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D'ya Remember Jem? Will I Ever Forget (side b)

I’d very much like to welcome the Skytec vinyl player to the Fallon household. She’s a gem. You take a 7″ vinyl, give her a spin, and via Audacity – there it is. An MP3 file. Put the song in your pocket, put it on Youtube, do what you will- you have it now. Brilliant.

So this morning, the younger lad finds Santa left this thing. A few hours later, and I’ve already hijacked it.

The ‘Official Millenium Single‘, on 7″ vinyl, has been sitting in my room for some time now. My Dad built up a great collection of 7″ traditional vinyls, ranging from the likes of Planxty and Jim Page to one off oddities like ‘The Magnificent Seven’, a rushed out propaganda type tune about the seven prisioners who escaped from the Maidstone in Belfast. All these records offer interesting historical insight. What better place to start however, seeing as this is a “Dublin blog”, than with the Millenium Single of the capital, issued in 1988 by K-Tel.

The Official Millennium Anthem- Performed By The ‘Band Of Dubs’

The Record

Performers list:
Paddy Moloney (Chieftains)
Maire Ní Bhráionáin (Clannad)
Leslie Dowdall (In Tua Nua)
Maura O’ Connell
Mary Black
Finbar Furey
Johnny Logan
Jim McCann
Christy Moore
Paul Brady
Colm Wilkinson
Ronnie Drew
Shay Healy
Tony Kelly
The Dubliners
The Fureys/Davey Arthur

While Side A, a performence of ‘Molly Malone’ does nothing for me, Side B is absolutely fantastic. A spoken word performance from the late Ronnie Drew. Witty as ever, I recommend you give it a listen. It’s amazing this 7″ hasn’t found its way online before now.

And the day we went to the Phoenix Park
To look at the deer and sit in the grass.
And you held my hand and asked for a kiss
But I wouldn’t give in, cause I knew it was a mortal sin.
And then you said you loved me and promised a ring.
Do you remember Jem? Do I remember, will I ever forget?

SIDE A: Band Of Dubs- Molly Malone

SIDE B: Ronnie Drew- Jem

Of course, with a large enough collection of vinyl, the dad couldn’t originally be entirely sure of the backstory on this one. The back of the 7″ however notes that “All royalties from this single go to ALONE” ALONE is a “voluntary action group” that was founded by Dublin firefighter Willie Bermingham. By this logic, I presume it was through the job that this vinyl arrived in the household originally.

In the Dublin Fire Brigade museum you can find a great piece Willie wrote about himself hanging on the wall, which I’ve always considered one of the best examples of Dublin wit I’ve laid eyes on:

Joined the Dublin Fire Brigade in 1964 and spent a long time pushing for the pension. Favourite food, good old irish stew and lots of fish. For breakfast – several mugs of tea at work. Also loves to eat lots of red tape to teach the bureaucrats a little manners.

Classic. So anyway, give this 7″ a play. Side B in particular.

Lastly, if you have a copy of the complete album ‘Official Dublin Millenium Album: Dublin Songs’ issued by K-Tel (cat no. Dub1000) on vinyl, get in touch!

Now run off to Tower Records to nab yourself a Skytech 😉 Expect plenty more posts like this in the coming months.

ALONE still exists today and can be found online HERE

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Master at work…

As told to me by a gentleman of high standing in a local hostelry a couple of weeks ago…

McDaids Bar has always done a brisk passing trade, being off one of Dublins busiest streets, while at the same time maintaining it’s regular and staunchly loyal customer base. Now, this story is set in the late fifties/ early sixties, and Ireland at that time was not awash with cash, and this regular and staunchly customer base was not shy of asking for a couple of half ones to be “put on the tab,” or of looking for a way to cadge a pint or two.

On an Easter Monday, sometime around the turn of the sixties, the owner of the bar decided to take himself and some close allies on a trip to the races, leaving the bar in the not so capable hands of a new, young (and very naïve) barman. Away he went on his jolly way, and not long after he was gone, one of the locals (who, as the story goes, was a notoriously nice man, but a terrible one for not having two shillings to rub together,) spotted his chance for a day on the gargle. A carpenter by trade, he still had his toolbelt on him when he came in the door. Up to the bar he went and asked the barman for a pint of plain and a Créme De Menthe. The barman, only in the job a couple of weeks, looked nervously around him before saying, “I don’t think we have that sir.” “Oh, sure of course ye do. The boss keeps it down in the cellar; to keep it cool.” The barman looked around him undecidedly but deciding rather than face the wrath of the boss for annoying a regular customer, took the chance, swung open the cellar door and darted down the ladder. Not wasting any time, the carpenter hopped the counter, slammed the door shut and drove several six inch nails into it, fastening it shut and promptly started dishing out the scoops.

