Feeds:
Posts
Comments

Archive for 2010

The market workers of Dublin and others like them knew a very different city from the average worker in the capital today. Before the first bus even rolls through the suburbs now, these workers were often at the end of their workday. Early house pubs opened their doors from about 7am, and it wasn’t unusual to spot a mix of tired workers and those returning from more enjoyable nights in the capital seizing the opportunity presented for a pint.

Alas, the fruit markets are no more in all truth. The docks are quieter now too. Yet Dublin retains a few early house pubs dotted around the city, and this suggests business remained strong long after the shutters came down on some markets for the last time. Amazingly, I’ve never been to one. A 2008 Irish Times report suggested 15 such pubs remain in the capital. Since 1962, no new pubs have been added to the list. They’re a dying breed.

The Chancery.

The Chancery is located right by the Four Courts. By sheer coincidence, we’re coming to it from the direction of Smithfield, an area much changed since the time the markets flourished there. Beautiful apartment complexes, an art-house cinema and the sort dot Smithfield today. The Cobblestone remains, the horses long gone.

Arriving at the door of The Chancery at the early hour of 8am, the first thing you notice are two bouncers on the door. While at first one can be worried by the sight of a bouncer, on second thoughts it can be reassuring. They keep an eye on proceedings, but there is no trouble in the time we’re here. We pass them on the way in, give ‘the nod’, and with it clear we’re in decent condition on entering the place, we don’t hear/see them again, until ‘the nod’ is given again on the way out.

The pints of Guinness are more than decent, and we remark that it’s interesting they can pull a decent pint here at 8am when we’ve seen ‘one pour pints’ chucked out in fancier boozers across the city on Friday nights. On the subject of Friday nights, there appear to be a few other survivors dotted around this place. The milkman? The market worker? No sign of them but.

The ‘locals’, or the people sitting across the bar talking to the barman and each other, are a mixed bunch. With the sun up, this might as well be 3pm in any Dublin pub. One annoyance that hits you on entering the place however is the jukebox. Is there a need for a jukebox to be blaring music at half eight in the morning?

I’m gonna send him to outer space. To find another race.
I’m gonna send him to outer space. To find another race.

I love the song too, but it’s half eight in the morning. Turn it down, or turn it off. The arrival of The Wild Rover leads one of our party to a semi-audible “for fucks sake…” that thankfully goes unnoticed. Somewhere in the world it’s a suitable time to play this stuff, lets be quiet and drink to them.

The early house is clean, and the pubs layout is perfectly fine. What surprises me is the number of people here. I remember a friend telling me you could never open a Wetherspoons in Ireland because “we can’t be trusted to drink sensibly”. Maybe there’s an element of truth in that. In the time we’re here, with the exception of one eejit and his unwanted and unimpressive rendition of ‘The Boys Of The Old Brigade’, we see nothing too out of the ordinary or worrying. We even remark a return visit in the future isn’t an impossible scenario.

So, who does drink at 8am? A much more varied bunch than I expected. On leaving, we do a quick turn and head towards town, and I spot people getting off the 25A bus for work. Getting on the same bus home, there is a distinct lack of market workers, milkmen or dockers. The Chancery is not going to make its way into any ‘Top 50 Pubs In Dublin’ list, and it’s not brimming with the sort of unique character that does see pubs make such lists, but it’s not the hellish boozer some may think looking down on it from the double-decker bus to work. Judging on the crowd inside it, at a time I wouldn’t normally have risen yet, it’ll be here a while longer yet.

Read Full Post »

(Note: This is our 400th post. Wow! Our birthday is coming up in November. Watch this space)

It may take a while before someone writes the definitive history of the rave/dance/club scene in Dublin. Until then, here’s some links to keep you busy:

Articles:

History of Dublin Clubbing, John Braineon, September 2000. Excellent overview covering the 1988 – 1990 Acid House period.

