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Seize The Day

I’ve been in to Saint Patrick’s Institution and Mountjoy Jail over the last few days with Maser (amazing Dublin graffitti artist) and Johnny Moy (legendary dublin DJ), we were sussing out walls that Maser can spraypaint some of my lyrics on in there, some positive lines for the inmates. I saw where Kevin Barry was hanged and got to hit the old triangle……Maser’s doing workshops and paintings in both places and is getting prisoners to help him with these pieces teaching them some of his skills as he goes along and he’ll probably get some lines off the inmates aswell to spraypaint around the place. This is all part of a project that meself and Maser and Johnny are working on called ‘They Are Us’ (details and pictures will be up on the website soon about it)

-From DamienDempsey.com

An interesting one this. We still get plenty of hits from people confused about that great Maser piece down by Busaras on The Good Bits (Damien Dempsey gives me HOPE) and if you follow the blog you’ll know I’m a massive fan of Damien, from the days of They Don’t Teach This Shit In School to his current buzz.

I take any and every chance to see Dempsey live – from a pisser of a day in Farmleigh to in his element bringing down the house at the Civic Centre in Tallaght- he has yet to dissapoint me in a live setting. His fan base, mainly young, sing every line back to him with a passion you wouldn’t dare question.

Anyway, the above mentioned project between Maser and Damien sounds fascinating to me. Damien notes on his website that this concert will hopefully “raise money for the materials maser will need for his pieces around the city” so for that alone I think it is worth attending. I still smile everytime I pass that piece on The Good Bits.

Damien actually does give me hope for this city and the youth of it.

Damien Dempsey
March 12th
The Good Bits
7:30PM
Tickets: 15e

International Womens Day.

The Irish Women Workers Union. Liberty Hall.

Over the last couple of years, it’s been fantastic to see International Womens Day marked properly in Dublin. While it seems there is a wide range of events planned this year to mark the occasion, ranging from a showing of the fantastic I Was A Teenage Feminist as part of the (very much free) Progressive Film Club to the ever-popular and highly regarded Feminist Walking Tour hosted by Choice Ireland, the RAG collective and the Lashback collective (and more on that below), the event that’s grabbed my attention is undoubtedly the ‘Take Back The Night’ march planned for Tuesday night.

Event Poster

The march/vigil will meet at 7pm on Tuesday at the front square of the University.

Take Back the Night (also known as Reclaim the Night) is an internationally-held march and vigil that is organised with the purpose of unifying women, men, and children in awareness of sexual violence and rape. TBTN is about taking a stand against violence and making the night safe for everyone.

The event at Trinity is one part of many events being organised in honour of International Women’s Day. It will include speakers from the Dublin Rape Crisis Centre, One in Four, an Irish based support service for women and men who have experienced sexual abuse/violence, and Amnesty International, an international human rights organisation.

As a protest and indeed direct action against sexual assault and rape, Take Back The Night marches have occured all over the world in cities, towns and Universities.

As for the Choice Ireland/RAG/Lashback walking tour, I have to confess to not getting along to either of the previous Feminist Walking Tours of Dublin, despite hearing nothing but praise for both tours. Dublin has a tremendous social history with so many female figures neglected from popular history, but none the less inspiring. From the women who led the anti-apartheid actions at Dunnes Stores to the women of the Labour and Republican movements, there is a hidden history just below the surface. Hopefully the walking tour will help fill in some of the blanks for those who attend!

I should stress these are but two events occuring to mark the day and the week around it. Be sure to look around for more events, for example by checking the event guide on Indymedia.

Choice Ireland/Rag/Lashback Feminist Walking Tour
This Sunday, 1 pm.
Meet at the Central Bank , Dame Street.


Take Back The Night Vigil
Next Tuesday, 7PM
Front Square of TCD

Before Dublin’s Feminist Walking Tour on Sunday (see dfallon’s post above for more information), why not head down to the Spire at midday to hear Eamonn Campbell and others sing in honour of ‘Mad Mary’, the beloved Dublin street character who danced on O’Connell Street from the late 1970s to 2002. Due to a deteriorating eyesight Mary has had to hang up her dancing shoes and move back into her family home.

