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Archive for 2010

D.C. Nien, who took their name from the postal district Dublin City 9, were one of the biggest bands in the Dublin Punk & New Wave scene in the late 1970s and early 1980s.

D.C. Nien in action at the Central Bank, Temple Bar (?). l-to-r. Brian Seales, Damien Gunn and an elderly fan. (Taken from http://www.irishrock.org/irodb/bands/dc9.html)

Kevin Shields from My Bloody Valentine has remarked that “when (he) was at school there were two bands at the time, U2 and D.C. Nien.  At the time they were equal on a level of popularity”.

The definitive book Irish Rock (1992) had the following to say about the band:

“D.C. Nien combined a truly awesome live sound with a tough skinhead image. Fronted by singer Damien Gunne, the band married danceable sounds with thought-provoking lyrics, and treaded the same boards as U2 in the late 1970s and early 1980s.”

(Both these quotes were taken from Joey Cashman’s website. Cashman played Sax with D.C. Nein and their successor The Tokyo Olympics. He is currently Shane MaGowan’s manager)

D.C. Nien  recorded and released only one single. For the first time online, here are both the A and B sides.

Cover of 'Nightclub'

Lyrics to 'Night Club'

D.C. Nien – Nightclub (1980)

Cover of 'Things Japanese'

Lyrics to 'Things Japanese' and Sleeve Notes

D.C. Nien  – Things Japanese (1980)

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The Sugar Club in Dublin at half time during the France versus Mexico clash.

This gem on YouTube is worth a look.
Oh Mexico! Oh Mexico! Is Wonderful! Is Wonderful!

USA Today have an interesting piece on the match here.

DUBLIN — Ever since Thierry Henry’s unpunished handball helped deny Ireland its place on football’s grandest stage, Ireland has been awaiting its moment of retribution and is cheering every misstep as France stumbles to the brink of World Cup failure

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Without me even knowing it for a number of years, Glen E. Friedman had long been one of my favourite photographers. I only came to realise it was one bloke behind so many of my favourite images when I was given a copy of his work on Fugazi, the wonderful Keep Your Eyes Open.

Some of his images made their way to my teenage wall, and others featured inside magazines strewn across a bedroom floor. Images of Public Enemy, RUN DMC, Angelic Upstarts, The Misfits, Beastie Boys and Black Flag among others. Iconic images. Even if one isn’t familiar with the music of the artist featured on occasion, the images are wonderful in their own right.

Most of Friedman’s work covers the subcultures of skateboarding, hip hop and punk. To snap acts as diverse as Minor Threat and RUN DMC, but perfectly capture the rebellious spirit of both, is Friedman’s skill. His anti-war exhibition at New York City, featured in the excellent boingboing video posted above, was a new departure and acclaimed in it’s own right.

The exhibition of Friedman’s work is taking place as part of the Photo Ireland Festival.. It will host more than twenty completely free exhibitions. Excellent.

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An incredible post from Circumliminia most worthy of your time, showing just how the “regeneration project” is going over in Ballymun.

At every level of interaction with the state, Ballymunners have come to realise that their options are to keep their heads down and suffer, or resist and suffer more

“It shall be the first duty of the Government of the Republic to make provision for the physical, mental and spiritual well-being of the children, to secure that no child shall suffer hunger or cold from lack of food, clothing, or shelter….”

Democratic Programme of the First Dáil, 1919.

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I’m a huge supporter of community events. Street parties, town festivals and the like are essential aspects of life in any community in my own opinion, and I’m often horrified by responses when I ask people how much they know about their own neighbours.


“Joe Bloggs next door? Asked me to turn down the music once, never really spoken to him since.”

Both Palmerstown (where I currently walk the dog) and Ballyfermot have a strong sense of community, and I never took that for granted growing up. It is the basis of any community, and transcends age, nationality or any other factor. The community that gets on is a happy community.

Word of community events is something I love to receive here at Come Here To Me, and Palmerston Place across the Liffey gave me great hope recently when I heard they’re approaching their 12th annual street party. Wonderful. The event takes place this Saturday, and Met Éireann looks positive.

