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Liffey Swimming

Jumping into the River Liffey has been a dangerous pastime for Dubliners for centuries. Some do it for kicks, others for bets and others just to cool down during hot summer days. A quick scan of The Irish Times archive showcases the long running (and often deadly) activity.

An Irish Times article from March 1890 relates the story of a Miss Marie Finny, “a professional swimmer” who was arrested just before she attempted to jump into the river off O’Connell Bridge. [1]

In 1909, a hotel porter called Hugh Bernard McGrath was rescued from the Liffey after he got into difficulty swimming after jumping from the eastern parapet of O’Connell Bridge. [2]

A “strange affair” was reported in 1932 which concerned an “unknown man” who was seen swimming in the liffey late one Monday evening. It was reported did not “take any notice” of two life buoys that were thrown towards him or a boat that passed. He soon got into difficulty and drowned. [3]

In 1939, a soldier named James Donlan (25) “disappeared” while swimming in the Liffey. It took a extensive search operation to find his body. [4]

The body of Michael Kinsella, 35, a labourer in the Guinness brewery was found in the Liffey in 1954. It was believed that he entered the river “to settle a wager”. [5]

There were also cases of young men drowning in the Liffey in August 1968, January 1977 and December 1986.

In 1994, a Scottish tourist drowned after trying to swim across the Liffey in the early hours of Saturday morning. [6]

As you can see from the youtube clips below, jumping into the Liffey is as popular as ever. (Come Here To Me! does not reccomend it.)

1. Anon, Attempt to jump from O’Connell Bridge into the Liffey, The Irish Times Saturday, March 29, 1890
2. Anon, Rescue from the Liffey, The Irish Times, Saturday, July 10, 1909
3. Anon, Man Drowned In The Liffey, The Irish Times, Tuesday, January 19, 1932
4. Anon, Soldier Drowned In The Liffey, The Irish Times, Friday, August 18, 1939
5. Anon, Swimmers Body Taken From Liffey, The Irish Times, Monday, November 15, 1954
6. Anon, Tourist Dies Trying To Swim Liffey, The Irish Times, Monday, May 30, 1994

On my recent walking tour of radical Dublin, one of the places I brought people was to the site of the Irish Farm Produce Company restaurant and shop on Henry Street. It was there that the 1916 Proclamation was signed, and indeed the premises was the ‘radical cafe’ of its time. Interestingly, most of the people on the tour had not noticed the plaque marking the location of the premises before. It truly is an unusual Dublin plaque.

The plaque to Captain Thomas Weafar on the corner of Lower Abbey Street is another prime example of a plaque many Dubliners are unaware of.

Captain Thomas Weafer ( The plaque reads Wafer, however as you will see below Weafer is more commonly found when discussing him) was shot and killed on Wednesday April 26 1916 while occupying the Hibernian Bank on the corner of Lower Abbey Street and Sackville Street. The strategic importance of the building is clear. It allowed Weafer and his men to control access to the street from Amiens Street Station for example, and members of the the GPO Garrison were occupying a number of buildings on each side of Sackville Street.

Meda Ryan wrote about the experiences of Leslie Price (who went on to marry Tom Barry), in her study of the famous Cork rebel leader entitled Tom Barry: IRA Freedom Fighter.

Receiving no orders, like many Cumann na mBan activists, Leslie headed for the G.P.O

Initially they cooked meals and helped the men in the Hibernian Bank. On Tuesday forenoon the building came under attack from British troops. Leslie was standing beside Capt. Tom Weafer, OC of the Hibernian Garrison, when a bullet whizzed past her and into his stomach. As she was about to attend to him another bullet lodged in the chest of the man who had gone to Capt. Weafer’s aid. She had just time to say a prayer in Weafer’s ear when he died.

From tropicalisland.de, the building on the corner of Lower Abbey Street and O' Connell Street is the old Hibernian Bank premises

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Loves You

Things are a little bit hectic this weekend. A trip to lovely Derry awaits Friday and Saturday, and Sunday sees my local David take on the northside’s Goliath. In plain English, that’s Glenville Football Club of this very suburb going head to head with League of Ireland Champions Bohemian F.C.

Still, were it not for that, I’d be at the event advertised above. A great cause, and great art to boot. I’m hoping Maser does the same with the ‘They Are Us’ project down the line.

Today, I’m speaking at the ‘Blogging The Humanities’ event being hosted by Pue’s Occurrences, so expect a post on that in the coming days. Us bloggers, we have to stick together.

