was found by DFallon:
Two snaps from 1974, in the aftermath of the loyalist bombing.
”]”]The Hop House (with old Shakespeare sign) in 2010:
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How wonderfully bizarre.
Robert Briscoe (1894 –1969), former IRA member, Fianna Fail politician and first Jewish Lord Mayor of Dublin, stars as the special guest on the U.S. game show What’s My Line? in March 1958.
There’s a pretty interesting discussion on the Dublin Theatre Festival towards the end.
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The Save 16 Moore Street Committee are pleased to announce that Dublin City Councillors voted by a majority to request the Minister of the Environment John Gormley to extend National Monument designation to the entire Moore Street terrace Nos 10 – 25 . The motion was prepared by Save 16 and proposed by Cllr Niall Ring IND,Cieran Perry IND and Dermot Lacey, Labour.
Patrick Cooney: PRO Save 16 Moore Street Committee
Only Minister John Gormley can make the call, you can email him at: john.gormley@oireachtas.ie
James Connolly Heron speaking at the launch of a plaque to the Connolly siblings of the ICA and Molly O’ Reilly last year. His speech focused on the campaign to save 16 Moore Street.
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Dublin City Council have launched a new digital collection called Vanishing Dublin which show ‘features of Dublin that have disappeared or changed utterly during the second half of the twentieth century’.
Some of the change is welcome. Few will miss the deprivation of the tenements. Other images are portals into our civic past – we can imagine the workers from Stoneybatter harrying through Thundercut Alley on their way to work at Smithfield or children rummaging for ‘hidden treasure’ through the debris of George’s Pocket.
The photos also tell stories of communities now dispersed. The residents of the Gloucester Diamond and Chamber Street saw their communities transformed. What remains of where they lived is digitally preserved here for them and their descendants.
The gallery depicts a ‘vanishing’ rather than a ‘vanished’ Dublin – one that persists in the memories of those who walked its streets, worked in its shops, drank and sang in its pubs, and called it ‘home’.
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I got these over Christmas and have yet to work out which ones aren’t online and which I should scan up. I’ve been working on getting the Mellows pamphlet up, which offers a very interesting take on one of the most complex characters of the period in question. They’re all quite interesting. Great work has been done by the folks at Dublin Opinion and Cedar Lounge Revolution among others in getting important historical left wing documents online.
They are, of course, far more likely to appeal to social historians than graphic designers!
Workers Republic. Autumn 1969. No.25
(League for a Workers Republic)
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Playlist – Nouvelle Vague by Itubaina Radio Retro
My first ‘ticketmaster.ie gig’ (basically any gig that involves paying for it before arriving at the venue door) of the year is an exciting one. Nouvelle Vague are a truly exciting act, taking on new wave, punk and classic indie tracks with vigour, even reworking The Specials in a way that didn’t make purists like me cringe (If that’s what you’re looking for, I suggest Lily Allen and Blank Expression).
Debut album Nouvelle Vague is a tribute to new wave period classics, and in this house is played to bits. Bande à Part and 3 broadened the scope, with everyone from Echo and the Bunnymen to Soft Cell getting the honour of a Nouvelle Vague reworking.
They roll into town on the 21st, a Friday night (Saturday morning) affair at Tripod . Incredibly, I’ve yet to see them in Dublin.
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