Needless to say, word travelled fast that McDaids were having an unwitting free bar and the place very quickly filled up with Dublin’s finest. Whiskey and Porter were being thrown across the counter at a ferocious pace, with little to be seen of money passing the other way. Of course, our carpenter friend drank his fill and promptly scarpered…

So, after a grand day at the races, a few shillings up and all the happier for it, the landlord turned off Grafton Street and started up Harry Street, towards where his pub was, and still is, situated. He was only too delighted to see the place full to the gills, people staggering around outside and inside. I’m sure he thought all his dreams had come true… Until he got inside… And recognised none of the people behind the bar. With a roar, he made his way through the fast-emptying pub and got the strangers out from behind the taps. With the pub now empty at this stage, he noticed the cellar door crudely nailed shut, and heard the feeble knocks that emanated from within. He took a jemmy bar to it and managed, after a time, to prise it open. Upon opening it, a very dazed and anxious looking barman hauled himself out of the hatch and asked “No Créme De Menthe then?”

As with all Dublin stories, I’m sure this one has sprouted legs but sure who gives a toss. These stories are the ones that will soon disappear unless we tell them, and keep re-telling them…

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The CHTM team are heading along to this. Should prove to be a entertaining night.

‘Button Factory County Sessions’ celebrates the magical music tradition of County Dublin. Featuring Colm Mac Con Iomaire (Kila/The Frames) and friends with the Góilín Singers plus special guests Peter Byrne and more.

Doors: 8pm | Cover Charge €15 / €10

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chrisjudge.com

 Luke (My brother, of www.lukefcomics.blogspot.com) is  a bit more  ‘with it’ than me in Dublin these days, in all truth.  Considering he’s not old enough to sit a basic driving lesson, never mind buy a pint, makes me wonder if this is more a reflection on me than him. I suppose when money is divided into category A (The Hop House) and category B (The bus to The Hop House/ the bus back home from The Hop House) then category C (Buying nice things) goes out the window.  Anyway, yesterday he came home with some nice odds and ends he picked up from the stuio of an Irish artist in town.

I fell in love with this shirt when I seen it. Chris Judge, if you don’t know- is a contributing artist to www.scamp.ie, the artist behind quite a lot of the Vodafone advertisements that may have stood out for you in the last while, and (to prove what a small world Dublin is) also did the sign over the door of Twisted Pepper on Middle Abbey Street. I noticed on his own blog at the time  of  the bars launch he mentioned the sign would be changed every few months, but it seems they’ve stuck with his effort- which I love.

Anyway, my interest in comics/illustration is low and only recently developing at all due to Lukes influence no doubt, but so close to Christmas it’s worth looking around Dublin for unique, and homegrown, presents.

So, in the spirit of that:

Christmas Flea Market, Dublin

December 20th up at the Co-Op. While obviously these things always bring out the bric-a-brac stalls, there is no shortage of creative hands in this city. For something a bit more unique, it’s worth a look. To think if I was buying Luke a shirt I wouldn’t look beyond Topman….

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from damiendempsey.com

'Damien Dempsey Gives Me Hope' Graffiti up by Busaras

Howth Junction could take you away
And in the hayfields we’d squander the day
And from the corner of Holywell road.
See the sunset over Saint Donaghs,
See the sunset over us all,
See the sunset over Saint Donaghs.

I’ve seen Damien Dempsey a number of times now, the first time at a free summer concert in Farmleigh, in 2007. Of course, being Ireland, it bucketed down the whole time. The massive crowd that assembled to see Dempsey knew each and every word, sporadically burst into ‘THE NORTHSIDE!’  in song and, once he left the stage- took off home. Seeing as Dempsey lists Morrissey amongst his celebrity fans, the adoring nature of his fans seemed more than fitting.

Fresh from touring internationally, Dempsey has taken to an off the cuff tour of Dublin, taking in mainly community centres in ordinary parts of Dublin that don’t see chart-toppers roll through too often. Amongst these shows are Blanchardstown, Ballymun, Tallaght and others. They are ’solo’ shows, although a friend or two assist along the way.  They are all a long way from supporting U2 in Croke Park to say the least.