I’ll tell you what you did wrong love, you got involved with this ‘project’.

Nearly every day, I pop over to Graham Linehan for a looksie. Then, it’d be standard to pop www.dublinopinion.com into the address bar up the top of the browser. So, spotting this on both I knew it’d be good. There are no words really, I just felt the need to post it in case anyone else has missed the boat today.

What?

According to the (fantastic resource) Irish Punk & New Wave Discography, The Corporation were a “once off recording project” comprising of Imgmar Kiang and Johnny Byrne (1956-97) who were both in the early Dublin punk group the New Versions and later went on to form the band Max.

Their single “Dublin Rap” has several guest artists including writer, playwright, actor and politician Mannix Flynn, journalist and Horslips drummer Eamon Carr  and backing singers Marian Woods and Billi Webster.

Billi Webster remembers that the music video was produced by Dave Heffernan and was “partly filmed in the house that (she) was living in at the time in Monkstown.” She played a ban garda.

Released in the same year as Grandmaster Flash and the Furious Five’s classic ‘The Message’, this is the first time the Dublin Rap single has been available online. Thanks to John Fisher for letting me borrow the record. Enjoy. (Apologies for the minor jumps in the song, the 45 single was quite scratched)

F. J McCormick in The Plough and the Stars as Captain Brennan.

The above image is taken from page 184 of the Capuchin Annual 1948.

The Plough and the Stars returns to The Abbey this summer, hopefully for a far less dramatic run than that of 1926, when the play inspired people to riot. “The Ireland that remembers with tear-dimmed eyes all that Easter Week stands for, will not, and cannot, be silent in face of such a challenge”, said Hanna Sheehy Skeffington, the feminist and social activist.

Sean O’ Casey remarked in the preface to his work on the Irish Citizen Army, The Story Of The Irish Citizen Army, that “It appears certain that Nationalism has gained a great deal and lost a little by its union with Labour in the Insurrection of Easter Week, and that Labour has lost much and achieved something by its avowal of the National aspirations of the Irish Nation.” This feeling is evident in this play, and the work is as tragic as it is funny.

The play is one that can spark debate in a way few others can. It’s run at the Abbey this summer is something I’ve been excited about for some time now. To coincide with the run, The Abbey are hosting a number of Talks and Workshops on the play.

Thursday 29 July, 6pm
Shivaun O’ Casey

Distinguished theatre director Shivaun O’ Casey discusses her father’s work.
Tickets: €3

Tuesday 7 September, 6pm
Keepers Of The Flame

Join us as we trace the political and performance history of The Plough and the Stars at the Abbey Theatre.
Tickets: €3

Saturday 4 September 10am
Talking Text

Voice Director Andrea Ainsworth leads a voice workshop using text from The Plough and the Stars
Tickets: €40 (Includes a light lunch and a ticket to the matinee showing)

Occasionally, you pick up something nice along the way.

About a year and a half ago I bought a large collection of newspaper clippings at an antiques fair in town, for buttons basically. A varied bunch, they included snaps from the 1966 Easter anniversary events, snaps of Dev doing his thing in the 1970s, photos from after the bombing of Dublin during WWII and various odds and ends. The gems however, were these snaps from the day after Nelson’s Pillar was blown up.

They include a true Dublin entrepreneur going through the rubble hours after the explosion, and a great shot of the damage done at street level. Enjoy!

Front of The Evening Herald

Click image to expand

click to expand

Click image to expand

Garda Museum and Archives
Opening Hours:9am to 5pm, Monday to Friday
Dublin Castle Record Tower.

Michael Staines (right) and Eoin O' Duffy. Two first Garda Commissioners.

The Garda History Museum is one of individuals, as much as of the force.

Michael Staines was an interesting Volunteer. The son of an RIC man, he was the Quartermaster General within the General Post Office in 1916. When sent to Frongoch, he became ‘Camp Leader’ among the men, and upon his release became active once more at home in the Volunteer movement. On August 17, 1922, as Garda Commissioner he would lead his new police force through the castle gates.

He would be followed by Eoin O’ Duffy, another character of the republican movement, and a most controversial one to boot. Ironically, O’ Duffy had been one of the Republicans involved in the first ever capture of a Royal Irish Constabulary Barracks, in the company of Ernie O’ Malley.

Front of Museum, Dublin Castle.