Notes on an Irish disco landscape, Paul Tarpey, September 2008. Well researched piece that covers the Dance Club scene from the early 1970s to the late 1990s.

Belfield’s 1980s Rave Scene, Sam McGrath, December 2009. While today Belfield is a vacuous musical wasteland of commercial electro-pop and RnB, in the late 1980s it enjoyed a healthy, organic dance scene.

Internet forums:

– Legendary 695 (!) page ‘Asylum/Oldskoolthread on Boards.ie which is still going strong after five years.

– 2005 Boards.ie thread on ‘Legendary Clubs/Raves’ and a short thread from 2009 asking posters to vote for ‘Dublin’s Best Ever Club’.

– A more recent 12 page thread on the Bodytonic forum about the “History of rave/dance music culture in Ireland”.

Other:

– A 1,636 strong Facebook group dedicated to the “Old Skool Ravers” of Dublin. Heaps of pictures, youtube links and reminiscences.

– A fantastic resource of flyers from Irish dance clubs (1988 – 2008)

Videos:

Sides D.C. (1986 – 1996)

The Asylum (1992 – July 1994)

The Olympic Ballroom (Raves; April 1990 – 1994)

The Ormond Multimedia Centre (Mid 1990s?)

Read Full Post »

Dole TV.

Includes an interview with Sam Nolan (Trade Unionist)
Street Literature- Products Of Our Environment (1.48 in)
and Brian Cowen boozing around Dublin (8.00 in)

Well done to Dublin Community Television on this one, the first episode of Dole TV. Offering a fine mix of content, what begins with a great interview with Sam Nolan goes on to feature a great parody on the Taoiseach’s love for a good pint and an excellent hip hop effort from some younger Dubliners, in the form of Street Literature. Give it a watch.

We’ve briefly touched on the unemployed workers movement in Dublin in the fifties, about which Sam Nolan speaks here, before. The post I have linked to above includes video footage of a protest rally in 1953.

We are putting out an appeal to all those talented video editors, graphic artists, writers, music producers and others to send in their media and ideas for inclusion in the show. Get them in. You can reach out at doletv@dctv.ie

Read Full Post »

A portrait of legendary bare-knuckle boxer Dan Donnelly.

Ye sons of proud Britannia, your boasting now give o’er,
Since by our hero Donnelly, your hero is no more;
Eleven rounds he got nine knocks down, broke his jawbone,
Shake hands, says she, brave Donnelly, the battle is our own.
(from the ballad “Donnelly and Cooper,” words here.)

Irish history is rich in stories of playwrights and poets whose characters matched if not outshone their talent with a pen. When it comes to sports people, we are arguably equally rich in those characters. When it comes to boxing, one name that comes to my mind (and in honesty, only because I saw an excellent documentary on TG4 about the man) is Dan Donnelly, beknighted (though that tale behind this is a story in itself) prize fighter who won the hearts and minds of Irish men and women in the early 19th Century.

Dan Donnelly

With Ireland still under British rule, and with ten years yet to pass until the uprising of 1798, Dan Donnelly was born into poverty and a house already full of children (eight before him, with another eight to come after him) in the heart of Dublin’s Docklands. He trained as a carpenter at early age, but it was with his fighting prowess that he excelled, garnering a reputation as a man “handy” with his fists with a few pints in him; what wages he had left after he had provided for his family, he spent on drink, or on some occasions, the other way around.  He grew to be a formidable beast of a man, standing six foot and one half inch tall and weighing fourteen stone. His arms were said to be unnaturally long (a fact since proven false) giving him a reach to worry opponents. But as scary as he looked, he was said to be a man of manners, and on more than one occasion stepped in to stop muggings or assaults around the area of Townsend Street where it is said he lived. (His introduction to boxing came from fighting, and beating, a bullying English sailor in a bar close to his home.)

Dan’s infamy as a bareknuckle boxer grew, and he soon progressed from drunken brawls outside taverns to organised fights, with a purse to be taken home by the winner; and though it is said he only ever took part in three of these bouts, it is the manner of the victories and the opposition he faced and defeated that ensure his place in history.