The whole thing kicks off in a style that should appeal to Come Here To Me types, with the launch of a plaque at 16 Palmerston Place to mark the spot where Fenian John O’ Leary edited ‘The Irish People’, before being arrested in 1865. The plaque will be unveiled at 7pm, by the Lord Mayor of Dublin, Emer Costello. I spend about half my free time giving out to people about the lack of plaques outside the city centre, so this is something I’m excited about and hope to attend.

The Fenian leader John O' Leary

The event also includes music from a band made up of local children, all 13 years of age, The Un4seen who will be followed on stage by Seven Days, a band lined up to play Oxegen.

It’s BYOB (Bring Your Own Burgers), and a glance over the comments and stats here reveals plenty of Northsiders to be among our readers, not least the Bohs faithful. If it’s your corner of the world, drop down.

More of this in Dublin, please. Enough talk of the Rare Oul’ Times, let us get back to basics. I might even cross the Liffey myself.

The Hendrons site in the area, which was due to become the home of a massive 'Celtic Tiger' development defeated due to local pressure.

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Trinity College Dublin c.1900

I recently began reading a work titled The Good Old IRA, which was issued by the ‘Sinn Féin Publicity Department’ in November 1985. It lists ‘Tan War operations’ which injured or in some cases killed civilians in an attempt to highlight the hypocrisy of those who honoured the republicans of old while attacking their contemporaries.

The works introduction slates Labour Party leader and “Free State deputy-premier” Dick Spring for example, noting that he was

tongue-tied in attempting to explain the differences between the IRA gun-runner Roger Casement (in whose honour he was unveiling a statue at Ballyheigue, County Kerry) and those IRA gun-runners on the Marita Anne who had been arrested by his government’s forces off the Kerry coast 24 hours previously.

One incident detailed in particular, from 1921, stood out for me. It is listed on page 56 of the work.

Not Cricket

One woman spectator, Miss Kate Wright, a student of Trinity College, was killed and another wounded in an attack by armed civilians on military officers playing in a cricket match at Trinity College Dublin on June 3rd. A man fired shots on to the field of play from the railings at Nassau Street from which the pitch was visible.

The Irish Times reported on the day following the shooting that

The occasion was one of festivity and enjoyment in the College Park. A cricket match in connection with Warriors’ Day was in progress. The teams were the Gentlemen of Ireland versus the Military of Ireland. The general belief is that the latter were the objects of the murderous attack which resulted so tragically

From the contemporary newspaper reports, we can establish quite a lot about Miss Wright. Aged only 21 (based on an Irish Independent report of the inquiry into her death),Kathleen Alexanderson Wright was engaged to be married to a young man who was also a student at the Dublin university. His name was Mr. Geo Herbert Ardall, and he was a native of Sligo. He was studying Science at the University, and was with Kathleen enjoying the cricket match, on what was said to be a lovely summers day in Dublin.

From the following days Irish Independent.

Kathleen was the daughter of the Rev. E.A Wright of All Saints Clapham Park in London, and the Irish Independent of June 4 1921 noted that he had “before going to England filled curacies in Cahir and Seapatrick”, both in county Down. At the time of the shooting she was living on Pembroke Road in Rathmines, but before hand had lived in digs at Trinity.

The Irish Independent reported how he told the inquiry into his fiance’s death that

When the shots were fired he pulled Miss Wright down on the ground as quickly as he could. She was moaning, but he was not certain she was hit until a few moments afterwards when he saw blood on the front of her blouse. Three doctors attended her, and one told him that the case was absolutely hopeless. He did not hear her make any remark. He accompanied her to hospital, where he was told she was dead

The Irish Times report into the inquiry noted that

Another witness stated that he was in the cricket pavilion, and heard someone remark that shots were being fired outside in the park. He went out immediately, and ran to where a crowd was collecting inside the park railings opposite the Kildare Street Club. A few of his friends told him what had happened and said that the shots came through the railings (…) When witness arrived at where the girl was lying on the ground the crowd who are usually gathered in Nassau Street outside the railings to watch the game had all cleared off.

