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The younger Fallon picked this up recently in a second-hand bookshop, for the great price of a single Pound.

In Dublin’s Fair City, by G. Ivan Morris, was a London published guide to Ireland for visitors.

“The author is a well-known Dublin publisher and master-printer who, in the midst of an unprecedented pressure of business, has taken the time to write this book for the guidance of visitors to Ireland.”

Here are a few scans of note, on everything from Yo-yo’s to Grafton Street.

We’ll begin with this, a warning on discussing Communism in Dublin. Notice it gives reference to New Books, a bookshop selling “Communistic literature”.

Apparently, drink used to be cheaper than in England. Half the price in fact.

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My Goodness.

A few Guinness labels which were hiding in the cupboard right opposite this very PC.

What do I know about them? Very little. Obviously, they come from the period when Guinness was bottled by the seller. Interestingly, three of them read “Who bottle no other stout or porter” or variations thereof.

The beautiful Irish language label from D Ó Sciatháin’s notes the same As Gaeilge.

The P. Lynch label, from 144 Thomas Street, is by far the oldest. T.Younge, at the time based at 85 Queen Street and 1a Ellis Quay, became a Ballyfermot fixture. D Ó Siachtháin gives a Dorset Street address. The other two come from outside the capital.

With the week that’s in it, they’re a lovely oddity if nothing else. A recent post on the Jewish Museum included snaps of Guinness labels from Dublin’s Little Jerusalem.

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We all know about Thursday by this stage, 251 years of Guinness production in the capital will be celebrated at 17:59 on the dot.

Two thirds of Come Here To Me are getting behind the decks at The Workmans Club to celebrate, with Ci promising to drop in after ringing in the new year (so to speak) in his beloved local. I’ll be spinning for a period, followed by our Come Here To Me resident DJ Carax, a more frequent fixture in the city. I’m hoping to keep it indie, classic and fun.

It’s free in, it kicks off at 4pm ( We’re on from 8 ) and there are a few drinks specials with the day that is in it:

PINTS GUINNESS-3EU
BABY GUINNESS SHOTS-3EU
BLACK RUSSIANS 3EU

Come Here To Me lads will be followed by Matt from The Dead 60’s, delivering more in the line of ska. The resident DJs will be booting them out in the indie room.

From archaeological excavations to Northside soul bands, it’s a varied night to kick off the weekend. Here’s a few I think are worth a look.

This Friday ,September 24, is Culture Night in Dublin. What’s that? A chance for Dubliners to switch off the telly (Ryan Tubridy, no thanks.), hit the streets and enjoy what the capital has to offer. Here’s my pick of what to do. For the most part, this is my own plan of action, so you know it’s a good one.

First of all, for the early birds: The Abbey are giving away thirty free tickets to the Plough and the Stars. I’m excited about the arrival of The Silver Tassie in Dublin soon, by far my favourite O’ Casey play, but The Plough and the Stars is perhaps ‘the’ play of what is often labelled O’ Casey’s Dublin trilogy. First come, first served Friday morning from 10.30am. You have to be there yourself at the box office, so set the alarm all you unemployed Come Here To Me readers.

Fans of O’ Casey should note that this isn’t the only chance you’ll have to take in some of his work on the night. Up on the Sean O’ Casey Bridge, at 5.30, 6.30 and 7.30, pieces from Shadow Of A Gunman and The Plough and the Stars will be performed. At the same times, the James Joyce and Samuel Beckett bridges will come to life with similar tributes to their namesakes, though you won’t catch me at either.

That great Dublin historian, Pat Liddy, is also lending his services to the night. Merrion Square and its Writers promises to be an excellent walking tour, kicking off from the Georgian House Museum, 29 Fitzwilliam Street Lower. Bring an umbrella, you never know.

Smithfield has plenty on offer on the night. The Jameson Distillery for example are offering free guided tours of the Distillery, which includes a free drink(!!!!!). First come first served over there. I imagine many will come, and many will be served. A fine start to the night perhaps. Space 54 and the Light House Cinema are both involved too on the night. The Complex play host to DIG, an exhibition of drawings and photographs from the Smithfield archaeological excavations.

In several cases the drawings record what was found under the actual gallery where the exhibition is displayed.

DIG opens tomorrow night, with Dr Ruth Johnson, Dublin City Archaeologist on hand to do the honours, but on Friday it remains open until 10pm, with the night that is in it.

A short walk away, at St. Mary’s Abbey, an exhibition titled ‘Vintage Irish Bookcovers’ is taking place from 6 to 9 pm. I’ve been known to lose lunch time to Niall McCormack’s Vintage Irish Bookcovers Blog, where everyone from Peadar O’ Donnell to Pádraic Ó Conaire features.