This Museum, while covering the history of that force which marched into Dublin Castle in 1922, does not shy away from the forces that called it home before them. Rather, it is a comprehensive look at the history of policing in Ireland. The Royal Irish Constabulary and Dublin Metropolitan Police feature prominently in the Museum, featuring both on occasion as a political force (For example the 1913 riots, which resulted in the deaths of several workers) and a day to day police force. The history of the Royal Irish Constabulary in particular is a loaded one, when one considers that, to give one example, the Black and Tans were directly employed by the RIC. Preserving history is not a matter of politics however, and to see so many quality RIC and DMP historical pieces displayed as well as they are here is a treat, and of great assistance to anyone who believes a complete picture is needed when studying some of the most remarkable years in Irish history.

Garda traffic box, a great Dublin shot.

The Museum, spanning an amazing four floors, is one of the last old-fashioned Museums in the city centre in my humble opinion. In fact, along with the Natural History Museum, it is a sort of throwback to Museums of old, and what I feel Museums should be. All the more incredible considering Dublin Castle is only home to the Museum since 1997. The correct approach to displaying items like those in the Garda Museum is simple: Allow the pieces to speak for themselves, and provide the information clearly alongside the items. There is no shortage of information available, in the form of information panels and wall displays, but unlike some museums there is no overpowering audio-visual element.

Proclamation issued April 25th, 1916.

One should not attempt to focus on individual pieces in a Museum like this, as in every corner something new grabs your attention. The Museum holds a variety of War of Independence medals for example, belonging to men who would later join the ranks of An Garda Síochanna. The above Proclamation however stands out for me, issued on April 25th in response to the Rising which began a day previous.

“WHEREAS, in the City of Dublin and County of Dublin certain evilly disposed persons and associations, with the intent to subvert the supremacy of the Crown in Ireland, have committed divers acts of violence, and have with deadly weapons attacked the Forces of the Crown, and have resisted by armed force the lawful Authority of His Majesty’s Police and Military Forces. AND whereas by reason thereof several of His Majesty’s liege Subjects have been killed and many others severely injured, and much damage to property has been caused”

The role of the Gardaí in the new state, in its first few years, is covered, where the force was to follow Staines belief that “The Garda Síochána will succeed not by force of arms or numbers, but on their moral authority as servants of the people” Early Garda documents (for example dealing with the unarmed nature of the force), uniforms and insignia are all on display.

RIC Officer.

Of course, the 1900-22 period is of particular interest to me. Perhaps for other visitors, this isn’t the case. Yet, the story of policing in Ireland told here is so long and broad that certain aspects of it will no doubt appeal to others the way parts of it did to me. Even the stairs here play home to wonderful photographs and pieces, there is not an inch of this Museum left without an item. From my own perspective, approaching the centenary of the 1913 lockout, the Easter Rising and the conflicts that followed on from it, it is no doubt time many of us with a keen interest in the period attempted to increase our understanding of the state forces in Ireland at the time.

I will conclude with a verse from ‘Good Bye RIC’, which I have taken from Jim Herlihy’s wonderful history ‘The Royal Irish Constabulary’

‘We once could walk the city too,
Dressed neatly in our suits of blue,
With polished feet and all complete,
Our heads erect going down the street,
But now we are scattered everywhere,
Far from the dear old Depot Square,
Some of them lie in graves from Foyle to Lee,
Fell fighting in the RIC’

Walking around the city, enjoying these rare days of sun.

F.C Sankt Pauli are a German soccer team, recently promoted to the Bundesliga, with an international following. The clubs supporters are widely respected for their dedication and passion. This sticker is at the Ha’penny Bridge traffic lights, along with other left-leaning football stickers. The team have a Dublin Supporters Club too. Dublin ist braun-weiss!

Right opposite the very fancy and all quite new IFSC, on the southside of the Liffey and opposite Matt Talbot himself, this Jesus Lives banner hangs. Good to know. Two or three doors down from the Project Arts Centre.

The Mendicity Insitution is one of the most interesting sites of the 1916 Easter Rising. Captain Seán Heuston was deployed to occupy the Mendicity Institution for a few hours on Easter Monday, owing to its locaton on the Liffey. They held out until Wednesday. Little remains of the site today.

Just off Pearse Street. We all remember ‘GRIFT’, the first ‘vandalism’ (bah!) I can remember noticing around the city.

I don’t own a single U2 album, or know the words to any of their songs beyond a chorus or two. I’ve never ventured down to Windmill Lane before, and now I wonder why it has taken me so long. If you can look beyond the ‘WE LOVE YOU BONO FROM JOE BLOGGS AND FAMILY, MILAN’ stuff, there is plenty of quality graffiti around here to be spotted and snapped. An ever changing art canvas in the city centre. Amazingly, the area also boasts some Celtic Tiger victims, in the form of empty retail premises where the owners hit the road and left everything behind. A spooky empty apartment block stands in the area too. baNAMA republic.