The fight he is remembered for was his second and took place on December 13th, 1815 in The Curragh of Co. Kildare. Now called Donnellys Hollow, the area was a natural amphitheatre with sloping hillsides surrounding a flat area of ground where the fight took place. It is said that over 30, 000 people made the trek to Kildare for the fight by foot and carriage, with the upper classes mixing with slum dwellers, as each had a stake on the outcome.

The fight itself was said to be a dour affair, with the favourite Cooper (1/ 10 to win) using dirty tactics and falling to his knees on a couple of occasions in order to get a round to be stopped. Donnelly put paid to the Englishmans arrogance when he broke his jaw with a right hook in the eleventh round, taking the fight in the process.

A victory against English opponents these days is greeted with a cheer, so it’s hardly suprising that Donnellys victory against Cooper was seen as a national event. His trip back to Dublin is said to have taken over two weeks, so many were his stops, doing his best to spend the £60 purse he earned from the fight in taverns along the way. His footsteps from the Hollow itself are still there to be seen, as supporters, keen to follow in his footsteps, did so physically, marking out the steps on the landscape, as people still do to this day- as can be seen from the photograph above.

The stone obilisk surrounded by an iron fence below marks the spot where the fight took place, bearing the inscription “Dan Donnelly beat Cooper on this spot 13th Dec. 1815.”

The Obelisk marking the spot.

Donnelly decided to make his way to England where he became parlour entertainment for the wealthy upper classes who welcomed him at their parties, no doubt as a lumpen Irishman with extraordinary strength. it was at one of these parties that Donnelly (according to legend as there is no documentation to prove so) knelt before the Prince Regent, George IV and was granted knighthood with a sword tap on each shoulder- an Irish pugilist who once worked with the brother of Anne Devlin, a figure central to Robert Emmets revolt of 1803 receiving knighthood from the future King of England. Implausible, but apparently true.

He moved back to Ireland and with the money he had earned from his fights (and with his reputation still intact,) he decided to go into business, opening four bars in succesion. But, as is often the case, he was often the bars best customer and this was eventually his undoing. Of all the bars, Fallons Capstan Bar is the only one that remains in business today. He died broke and lonely on February 18th, 1920 at the young age of thirty two. The procession that followed his coffin numbered in the tens of  thousands and he was buried in Bullys Acre- a paupers graveyard and one of Dublin’s oldest. Within days, his body was stolen by grave robbers; Riots broke out in Dublin upon the news and Surgeon Hall, who had purchased the body, returned Donnelly to his grave in Bully’s Acre- minus his right arm. The arm was transported to Edinburgh University where it was used in anatomy lessons, was taken around England by a travelling circus, was brought back to Ireland and displayed in several pubs throughout the twentieth century, and went to New York and back before it found its resting place in The Hideout Bar, Kilcullen where it remained on show until 2006 before being removed from public viewing.

Dan Donnelly's arm

While undoubtedly, it’s Dan’s arm that garners most interest in him, its his story that gets me most. Maybe I’m just a sucker for social history but the thought of 30, 000 people making the trek out to the Curragh in the days before Bus Eireann to see what equates to an amateur bare- knuckle fight, the image of the streets lined on his victorious return, and the 70, 000 that showed up at his funeral, and yet I only know about him because of a chance viewing of a documentary on TG4 makes you think how many other stories like Dan’s have gone beneath the radar.

Underneath this pillar high,
Lies Sir Dan Donnelly;
He was a stout and handy man,
And people called him buffing Dan.
Knighthood he took from George’s sword,
And well he wore it by my word!
He died at last from forty seven
Tumblers of punch he drank one even.
O’erthrown by punch, unharmed by fist,
He died an unbeaten pugilist.
Such a buffer as Dan Donnelly,
Ireland never again will see.