Perhaps the most surreal details about the shooting come from the statement issued by Dublin Castle in the immediate aftermath of the event. The official reported noted that another female was wounded during the shootings, and provided great insight into the initial reaction of those on the green.

As soon as the shooting began,the players, realising what was happening, threw themselves flat on the field. A regimental band, which was on the field at the time, threw down their instruments and also lay prone. The spectators were not so quick to realise what was happening until a number of shots had been fired and persons were hit.

The attackers made good their escape.

Nobody was ever tried for the shooting of Miss Kathleen Wright, and little was written about her after her body returned home. Her story is just one of many told in The Good Old IRA, with other tragic events unfolding on the streets of Dublin over the course of the War of Independence.

I’ll no doubt think of her and her story next time I wander through Trinity College.

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Shakes on Dame Street

You’ll be waiting, but it’s worth it.

The Dime Bar milkshake, what an idea. Straight from the heavens, from the A4 sketch-pad of God himself surely. Delicious and (probably not at all) nutritious, and a steal at €2.99. I’ve bought dodgy pints on Dame Street for more than that in the past, and this is a steal.

At first, I was quite dismissive of the idea of a ‘milkshake bar’ opening up in the centre of town, a novelty at best I thought. It was only when passing early on Monday (1pm is ‘early’ to me) that I ventured in for a look.

Ahead of me, a business man in a suit, or eh…a slick dressing mod. Behind me, an old lady and her Marks and Spencers bags. Behind her, a couple of kids spending a summer roaming around town I imagine. A varied bunch. The staff? As sweet as the milkshakes, and not daunted at all by the workload lining up before them.

Your man in front goes for the Oreo, I go for the Dime Bar, and the lady behind me opts for the Galaxy. A posh one obviously. To kill the time, I grab a leaflet.

After Eight
Aero Mint
Buourbon Biscuit
Jammie Dodger
Skittles (I’m as confused as you)
Jelly Tots
Weetabix

These are just the ones that caught my eye. I won’t be trying the Weetabix offer, granted- but Skittles or Starbursts? Tempting.

At €2.99 for a regular shake, or €3.50 for a large offering, it’s not breaking the bank. There’s a student discount too, which is always nice. The option of Soya milk and ice-cream is there for those of you who are into that lark.

The place is open until 11pm some nights according to their Facebook, meaning you’ve no excuse. I expect to be put on a drip soon.

Shakes Milkshake Bar is open now.

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“When Na Fianna were playing ‘Isles in the semi-finals, I came on as a substitute in the second half after playing earlier in the day for Rovers against Derry in the League”

The above is taken from a Jason Sherlock interview with the Irish Independent in October 1998.

Come Here To Me has friends in all circles, and this should appeal to some of our readers. The latest issue of Blue And Navy, the Dublin GAA fanzine, is available now. You’ll find it in Easons and from a newspaper vender or two on O’ Connell Street (the better option of course)

While the issue has a special focus on Jason Sherlock and his Dublin career, it also includes the usual commentary and great focus on Dublin GAA history and broader Dublin life.

If you’re one of our League of Ireland regulars, you may be wondering who this Jason Sherlock fella is. Well, it’s the same Jason Sherlock who did time in our League. Sherlock played for UCD AFC (spot those photos in the student bar) and then signed for Shamrock Rovers in August 1998. To most Dubs, outside the Friday Night Club, he is known mainly as the last link to that Dublin team of 1995.

It’s cheaper than a pint, and will last you longer. Pick one up, and support the fanzine. We need more independent publications like this across the board.

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A 24 page commemorative magazine published on the 50th anniversary of the 1916 Easter Rising, kindly passed down to me by my uncle Donal.

1916 Easter Week 1966.
This publication is issued by “Irish Socialist” on the occasion of the Golden Jubilee Anniversary of the 1916 Easter Uprising. It has been assembled and edited by Sean Nolan, at 37 Pembroke Lane, Dublin 4, Ireland. 4/66.
Price: One Shilling.

