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This fantastic image above was posted to archiseek earlier, one of a series of images from the Dublin Civic Trust from their proposals for a restored and rejuvenated Thomas Street. There are further images in the series which can be seen over on the archiseek website.

The Dublin Civic Trust report on Thomas Street, compiled for Dublin City Council, is available to read in full here.

An image of Thomas Street in the 1970s, contained in the Civic Trust report.

Statues have long been divisive in Dublin of course, and the statues of figures associated with the British Empire have long been targeted by Irish republicans. As we’ve featured on Come Here To Me before, statues of Irish nationalists in Dublin have on occasion been targeted by Loyalists too. Truly remarkable however is the statue of Seán Russell in Fairview Park, owing to the numerous attacks of a political nature upon it. Russell was a veteran republican who partook in the Easter Rising and the War of Independence, before going on to senior positions in the IRA in the 1920s and 30s. He died in 1940 upon a German U-Boat, on route to Ireland. Frank Ryan was also upon the U-Boat, and returned to Germany. Russell’s statue has been targeted by both the Right and the Left, and remains considerably controversial to this day.

Advertisement in various newspapers prior to the unveiling.

The Seán Russell statue was unveiled on Sunday, September 9th 1951. A march of over 1,000 republicans made their way to the monument from Parnell Square, where they were joined by members of the public. A Garda Special Branch report into the march noted that among the organisations and individuals present were in excess of 130 Dublin IRA men led by Cathal Goulding, Cumann na mBán, the ‘Girls Piper Band’ from Dublin, the Transport Workers’ Union Band and republican contingents from both Cork and the north. Members of the Dublin Corporation and the GAA were also identified by the Special Branch. Republican representatives from Clan na nGael in America were among the crowd and would play a leading role in the ceremony at Fairview.

When the march reached Fairview, where members of the public awaited it, numbers grew considerably. The report noted that:

The procession marched to Fairview via O’Connell Street, Amiens Street, North Strand, arriving at Fairview Park at about 1pm where the general public had already assembled in large numbers, many no doubt attending from the point of view of curiosity.

Nevertheless, the crowd at this period was not far short of five thousand people, including those on the paths and roadway outside the Park proper.

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I’m a big fan of books on Dublin from decades gone by, in particular guide books or studies written by ‘outsiders’. John Harvey’s Dublin: A Study In Environment (1949) was begging me to buy it when I spotted it sitting in Chapters second hand section, and I couldn’t resist. The book comes with the endorsement of Bernard Shaw who writes “I wish it had been available when I was a youth in Dublin. To me it is intensely interesting.”

Harvey begins his work by noting that:

“Dublin is still a city almost unknown to English people, and the loss is ours. Between the mountains and the sea, it is one of the most fortunate of European capitals, and it has the enormous advantage of consisting mainly of buildings produced at the peak of its historic culture.”

The book contains many fantastic images of the city, showing Dubliners at work as well as some fantastic buildings of the period, such as The Irish House pub at Wood Quay which is no longer with us.

Bank of Ireland, College Green.

The Irish House.

Harvey doesn’t shy away from sharing opinions among historical facts and information on sites of interest in Dublin. “Nationalism is nonsense; but it can have indirect results which do make sense” he writes, as “so far as Dublin is now both a flourishing and a promising city, it is the outcome of nationalism, building on the remains of an alien aristocratic regime.” Harvey doesn’t shy away from attacking Irish nationalists on occasion, for example taking aim at the “political hooligans” who destroyed John Van Nost’s statue of George II inside St. Stephen’s Green.

Ireland, Harvey noted, suffered from an “extremely thin-skinned moral censorship”, a censorship “so wide that the banning of books and cutting of films reaches a humorously fantastic point.”

Harvey is completely correct in his commentary on Dublin’s ancient cathedrals, noting that they were both “…subjected to the horrors of well-meant ‘restoration’, which as usual destroyed the greater part of their original character and beauty. Both buildings were in a very dilapidated state, and urgently needed repair, but the work actually done was so extensive as to be even more disastrous than contemporary work at English churches.”