—————————-

Links used for research on the above piece:

http://issuu.com/onlinemedia/docs/nw-19-08-2008/11?mode=a_p

http://sportsillustrated.cnn.com/vault/article/magazine/MAG1072458/index.htm

http://en.wikipedia.org/wiki/Dan_Donnelly_(boxer)

Read Full Post »

A documentary called ‘Hill Street’ which deals with the history of skateboarding in Dublin is currently in post-production. Produced by JJ Rolfe and directed by Warrior Films, the film will deal with skateboarding in Dublin from the late 1980s to the present today. It will include contributions from many legends of the local scene including Clive Owens, Roger Kavanagh, Mike Keane, Graham McPhearson and Wayne Gallagher.

This will obviously be of interest to anyone who has ever skated in the city. My early teenage years were made up of skating the Central Bank, the ESB, Three Steps, the Conrad and the early days of Ramp n Rail every weekend.

It’s great to see a documentary being made about a Dublin youth culture at a time when the people involved are firstly, still alive and secondly, when they can still remember the details. Sadly, it’s far too common that people leave it too late to make documentaries or write books about social history, waiting for the individuals to either hit their 80s or 90s or pass away.

Read Full Post »

Our friend Garry O’Neill (author of an anticipated photographic book on Dublin youth culture) is trying to get in contact with any of the girls mentioned in the following news article. You can reach Garry at cru71(at)hotmail.com

Read Full Post »

1948

Amazing footage here, well done to YouTuber tallowmanirish on booting it up.

The first three minutes are so are of the city during the build up to the game, capturing everything from an Irish-American marching band to crowds on O’ Connell Bridge. If you’ve got footage like this hiding somewhere in the house, get it up online!

Read Full Post »

The younger Fallon picked this up recently in a second-hand bookshop, for the great price of a single Pound.

In Dublin’s Fair City, by G. Ivan Morris, was a London published guide to Ireland for visitors.

“The author is a well-known Dublin publisher and master-printer who, in the midst of an unprecedented pressure of business, has taken the time to write this book for the guidance of visitors to Ireland.”

Here are a few scans of note, on everything from Yo-yo’s to Grafton Street.

We’ll begin with this, a warning on discussing Communism in Dublin. Notice it gives reference to New Books, a bookshop selling “Communistic literature”.

Apparently, drink used to be cheaper than in England. Half the price in fact.

(more…)

Read Full Post »

A few Guinness labels which were hiding in the cupboard right opposite this very PC.

What do I know about them? Very little. Obviously, they come from the period when Guinness was bottled by the seller. Interestingly, three of them read “Who bottle no other stout or porter” or variations thereof.

The beautiful Irish language label from D Ó Sciatháin’s notes the same As Gaeilge.

The P. Lynch label, from 144 Thomas Street, is by far the oldest. T.Younge, at the time based at 85 Queen Street and 1a Ellis Quay, became a Ballyfermot fixture. D Ó Siachtháin gives a Dorset Street address. The other two come from outside the capital.

With the week that’s in it, they’re a lovely oddity if nothing else. A recent post on the Jewish Museum included snaps of Guinness labels from Dublin’s Little Jerusalem.

(more…)

Read Full Post »

We all know about Thursday by this stage, 251 years of Guinness production in the capital will be celebrated at 17:59 on the dot.

Two thirds of Come Here To Me are getting behind the decks at The Workmans Club to celebrate, with Ci promising to drop in after ringing in the new year (so to speak) in his beloved local. I’ll be spinning for a period, followed by our Come Here To Me resident DJ Carax, a more frequent fixture in the city. I’m hoping to keep it indie, classic and fun.

It’s free in, it kicks off at 4pm ( We’re on from 8 ) and there are a few drinks specials with the day that is in it:

PINTS GUINNESS-3EU
BABY GUINNESS SHOTS-3EU
BLACK RUSSIANS 3EU

Come Here To Me lads will be followed by Matt from The Dead 60’s, delivering more in the line of ska. The resident DJs will be booting them out in the indie room.