Articles:

Easter Week 1916 – Sean Murray
1916 Re-Examined – A. Raferty
1913 – 1916: Similar Battle Lines – Joseph Deasy
With James Connolly In America – Elizabeth Gurley – Flynn
Some Recollections of James Connolly – Hanna Sheey-Skeffington
1916 Proved Britain Not Invincible – H. Moore & A. Barr
The Connolly Road should lead to… Labour Republican Unity – A.J. Coughlan
I Appointed Myself… ‘War News’ Courier – Donal O’Reilly
Connolly In Belfast – Betty Sinclair
Citizen Army Vetran’s Memories of 1913-1916 and Connolly – John O’Keefe
Scots Socialist on Connolly – Tom Bell
Connolly – Liam MacGabhan
Lenin Supported The Men Of Easter Week – Michael O’Riordan
1916 And Education – A Secondary Teacher
Women and Easter Week – Marion Jeffares

*CLICK ON THE FRONT COVER BELOW TO READ THE FULL MAGAZINE*

1916 - 1966. (Click to read full magazine)

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Spotted in the window of The Alamo, Temple Bar.

Bargain.

A pity really, as The Alamo is home to the deep friend ice-cream special. No, really. Apparently it’s lovely too.

This sign got me thinking about the average cost of a pint around the city. The Hop House, at €4, is probably the most reasonable you can expect in a Dublin city centre pub. I think we’ve only beaten that once or twice on pub crawls, with Neds coming to mind as being a bit cheaper. It’s also an early house. One nil.

Advertising a pint that’s dearer than the average pint in the city seems bizarre to me. This isn’t any worse a price than many other pubs, but it’s unusual to see it stuck in the window. The last pub I remember sticking the cost of a pint in the window was a J.D Wetherspoon in Derry, and they nearly pay you to drink.

So, drop in for the ice-cream, but stick to the tap water.

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Some information on a wonderful walking tour of the Liberties this Monday, as part of the Liberties Festival 2010.

The area known to Dubliners as the Liberties is one with no shortage of history. It holds a special place in the hearts of the Dublin working class, being home to the Guinness Brewery which has provided employment to so many families in this city over the course of generations. The Liberties is also the spot where Robert Emmet was executed in 1803, yet it was to play a role in the rebellion of 1798 before that. The importance of the area in the history of insurrectionary Dublin does not stop with those early rebellions either.

The community has developed on the doorstep of the Guinness Brewery, a Dublin institution.

This area of Dublin is of interest to those of us particularly keen on the history of the 1916 Rising for example, with fierce fighting taking place at outposts like the South Dublin Union and the Mendicity Institute during the Rising. Like many parts of Dublin, this area is home to many plaques, and should be home to many more. It is the history of great events and great characters, but also a history of the mass body of community,for example in the street trading of the area. I, like many Dubliners, have family connections to the area through its Brewery and the Cornmarket Area.

This Monday, as part of the Liberties festival, historian Liz Gillis will be providing a Walking Tour of this fascinating area of Dublin.

The tour departs from Saint Catherine’s Church on Meath Street at 11AM.

It promises to be a most enjoyable tour, some of you may have encountered the host if you’ve visited Kilmainham Jail in recent times, where she works as a guide. Like Kilmainham, this area is central to our understanding of Dublin history. Liz is also an acknowledged expert in the period of Irish history we cover most on this site, the revolutionary years of the early twentieth century.

Here’s a brief scene from the wonderful ‘The Liberties’, available to view on Youtube from Areaman Productions. I always smile watching this.

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Classic 1986 comedy record from Dermot Morgan, one of Dublin’s most beloved stand up comedians. The song was arranged by Stepaside’s guitarist Mark Costigan and produced by Horslips’ Barry Devlin.

Unfortunately I wasn’t able to digitalize the b-side Alsation Once Again, a brilliant tongue-in-cheek take on The Wolfe Tones barstool republican scene. If anyone has better luck, please send it on.

Front Cover

Back Cover

Dermot Morgan – Do you know Bono? by matchgrams

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