I remember seeing Damien Dempsey open for Willie Nelson in the old Point, and cringing my way through it all. Dempsey wasn’t bad on the night, not by a long shot. I remember he was giving his normal talk before bursting into ‘Colony’, a song about global imperialist history. He began by dedicating the song to the people of Palestine, Afghanistan,Iraq and other war ravaged parts of the world, and told the audience that war is always carried out by the ruling class. It wasn’t the setting really, and the shameless Willie Nelson ‘BUY TWO T-SHIRTS AND A THIRD ONE FOR A RELATIVE’ tour machine was so loud he could hardly be heard over it.

These shows however, are completely different affairs. Opening up with Negative Vibes, the sing song nature of the night is clear straight away. He has the audience (seemingly well oiled, thanks to the bar thats part of the community venue) right in his hand, and its now obvious to me the Farmleigh experience was a pretty standard Dempsey concert. The audience are right in this. Sing All Our Cares Away continues the pattern. Dempsey can almost leave the chorus to his audience.

He tells the crowd this is his first headlining gig in Tallaght, and his only performance before was between two boybands in a youth talent show in the (clearly not actually a Square) shopping centre across the road from us. The Northside/Southside banter from the crowd brings every  comedian in the place to his vocal best, and it takes a few minutes until things get back on course.

Colony hits the place like a bag of bricks.

Katie she came from down Townsend street
Ten in a bed and no shoes on their feet
1916 came
They played The Patriot Game

Dempseys microphone cuts out, but you wouldn’t even notice. The audience know every word.

Dempseys latest effort, The Rocky Road,was an effort to take traditional classics and bring them to a new audience. As he remarked in numerous interviews at the time of the albums launch, many of these songs are punker/dirtier and more aggresive or the opposite than anything recorded today. Over the course of the night The Rocky Road To Dublin, Schooldays Over, Kelly The Boy From Killane, A Rainy Night In Soho and The Night Visiting Song get a go. The amount of young faces singing along indicates that the albums aim was a success. That, or to many young Dubs, these songs are already known word for word.

A new song,  dealing with the feelings of a young solder trapped serving in Iraq and the horrors of war is performed too, with Dempsey remarking that ‘War is the rich mans terrorism’. Dempsey can get his politics across in a way that is not annoyingly forced or pointlessly tokenistic.  The fact his musical catalogue deals mainly with working class Dublin youth means that unlike a few characters he may have shared a stage with at the o2, people are willing to listen. The song goes down a treat.

Its almost 11PM when Dempsey wraps up, joking that he’s offering people the chance to make the short-run to the bar. The lyrical development of Dempsey is obvious, in fact the first time I heard Dempsey about 3 years back I remember being quite on the fence. He’s come a long, long way.

He ends on Patience. Once more, the audience sing every word back to him. The energy in the room is fantastic. When people spill out into the carpark, or in some cases back into the bar,  the talk of the town is the strength of the performance just seen. The tour of Dublin continues over the next few days, and then- it’s back to larger venues no doubt for Damien Dempsey. There’s no paddywhackery with Dempsey, just Dublin spirit.

Sadly, Eoghan Harris is a fan too.

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I’ve a healthy obsession with Dublin punk/new wave from the late 70s till mid 80s. If I was asked, here would be my top five Dublin first wave punk singles:

1. The Radiators From Space – Television Screen (1977)

2. The Atrix – Treasure On The Wasteland (1980)

3. The Blades – Hot For You (1980)

4. The Boomtown Rats – Lookin’ After Number One (1977)

5. The Vipers – I’ve Got You (1978)

There are quite of number of other classic Dublin punk/new wave singles that are impossible to find either online or in real life. I think it would be a great idea to digitize as many as possible and put them online so they can be enjoyed by all. If anyone has any of the following singles lying in their attic or garage, please get in touch.

Alsatians:

• 5 Honours & A 175 / Denise Denise

7″ – Libra Records – LHS002 – IRL – June 1982 – PS

• I Wanna Be Your Man / Money Back

7″ – Libra Records – LHS003 – IRL – 1982

• I’ll Never Forget It (AKA Two Sucks) / Suicide

7″ – Scoff Records – DT028 – IRL – 2 September 1983 – PS

Autobop:

• Secrets / Advertising

7″ – CBS Records – A 2919 – IRL – 14 January 1983 – PS

Berlin:

• Over 21 / Waiting for the Future

7″ – Charisma Records – CB351 – IRL – 1980 – PS, purple label

• Boyfriends / Central Station

7″ – Philips Records – 6000 557 – IRL – 1980 – PS

Camino Organisation:

• Human Voices // Executivity / The Bust Up Of Love

7″ – Reekus Records – RKS 004 – 1982 – PS

DC Nein:

• Nightclub / Things Japanese

7″ – Nienteeneightease Records – DC9-001 – IRL – February 1980 – insert

• The Red Tapes

K7 – Nienteeneightease Records – DCMC 01 – IRL – 1980

10 track cassette

The Mighty Shamrocks:

• Condor Woman / Stand Up In Public

7″ – Strong Records – WR 1 – IRL – October 1981 – PS

New Versions:

• Like Gordon of Khartoum / What You Want

7″ – Mulligan Records – LUNS 744 – IRL – 1981 – PS

Negatives:

• Love Potion No.9 / The Prize

7″ – WEA Records – K18420 – 1980 – PS

Pop Mechanics:

• Soldier Boys / It Feels Like I’m Alone Again

7″ – Polydor Records – 2078 144 – IRL – 1982 – PS

Revolver:

• Silently Screaming / On The Run

7″ – Rockburgh Records – ROCS203 – UK – 1978 – PS

Rhythm Kings:

• Goin’ Steady // Fast Girls / When You’re Dancing

7″ – Scoff Records – DT008 – 1981 – PS

• John Wayne / Want Ad Blues

7″ – Scoff Records – DT013 – 1981 – PS

• Hey Hey Holly / You Broke My Heart

7″ – Scoff Records – DT014 – 1982 – PS

Rob Strong & The Rockets:

• Farewell To Harlem / We Got Tonight

7″ – Strong/Good Vibrations Records – WR2 – 1981 – PS

The Romantiks:

• Said If You Needed Me / Little Queenie

7″ – G.I.Records – GI003 – 1978 – no PS

The Shade:

• 6:05 / Talk To Me

7″ – Juverna Records – JUV-001 – 1981 – no PS?

• Watching You / Touch Sensitive

7″ – EMI Records – IEMI 5093 – 1982 – PS

Strange Movements:

• Dancing In The Ghetto / Amuse Yourself

7″ – Good Vibrations International – GVI GOT-5 – N.IRL – 1980 – poster PS

The Sussed:

• Don’t Swim On The East Coast / I Wanna Conform

7″ – Dead Records – DEAD U2 – 1981 – PS

The Tabs:

• Million Miles / Gotta Get Away

7″ – Vixen Records – FM001 – 1982 – PS

Teen Commandments:

• Private World / Italian Girls

7″ – Auric Records – AU79003 – 1981 – PS

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Myself and dfallon spotted a number of these plaques around the Dublin 8 and Liberties area last weekend. Here’s the story behind them…

Artist Chris Reid set out to create a micro history about Nicholas Street, Ross Road, Bride Street and Bride Road. This history would be centered on audio recordings of conversations Chris had with residents and people associated with the area. This research took place between 2004 and 2008. These oral narratives formed the basis of a subjective local history and heritage that would be placed back into the area. This subjective local history would be for local, resident, and tourist alike.

This history would privilege the human reality of a given situation rather than any factual account.  The oral narratives recorded on minidisks were turned into a series of 220 short texts and a series of 100 longer anecdotes and stories. Each contributor participated alongside chris in the selection of a final 20 short texts for use on the plaques. These were typeset and individually cast on bronze in the form of commemorative plaques and installed on the walls of the aforementioned streets between 7 and 8 foot from the ground.

To view all the plaques and a map showing where they are, log onto http://www.chrisreidartist.com/projects.html. Let’s hope we see more of this in Dublin in the near future.

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“When things go wrong and will not come right, though you do the best you can, when life looks black as the hour of night, a pint of plain is your only man”

It could barely have been foreseen that something that started as an excuse for a pub crawl on a slow Sunday afternoon could turn into a day of good banter and storytelling, traversing the spots that thousands and millions of weary travelers have trod before and ultimately in the conception of this Blog. Five pubs in one day, it’s not a hard thing in Dublin City, it‘s near impossible to get from A to B without passing at least one watering hole. It’s not exactly a cultural experiment either; it’s the sort of thing you do every weekend anyways without thinking about it. It’s only when you plot the five pubs beforehand, the nature and character of those five pubs and go there with the idea of having the craic while critiquing the place at the same time, drinking decent pints whilst judging them, and singing a few songs and telling a few tales in between. Then it becomes cultural.

So that’s what we did on the first Sunday in September. Five pubs were chosen and five brave warriors met in The Long Hall on Georges Street for the first pint of the day. For those of you who have never been in the Long Hall, it’s an unusual pub, decorated with early 20th Century trappings, rich shag carpets and wood panelling. The pint is bloody gorgeous too, if a little on the soft side.