Free tours of Christ Church are on offer on the night, a must do for anyone who has been putting it off or writing it off as ‘too touristy’. Right next to it, by the site where Handel’s Messiah was first performed, The Contemporary Music Centre will host a night of music, “reflecting the very latest trends in contemporary music and sound art”. Handel’d love it.

In the belly of the beast, or Friday night Temple Bar, there are some more hidden gems. The Quakers Meeting House, where “Quakers have met in silence in Temple Bar for over 300 years”, opens its doors to the public and a one hour play titled ‘On Human Folly’ will be performed at 8pm. Filmbase are running a night of free activities for people like me who have no clue whatsoever how to edit or film. Exchange Dublin, The Gutter Bookshop and others down in the sometimes overlooked ‘Old City’ part of Temple Bar are also participating.

By this stage, you’re exhausted. You’ve knocked out one or two of the events above and you want to relax. Well, in Meeting House Square will find Dublin classic The Commitments being screened at 10.15pm. A nice way to bring it all to an end, even if we’ve all seen it a dozen times and own the VHS. One more viewing might convince me to buy the DVD.

See you on the streets.

Punky Reggae Party (Vol. 8)

After a long summer break, the Punky Reggae Party makes a welcome return to the city to celebrate its first birthday and showcase its most special guest DJ yet.

To find out more, please click the image below:

Many of the episodes involve Indiana meeting and working with famous historical figures. Historical figures featured on the show include Leo Tolstoy, Howard Carter, Charles de Gaulle, and John Ford, in such diverse locations as Egypt, Austria-Hungary, India, China, and the whole of Europe.

Jesus. How in the name of all that is good in the world have I never seen this before?

As well as the Easter Rebellion, Indiana seems to have come into contact with a young Sean O’ Casey.

Plenty for us all.

On the fifth of June 1919, a concert was due to take place at the Mansion House to commemorate the anniversary of the birth of James Connolly. It had been organised by his comrades in the labour movement, including members of his beloved Irish Citizen Army. Under the Defence Of the Realm Act (DORA) the concert was deemed illegal days in advance, and as one would expect things turned ugly. A small crowd arrived on the night, and while the crowd were being moved in the direction of Grafton Street by the Dublin Metropolitan Police, the Irish Times of the following day noted that “Without a seconds warning, three or four young men faced the police with revolvers in their hands”. Shots were fired, officers injured, and the concert was held at the Trades Hall on Capel Street that night.

How fitting this documentary should first air in the Mansion House then.

Firstly, one must state before beginning any review of this documentary that the fingerprints of Liberty Hall today are clear to be seen on this work. It is introduced to the audience gathered in the Mansion House by not alone Jack O’ Connor of Siptu, but also Liz McManus of the Labour Party. She features in the documentary, as do her party colleagues Dick Spring and Eamon Gilmore. The Labour Party are the only party from the left in Ireland to feature with the exception of a brief appearance from Eugene McCartan of the Communist Party of Ireland, and as the documentary comes to an end to the sound of Paul Cleary of The Blades singing about the fighting spirit of the capital, it is an image of contemporary Liberty Hall which appears on-screen.

With a title like ‘James Connolly-Working Class Hero’, this work was always going to be one of admiration, with many of its contributors from left-wing traditions. Still, it is an important work, and one which almost lives up to my (rather high) expectations. It attempts to not only explore James Connolly, the giant we know from history, but also another James Connolly. The Connolly raised in what became ‘Little Ireland’, a slum of Edinburgh. The Connolly who first visits Ireland not as a socialist revolutionary, but a member of the British Army. The Connolly who noted that his life was forever darkened by the loss of his eldest daughter to an untimely death.

It is a testament to those behind this documentary that they succeeded in attracting such a diverse group of individuals to the project. Colm Meaney in particular deserves great praise for his readings of the work and letters of Connolly. Meaney delivers the correspondences and writings in an almost perfect Edinburgh accent, and captures perfectly the passion in the written words of Connolly.

Connolly himself remarked in 1907 that “Until the movement is marked by the joyous, defiant, singing of revolutionary songs, it lacks one of the distinctive marks of a popular revolutionary movement; it is a dogma of a few, and not the faith of the multitude”.

It is fitting, as Connolly wrote many poems and songs in his time of course, that music and poetry should feature so centrally in this documentary. Christy Moore delivers the first musical performance of the documentary, singing ‘Connolly Was There’, a number he learned from Dominic Behan. Andy Irvine delivers a rendition of ‘James Connolly’, that excellent song by Patrick Galvin that asks “Who will carry high the burning flag?” Jimmy Kelly, Adrian Dunbar and Paul Cleary also lend their voices to proceedings, occasionally with the assitance of a a number of excellent musicians.