Harvey writes of what he sees as the perception of the British people in Ireland, a rather damning indictment that “‘The British’ in many an Irish mouth has implications only equaled by those of les boches in France; it is one of the few sad instances where the Irish sense of humour is lost.”

Mass goers.

Refreshingly for such a study, the tenement poverty of the inner-city features, which Harvey stressing that “except for O’Connell Street and Parnell Street, practically the whole of the northern half of the eighteenth-century city is one enormous slum.”

Harvey’s book is an enjoyable read, loaded with opinion on not only Dublin and Dubliners but also the political questions of the day, and the relationship between Ireland and Britain. Batsford, its publishers, produced a series on “British Cities” in the style of Harvey’s effort, and all contained the same style of maps and in excess of 100 images.

“To an Englishman Dublin has the virtues of a foreign capital without the drawbacks: artificial animosities have not annulled the kinship which has grown up through centuries of intermarriage between the people’s of the British Isles. Dublin seems to foreshadow the qualities of a new type of supra-national city; let us have a look at her.”

There’s a great photo-post on the Montana Cans blog about Maser heading to America recently, to paint a piece centered around Irish America. A collaboration of minds with Jim Fitzpatrick and Damien Dempsey, the piece featured in The Irish Times back in March.

We’ve previously interviewed Maser here ourselves, in which we talked primarily about the city of Dublin and its influence on his work.

The more I learn the more I realise how much more I want to know.

There is a wealth of history in this city and country that can supply an extensive body of visual work for any artist. There are still a lot of people, places and situations I need to paint and talk about.

The photo post on Maser in the U.S is more than worth a look. Eoin Murphy took the photographs, and they offer great insight into how a piece goes from stage 1 to completion. Enjoy.

I just stumbled across the Tumblr homepage of Fatti Burke, a Dublin based illustrator and designer. Some absolutely fantastic stuff, likely to appeal to some Come Here To Me readers. The cover for Niall McCullough’s Dublin:An Urban History is beauitiful in its style and simplicity, and the playful tribute to Dublin below made me smile. Excellent talent.

A magnificent statue at St Michan’s Park opposite the Little Green Street Gallery caught my eye recently. The statue stands within a park which was once the location of Newgate Prison, which the statue tells us was “associated in dark and evil days with the doing to death of confessors of Irish liberty, who gave their lives to vindicate their country’s right to national independence.”

Around the monument, the faces of figures associated with the 1798 republican insurection are to be seen. Lord Edward Fitzgerald can be seen in the front of the monument, while the Brothers Sheares are found on each side. Lord Edward died of gunshout wounds at the Newgate Prison as the United Irishmen rebellion broke out, and today his body is to be found in Saint Werburgh’s Church. It’s a great irony that Major Henry C. Sirr, who led the arrest party to capture Fitzgerald, is buried in the grounds of that same historic church.

Henry and John Sheares are perhaps not as widely remembered today as Fitzgerald, though they are fascinating characters in their own right. The brothers, sons of a Parliamentarian, had witnessed the radical changes to society brought by the French revolution firsthand and were enthusiastic members of the United Irishmen. They were executed n July 14th 1798, as the rebellion raged, having been betrayed by spies inside the movement. The pikes featured have of course come to symbolise the 1798 uprising in Irish popular history.

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poster - C.Davey

Join Rabble and the legendary Munchi this Saturday for a night of heavy ‘ass’ shaking. Help them get the pennies they need to print issue 4. Without you, it won’t happen.

More details here.

Kingsland Place Church

An historic church hidden away in Portobello (Dublin 8) is currently up for sale.

Rev. has written a bit about the building’s history:

The granite-block former Kingsland Place Church was designed by John McCurdy in 1870 for the Primitive Wesleyan Methodist Church, and opened in 1871. From the 1950s, the church was used as the Women’s Employment Exchange, and it stands as a reminder of another religious minority that has been lost to this part of Dublin.

It’s yours for €850,000 via Douglas Newman Good.