The Long Hall: photo by Flickr user inaki_naiz. Used under a Creative Commons License.

It’s the kind of pub that is full of shirt bedecked office workers on a Friday evening but on a Sunday afternoon, the crowd was sparse. Not that we were giving out. And in a welcome development, though most pubs we had walked past to get here had ‘de football’ (English of course) blaring at full volume, the telly wasn’t even switched on here and the music was down low. A grand spot for a bit of natter; and during the natter we find out it’s a pub with a bit of history too – Ever seen the video for Thin Lizzy’s “Old Town?” Well the bar the lads are propping up is none other than the one in The Long Hall! So a quick toast to Phil and the boys and we were out the door, the barman giving us a shout of Slán as we left. Not too many places you get that either.

So next up was McDaids, just off Grafton Street. We didn’t stay long, as the barman gruffly demanded ID off each of us (I haven’t been asked for ID in five years or so… I didn’t know whether to be happy or angry) and then only begrudgingly asked what we wanted. The Chelsea Vs. Liverpool game was blaring and we decided it wasn’t worth it. Maybe the barman was a Liverpool fan (they were losing 2-0) or we just caught the place on a bad day because I genuinely like this pub; just definitely not that Sunday. As a change of plan, we headed for Kehoes, just the far side of Grafton Street. We found a nice quiet spot upstairs in the side room adjoining the Upstairs bar.

Kehoes: photo by Flickr user boggerthelogger. Used under a Creative Commons License.

For those of you who have never had the pleasure of scooping in Kehoes, the upstairs bar is basically the living quarters of John Kehoe (long since passed away ) transformed by sticking a counter and some taps in it. It’s like drinking in your grannies sitting room. The old pictures adorning the wall were the source of many anecdotes as Pearse, Connolly and Heuston were debated and dissected. They say you should never talk politics or religion in a pub. It was a bit difficult in this place… With pictures of the 50th anniversary of the rising on one wall and Bono on the other! The pint was nice and cold, the head stayed white and the glass was left with the magic seven rings; always a good sign in my book. So with a few pints on us we headed on towards The Dawson Lounge.

The Dawson Lounge’s claim to fame is that it’s Dublin’s smallest pub. With two other groups of five or so in the place, there was not a stool to be had. We were disappointed to find out we couldn’t collect a Guinness 250 beermat commemorating this place but then again, it’d be hard to paint a picture of the place, what with there just being a door and a tiny hanging sign above it!

Dawson Lounge: photo from dublin-in-pictures.blogspot.com

Not much you can say about this place, great pint, nice and snug, the kind of place you’d love to step into on a cold and wet day to read the paper or watch the news over a pint of plain. And don’t be dissuaded by the shortness of the review for this place; sure don’t they say it’s not the size that counts.

The next pub was to be Toners on Baggot Street, a great little boozer this, one of my secret hideaways- the kind of place where you can happily sit in the corner with a pint and a book and not be disturbed by anyone except the barman asking if you want another pint! We were greeted cheerily as we entered and we were glad to get in out of the cold and get a much-anticipated pint. I can’t recommend this pub enough; nice and snug, a great pint and a pub with a great history, frequented by Behan and O’Brien as it was.

Toners: photo by Flickr user Mr Pauly D. Used under a Creative Commons License.

I was sad to leave but we were nearing the summit of our challenge, and the cream of the crop. I think we peaked too early by deciding to include Mulligans of Poolbeg Street in our first five pubs for it truly is one of the best pints in the city. There is nothing polished about this pub, it’s old Dublin, (very old Dublin, the place was established in 1732;) rough and ready. Bare wood floors and nicotine scarred walls, but genuine and welcoming at the same time, far from the super pubs Dublin has come to know and despise. A great place for a bit of banter, the pub was well populated with young and old, bent over pints,  chatting, laughing and slagging. A smashing pint aswell, and that makes all the difference.

Mulligans: photo by Flickr user Diego

We forgot ourselves here and indulged in a few more than we originally meant, but it was hard not to and besides, this was to be the end of our road for this week, and the end of the first chapter in a story I hope we endeavour to keep going. Pints, mates and the craic, what more could you ask for?

September’s five pubs were:
1. The Long Hall, Georges Street, Dublin 2.
2. John Kehoe’s, 9 South Anne’s Street, Dublin 2.
3. The Dawson Lounge, 25 Dawson Street, Dublin 2.
4. Toner’s, 139 Baggot Street Lower, Dublin 2.
5. Mulligan’s, 8 Poolbeg Street, Dublin 2.

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