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One of my very first posts on this blog (back in November 2009) was an appeal to the public to upload, digitize or give me a long list of 1st wave Dublin Punk/New Wave singles that were out of print and hard to find.

Surely but slowly these singles have been uploaded online and now are available to all to enjoy.

On February 11 2010, I uploaded The Blades’ fourth single ‘Revelation of Heartbreak’.

The Blades - Revelations of Heartbreak (1982)

On March 29 2010, I uploaded The Blades’ first single ‘Hot For You’.

The Blades - Hot For You (1980)

On June 5 2010, our close friend Conor McCabe from Dublin Opinion uploaded the 1983 single ‘Secrets’ from Autobop.

Autobop - Sercrets (1983)

Also on June 5 2010, Conor, got there before me and, uploaded The Rhythm King’s second single ‘John Wayne’.

The Rhythm Kings - John Waybe (1981)

On June 19 2010, I was finally able to get my hands on and upload the classic first and only single from D.C. Nien. (If anyone has their Red Tapes recording, please get in touch!)

D.C. Nien - Nightclub (1980)

On June 23 2010, I finally got around to uploading the 3rd single ‘Procession’ from The Atrix

The Atrix - Procession (1981)

On August 11 2010, Bristol Boy from the My Life’s A Jigsaw blog made my month by uploading the first and only single ‘Private World’ from The Teen Commandments.

The Teen Comandments - Private World (1981)

However, there are still a lot of classic singles still not online. If you have the following, please get in touch.

Alsatians:

5 Honours & A 175 / Denise Denise
7″ – Libra Records – LHS002 – IRL – June 1982 – PS

• I Wanna Be Your Man / Money Back
7″ – Libra Records – LHS003 – IRL – 1982

• I’ll Never Forget It (AKA Two Sucks) / Suicide
7″ – Scoff Records – DT028 – IRL – 2 September 1983 – PS

The Blades: (Note: I’m only looking for the B-Sides)

Ghost of a Chance / Real Emotion
7″ – Energy/Polygram Records – NRG-5 – IRL – 1981 – PS paper labels

Last Man In Europe / Sadlands
7″ – Reekus Records – RKS013 – IRL – 1984 – PS

The Boomtown Rats:

• Neon Heart, Etc.. (At Home And Away)
K7 – Demo – 1976

Camino Organisation:

• Human Voices // Executivity / The Bust Up Of Love
7″ – Reekus Records – RKS 004 – 1982 – PS

New Versions:

• Like Gordon of Khartoum / What You Want
7″ – Mulligan Records – LUNS 744 – IRL – 1981 – PS

Negatives:

• Love Potion No.9 / The Prize
7″ – WEA Records – K18420 – 1980 – PS

Pop Mechanics:

• Soldier Boys / It Feels Like I’m Alone Again
7″ – Polydor Records – 2078 144 – IRL – 1982 – PS

The Radiators From Space: (Note: I’m only looking for the B-Sides)

Enemies // Psychotic Reactions
7″ Chiswick NS-19 – 1977

Sunday World//(Why Can’t I Be) A Teenager In Love
7″ – CBS Records – 5527 – IRL – 1977

Let’s Talk about Weather//Hucklebuck //Try & Stop Me
7″ – Chiswick NS-45 & CHIS-113 1979

Kitty Rickets/Things (with Peter O’Brien)
7″ – Mulligan Records – LUNS720 – IRL – 1979

Revolver:

• Silently Screaming / On The Run
7″ – Rockburgh Records – ROCS203 – UK – 1978 – PS

The Romantiks:

• Said If You Needed Me / Little Queenie
7″ – G.I.Records – GI003 – 1978 – no PS

The Shade:

• 6:05 / Talk To Me
7″ – Juverna Records – JUV-001 – 1981 – no PS?

Watching You / Touch Sensitive
7″ – EMI Records – IEMI 5093 – 1982 – PS

Strange Movements:

• Dancing In The Ghetto / Amuse Yourself
7″ – Good Vibrations International – GVI GOT-5 – N.IRL – 1980 – poster PS

The Sussed:

Don’t Swim On The East Coast / I Wanna Conform

7″ – Dead Records – DEAD U2 – 1981 – PS

The Tabs:

Million Miles / Gotta Get Away
7″ – Vixen Records – FM001 – 1982 – PS

For all those who made their way to Liberty Hall only to be told the documentary wasn’t being shown, here is the current plan:

In a world full of shame and regret, do something to be proud of.

Parkgate Street, spotted from the top deck of a 26 bus.

From The Workman’s Club. A relic of the past which survived the leap.
My review of the pub is over here.

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League of Ireland fans do it

Shed End Invincibles , the Saint Patrick’s Athletic Ultras, take recent results in their stride. Excellent.