A facebook page called ‘WHO REMEMBERS THE WOMAN THAT DANCED ON O CONNELL ST BESIDE THE ANNA LIVIA’ has already attracted over 14,000 fans. The growth of the page and the flood of comments wishing her well has also prompted articles in the Irish Daily Mail and The Star in recent days. Though she might have been known for her conservative catholic views, no one can deny her importance in the social history of the capital.

Mad Mary, the dancing woman of O'Connell Street.

A classic Dublin new wave single from a band called Spies (1978 – 80) from Howth.

Joey Barry, the lead singer, was later in the Thee Amazing Colossal Men. The guitarist, Gerry Leonard, later went on to become David Bowie’s musical director and lead guitar player.

I’ve recently uploaded the A side ‘Thinking About The Sun’ from their first and only single.

Life Savers

Right… Before we get anyone on mumbling about “waste of tax payers money… etc,” we really didn’t expect what happened to happen… The following is the work of DMcHugh, and is a quick anecdote about what happened last Friday. My additions are in italics!

Yes, a fire engine just like this

Feet are shit. They’re slow, they’re tender and if they pick up even a slight injury and then you’re stranded; marooned. Which is why I love my bike. Not in the ostentatious, fixed gear and no brakes way, but as an indispensable part of my life. So when I don’t have my bike, because of puncture or more serious damage, I’m pretty upset. But I wouldn’t call it an emergency. And I definitely wouldn’t expect anyone else to to call it that either. But that’s what happened on Friday night…

It was a crap lock. A 30 euro one I got because it looked tough and was cheaper than most. But like so many other locks, the real catch is the lock itself- does it jam, does it twist, does it break the key off? Which is exactly what happened. A few beers and a night in the cold left my patience thin and the metal sluggish. hXci’s patience was
thinner still and he took the keys off me, to loose the bloody thing. The keys came back but the lock stayed put, half the key stuck in there, and my bike was left to wait out the cold night on its own.

Before and after work, we plied it with pliers and pared away two hacksaw blades, transforming them into toothless breadknives, but it was stubborn, not moved by clumsy grabs or sharp words. A tip from Google Buzz (thanks Andrew!) had suggested the fire brigade, and I called them up. They didn’t just cut it for me, (we expected one man in a jeep to show up with a pair of boltcutters;) they sent a whole bloody fire-engine along, flashing siren and stocked with four big fellas and all manners of equipment. They cut the thing there and then, hopped back into the wagon and chased off into the sunset, off to do proper fireman work, or maybe just back to the station for a cup of tea.

So hot tip, buy a proper lock, with a solid mechanism and strong keys. And should the worst happen anyway, you can ring the fire department office to come and rescue you, if you can live with the embarassment and the joke (I-hope-it’s-a-joke-) 500 yos call out charge.

By now, I’m presuming most of you in the world of blogging have stumbled upon the amazing, cringe worthy, “this has to be fake” world of Cork family showband Crystal Swing. If not, have a listen:

Their overnight internet stardom has already been picked up by The Irish Times , The Irish Independent, Newstalk, 98 FM and our friends at Dublin Opinion.

Capel Street’s Panti Bar have already uploaded their (drag) cover version.

According to their official website, an appearance on The Late Late Show in the near future is planned. The Crystal Swing for Eurovision Facebook page has already attracted a couple of hundred fans.

(Rumours that dfallon has found Dervla Burke’s personal Facebook page have not been confirmed yet.)

Edit: Here is the translation.

A 1902 election leaflet for James Connolly, Wood Quay ward

Serious praise is due to Tomás O’Riordan and all involved with the University College Cork MultiText Project in Irish History , which has become an online home to many rare Irish historical photos and texts from the revolutionary years, ranging from characters like Jim Larkin and James Connolly to WB Yeats and Hanna Sheehy Skeffington.

The above find is undoubtedly one of my own personal favourites.