Read Full Post »

From archaeological excavations to Northside soul bands, it’s a varied night to kick off the weekend. Here’s a few I think are worth a look.

This Friday ,September 24, is Culture Night in Dublin. What’s that? A chance for Dubliners to switch off the telly (Ryan Tubridy, no thanks.), hit the streets and enjoy what the capital has to offer. Here’s my pick of what to do. For the most part, this is my own plan of action, so you know it’s a good one.

First of all, for the early birds: The Abbey are giving away thirty free tickets to the Plough and the Stars. I’m excited about the arrival of The Silver Tassie in Dublin soon, by far my favourite O’ Casey play, but The Plough and the Stars is perhaps ‘the’ play of what is often labelled O’ Casey’s Dublin trilogy. First come, first served Friday morning from 10.30am. You have to be there yourself at the box office, so set the alarm all you unemployed Come Here To Me readers.

Fans of O’ Casey should note that this isn’t the only chance you’ll have to take in some of his work on the night. Up on the Sean O’ Casey Bridge, at 5.30, 6.30 and 7.30, pieces from Shadow Of A Gunman and The Plough and the Stars will be performed. At the same times, the James Joyce and Samuel Beckett bridges will come to life with similar tributes to their namesakes, though you won’t catch me at either.

That great Dublin historian, Pat Liddy, is also lending his services to the night. Merrion Square and its Writers promises to be an excellent walking tour, kicking off from the Georgian House Museum, 29 Fitzwilliam Street Lower. Bring an umbrella, you never know.

Smithfield has plenty on offer on the night. The Jameson Distillery for example are offering free guided tours of the Distillery, which includes a free drink(!!!!!). First come first served over there. I imagine many will come, and many will be served. A fine start to the night perhaps. Space 54 and the Light House Cinema are both involved too on the night. The Complex play host to DIG, an exhibition of drawings and photographs from the Smithfield archaeological excavations.

In several cases the drawings record what was found under the actual gallery where the exhibition is displayed.

DIG opens tomorrow night, with Dr Ruth Johnson, Dublin City Archaeologist on hand to do the honours, but on Friday it remains open until 10pm, with the night that is in it.

A short walk away, at St. Mary’s Abbey, an exhibition titled ‘Vintage Irish Bookcovers’ is taking place from 6 to 9 pm. I’ve been known to lose lunch time to Niall McCormack’s Vintage Irish Bookcovers Blog, where everyone from Peadar O’ Donnell to Pádraic Ó Conaire features.

Free tours of Christ Church are on offer on the night, a must do for anyone who has been putting it off or writing it off as ‘too touristy’. Right next to it, by the site where Handel’s Messiah was first performed, The Contemporary Music Centre will host a night of music, “reflecting the very latest trends in contemporary music and sound art”. Handel’d love it.

In the belly of the beast, or Friday night Temple Bar, there are some more hidden gems. The Quakers Meeting House, where “Quakers have met in silence in Temple Bar for over 300 years”, opens its doors to the public and a one hour play titled ‘On Human Folly’ will be performed at 8pm. Filmbase are running a night of free activities for people like me who have no clue whatsoever how to edit or film. Exchange Dublin, The Gutter Bookshop and others down in the sometimes overlooked ‘Old City’ part of Temple Bar are also participating.

By this stage, you’re exhausted. You’ve knocked out one or two of the events above and you want to relax. Well, in Meeting House Square will find Dublin classic The Commitments being screened at 10.15pm. A nice way to bring it all to an end, even if we’ve all seen it a dozen times and own the VHS. One more viewing might convince me to buy the DVD.

See you on the streets.

Read Full Post »

Punky Reggae Party (Vol. 8)

After a long summer break, the Punky Reggae Party makes a welcome return to the city to celebrate its first birthday and showcase its most special guest DJ yet.

To find out more, please click the image below:

Read Full Post »

« Newer Posts - Older Posts »