If it’s anything like the last few days, you should be sitting in Stephen’s Green at the minute. Don’t feed the rats with wings.

Seashell chipper today. Tragic, as apparently it was once the home of deep fried Curly Wurlys.

The title of this post was taken from The Rags- A National Light. A wonderful Dublin ‘indie’ band (whatever that term means anymore) who I’m really liking at the minute. Perfect ‘walking around Dublin’ music. Berryfield Drive even gets a mention! The album, the first I can remember since Sir Killalot to feature The Spike on the front of it, drops tomorrow. Go buy it.

Geography dictated that I would be a Saint Patrick’s Athletic supporter.

As a youngster, I remember my Dad couldn’t walk too far in the stadium without spotting a neighbour from Palmerstown, or the older days in Ballyfermot. This Is(n’t) England, you’d be a laughing stock if a Galway youngster decided he or she was a Derry City fan, or a Derry youngster became ‘Bohs Til I Die’. We don’t do it that way, you take what you get. The Liffey, the county border markings and local history dictate these things. Suburbs all go in together.

Glenville Football Club however are right on my doorstep. I don’t play football (I’m dire), but I follow it. I don’t know too much about the local Football Clubs, but Glenville have come to my attention recently owing to the fact they’ve drawn League of Ireland champions Bohemian F.C in the Cup. A big day out, to say the least.

We are located off the Kennelsfort road in Palmerstown, Dublin 20 in the Community School

You can nearly spot them from the door.

Hopefully, local residents will come out in force to support them in the clash. It’s not going to be easy, and it would probably be one of the largest upsets in the history of the Cup, but imagine. The local pubs can, and it’s probably a pretty picture. The club were founded in 1997, and spend their weekends in Senior 1A.

If we want to see football grow as a local, community game – a Glenville F.C victory wouldn’t be a bad thing!

Sunday June 6 @ 3.00 in Richmond Pk. FORZA PALMERSTOWN!

The Silver Granite pub, image taken from http://www.glenvillefc.com

Continuing my research into the social history of Dublin youth subcultures in the 1970s and 1980s, I’ve been trying to compile a comprehensive list of venues that were used for punk and new wave gigs from c. 1976 – 1984.

Name / Address / Status

  • Baggot Inn (Baggot Street. Still there but unrecognisable)
  • Dandelion Market (Developed into St. Stephens Green Shopping Centre)
  • Ivy Rooms (Parnell Street. Now Fibber Magees.)
  • Magnet (Pearse Street. Renamed ‘Widow Scallons’ and then developed into a Spar)
  • McGonagles (South Anne Street. Demolished. Rebuilt and now Hackett London store.)
  • Moran’s Hotel (Talbot Street. Now O’Shea’s Hotel.)
  • Olympic Ballroom (Pleasant Street, Dublin 8. Closed but building still standing.)
  • Project Arts Centre (East Essex Street. Temple Bar. Still in use.)
  • SFX (Upper Sherrard Street. Demolished and developed into flats.)
  • TCD Student Bar (Exam Hall)
  • Toners (Baggott Street. Still there.)
  • Top Hat (Dun Laoghaire. Developed into Roller Disco, Fun Factory and now apartments)
  • TV Club (Harcourt Street. Demolished (?) and developed into Garda HQ)
  • UCD Student Bar. (Demolished.)
  • Underground Bar (Dame Street. Now Club Lapello)

Can you think of anymore?

Other places that I’ve heard about include The Youth Expression Centre (Temple Bar), The New Inn (New Street), The Loft, Slattery’s (Capel Street) and Bruxelles (Harry Street). Do they fit the bill? Or did they come a bit later?

Notice for upcoming U2 and The Blades gig at The Baggot Inn, 1979.

Spotted in the window of Foleys Pub on Merrion Row. The pub is literally a stones-throw (Careful now, we might get there yet) from the Department of Finance and the Department of the Taoiseach.

Foleys is a cosy little pub worth a look, so often forgotten as Toners, Doheny and Nesbitts and O’ Donoghues all call this part of Dublin home too. I don’t know which type of T.D it attracts, but based on this one, I’d presume they’re in the opposition. A great piece of wit in the window, but as far as NAMA pie goes- I reckon we’ve enough to feed a few generations.