Some great insight into the election of 1902 can be found in Samuel Levenson’s fantastic biography of Connolly.

“As usual, Connolly’s campaign consisted for the most part of open air meetings, his favourite location being in New Street. The support of the Trades Council did not do much to make Connolly respectable, he recieved the usual amount of vilification. Sermons were preached in which he was termed an anti-Christ, and Catholics were forbidden to vote for him under pain of excommunication. It was charged that his children attended Catholic school only to camouflage his own beliefs”

Connolly was one of three Irish Socialist Republican Party candidates. None of the three managed to get elected on the day, with the other two candidates losing by decisive majorities. Connolly ultimately polled 431 votes, while the winning candidate achieved 1,424 votes.

An address made by Connolly “to the electors” and “fellow workers” of Wood Quay can be read online here

“…remember how the paid canvassers of the capitalist candidate – hired slanderers – gave a different account of Mr. Connolly to every section of the electors. How they said to the Catholics that he was an Orangeman, to the Protestants that he was a Fenian, to the Jews that he was an anti-Semite, to others that he was a Jew, to the labourers that he was a journalist on the make, and to the tradesmen and professional classes that he was an ignorant labourer; that he was born in Belfast, Derry, England, Scotland and Italy, according to the person the canvasser was talking to”

There was a great reaction to Mise An Fear Ceoil, a recent post I did on Seamus Ennis, the great piper of the Naul, North Dublin.

Recently, we stumbled across The World Jukebox website, which collects international folk and traditional music.

Here, from the World Library of Folk and Primitive Music vol.1:Ireland, we hear his voice. Proof Ennis could hold his own on the strength of his vocals, and not just his legendary musicial ability with regards the pipes.

Seamus Ennis, being recorded by Jean Ritchie

Living for the weekend

This Friday sees the fifth installment of the Punky Reggae Party. Starting its life in Belfield, the night moved to Seomra Spraoi in December for more room, later opening hours and an enticing BYOB policy. This month sees Traycee up on the decks spinning a classic mix of Jamaican ska and rocksteady and Antrophe selecting his own dancehall reggae favourites. Carax and Jim will be on hand to see that punk, Oi! and mod revival is well represented. Hope to see you there.

Punky Reggae Party Vol. 5.

Saturday sees many of Dublin’s best punk, ska and rockabilly bands come together for a Haiti benefit gig in The Button Factory. I’m particularly looking forward to rockabilly legends Aces Wild and The Clash/Jam cover band Clash Jam Wallop.

Aid For Haiti, Saturday 27th February.

You Know I’m No Good…

Spotted in the window of Rorys Fishing Shop, Temple Bar.

How long is that there? I must walk past the place twice a week at least on the way to the Westmoreland Street bus-stop.

Still, not as bemusing as the restaurant a tiny bit further up with a sign in the window boasting of ( I swear) a €4.50 pint of Guinness. Bargain lads, bargain.

“Come on; stall down here, we’ll get cans in, head to a pub, and then hit Dancehall Styles,” I say. “Grand, but meet me up in The Flowing Tide for one first” he says. Do we make it to Dancehall Styles? Not a chance. The Flowing Tide on Abbey Street has the ability to put the goo on you for a night on a bar stool. It’s a great spot, just off O’Connell Street but it somehow manages to avoid the majority of the ‘five-around-one-pint-of-stout” tourists that places like The Oval and Murrays seem to attract in abundance. Pints at a nice price too, at €4.15, unusual considering. The barman is a gent too, though I remind myself not to get on his bad side.

The Flowing Tide, by Sarahjoh, from Flickr

I was here one afternoon with my brother, ingesting a couple of quiet ones before we legged it down to Connolly to catch the train home. There was just the two of us and the barman, swapping small talk and watching the wrestling on telly, laughing and cracking jokes about it, when all of a sudden, two thirty-something blokes, straight from the office, and pretty hoi-polloi, strode hurriedly in. Without looking at the barman, one nasally whined “Hoi, stick on two Heino and the last race at Cheltenham, good man.” Christ. The barman, without taking his eyes off the telly said “Nah, lad, we’re watching the wrestling.” The two “Heinos” didn’t know where to look, eventually said “you can cancel the Heinos,” turned heal and left. I didn’t know where to look either, I nearly spilled my drink with laughter. So, moral of the story, don’t cross the barman with the moustache…

Anyways, great little spot; with the theatre across the road, you often get well known faces dropping in- Mick Lally (Miley from Glenroe) is a regular, though he’s a little worse for wear these days to be honest. But he wasn’t there tonight, just myself, jaycarax and a few locals. A couple of pints later and it was obvious that neither of us would have the energy to make it to see our friends in Worries Outernational. What we could do is get the grub in and head for another couple of quiet ones elsewhere.

Sin É, from properpint.com

So, after a quick stop off in the Peoples Kitchen on Capel Street (worth an article in itself- good asian food at half the price,) we headed as far as Sin É on Ormond Quay, pleasantly surprised to find that on Sundays, they do €3 pints of Guinness. I was hoping there wasn’t a reason for the pints being €3, but other than them being served in non-branded glasses (a bit of a pet hate,) you couldn’t complain.

Sin É: I really don’t know what to make of it. It tries to attract an “in” crowd, but bars like that are generally, well, a bit crap to be honest, but this place does well in that the staff are proper spot-on, the music is always good, and the punters are sound too. It’s frequented by Irish and non-Irish alike, a lot of backpacker types, alongside a couple of locals propping up the bar. Nice place it has to be said I guess. We stayed for a couple of their nice €3 pints before I realized the night was getting on and I had work bright and breezy in the morning. A right pain in the arse as we had just settled ourselves into some nice seats just inside the door. Ah well; not a bad evening, nice and cheap, not to be scoffed at in these times, the pints and the food came to less than €30. Well worth a try again sometime!

The Front Of The Guinness Guidebook, 1939.

VISITORS
Presenting a suitable letter of introduction are conducted through the Breweries on Mondays, Tuesdays, Wednesdays, Thursdays and Fridays between the hours of 11 a.m and 3 p.m in parties of 20, starting at intervals of not less than a quarter of an hour. On Saturdays between 11.am and 12 mid-day. Children under 12 cannot be permitted under any circumstances to go through the works.

The Brewery is closed on all Public Holidays.

(1939)

Arthur Guinness himself, and the Contents page.

The trip down Guinness memory-lane continues with this nice piece. Long before the Guinness Storehouse, visits to the Guinness Brewery were literally just that- visits to the Guinness Brewery. This interesting little book boasts some fantastic illustrations of the process of Guinness brewing, along with information on life for employees of the company.

Workmen are supplied with meals free of charge when engaged on work of a special nature. Motor drivers on early duty (6-7 a.m) are provided with a substantial breakfast. All messenger boys and boy labourers are supplied free of charge with a substantial meat meal in the middle of the day. Free dinners are also supplied to the sons of widows and pensioners who are attending school in the neighbourhood.

Page 42

Illustrations from the Brewery

Illustrations from the Brewery

An example of the contents of the book, detailing social services at Guinness

GA369B

Book of British Authorship
Printed in Great Britain by John Waddington Ltd., Leeds
2/5/39

A fantastic insight into life at the Brewery at the time. A company that took great care of its workers and expected the utmost back in return (for example, during the Dublin Lockout the company dropped a Guinness shipworker with decades of service for refusing to engage with scab-labour on the Dublin docks) The welfare and working conditions at the Brewery were unrivalled in Dublin at the time, and t he fact a guidebook like this was produced long before the Brewery became a tourist attraction in any real form shows the level of professionalism at the Brewery.

My own mother, the daughter of a Guinness worker, still remembers the perks my Grandfather recieved until his death only a number of years ago. A true cornerstone of Dublin life for so long, I hope that with posts like this and earlier posts like that on the Guinness Fire Service, we here at Come Here To Me can shine a light on more than just the black stuff itself.