Kingsland Place Church. (Picture credit - http://revpatrickcomerford.blogspot.com)

Walking down Sean MacDermott Street recently, I was drawn to this building as I am each time I go down there. It had to be photographed. The contrast between it and all around it is something else, and I had to do some digging to find out more. The natural man to ask was Terry Fagan of the North Inner City Folklore Project, who has written on the history of the area, in particular Monto. An interview we recorded with Terry appeared on the site before.

This was the Scots Presbyterian Church which later relocated to the corner of Howth Road and Clontarf Road, opposite Fairview Park and Clontarf DART station, Terry informed me. While digging around revealed some discussion the architectural merits of the building, Terry gave some interesting social insight on the church:

They helped the ladies of the night in the Monto who wanted out from that life. They ran a school across the road from the church which attracted a lot of poor children who went to get the free soup.

In 1910 the bishop’s built a school on Rutland Street to counter act the work of the free-soupers. There was hand to hand fighting by different groups to prevent the children going to the Presbyterian school as they used to come home with anti-Catholic literature.

This was like a red rag to a bull to the groups who marched on the school “To save the souls of the Children”. The school closed up sometime in the late 1960s.

A poster on broadsheet.ie noted that the church had even appeared on the cover of the single Keep On Chewin’ from Jubilee Allstars! The building featured on broadsheet as one of their frequent posts on unusual locations in the city.

I had to laugh seeing this advertisement for O’Connell’s Ale popping up frequently in An Phoblacht in the early 1930s. Daniel O’Connell of course was far from a militant republican, and one wonders how he’d feel on the pages of that organ!

Daniel O’Connnell Jr. had famously acquired the Phoenix Brewery in James’s street in 1831, which produced O’Connell’s Ale. It should be noted that O’Connell and the Guinness family were at times political rivals, something best captured by the 1841 ‘Repeal Election’, where O’Connell had stood against and defeated Arthur Guinness Jr. This period would see a sizeable boycott of Guinness, dubbed “Protestant Porter” by sections of the populace, though this was against the wishes of O’Connell himself.

John D’Arcy continued to brew O’Connell Ale after the family had ceased their role in brewing, and in time production moved to the Anchor Brewery in Usher Street. Watkins eventually took up the brewing of O’Connell Ale, and this advertisement was placed by them in the pages of leading newspapers in the 1930s.

While Arthur had failed to defeat O’Connell at the Ballot Box, I always wonder what O’Connell would think of the Guinness Empire today every time I see a Diaego truck pass his statue.

'Un assassinat politique' Le Petit Journal (Fallon collection)

This is a fantastic illustration from ‘Le Petit Journal’ showing the assassination of Sir Henry Wilson by Irish republicans in London, an event which would ultimately lead to the Free State moving in against republicans occupying the Four Courts premises in Dublin. Henry Wilson was assassinated in London on the June 22 1922, only hours after unveiling the Great Eastern Railway war memorial at Liverpool Street Station in London. Reginald Dunne and Joseph O’Sullivan were the two London volunteers responsible for Wilson’s death. O’Sullivan had lost a leg at Ypres in 1917 fighting for King and Country, while Dunne had also seen service in the Great War with the Irish Guards. Wilson was assassinated on his own door step, only hours after unveiling a memorial to those who died in the Great War, by two of its veterans. The men were hanged at Wandsworth Prison on August 10th 1922.

In August of 1929 a memorial was erected at Dean’s Grange Cemetery to Dunne and O’Sullivan, at a ceremony attended by over 500 people. In July 1967 the bodies of the two Volunteers were buried in Dublin in Dean’s Grange, following years of campaigning by the National Graves Association.

The attack on the Four Courts by the Free State attracted huge international media attention, and the images below come from the London Illustrated News of July 8 1922.

Documents from the Four Courts litter the streets.(Fallon collection)

Damage to the Four Courts. (Fallon collection)

The execution of Henry Wilson was not the only Irish interest story to make the front page of the Le Petit Journal. Below is their take on the execution of Michael Collins at Béal na mBláth.

'Les Convulsion sanglantes de I'Irelande' (Fallon collection)

Update: The folks at the Dublin Review of Books have linked to this piece on their site, and in the process have taken the time to translate the caption on the Wilson illutration:

Come Here To Me! does not translate the caption to the illustration of the shooting. It reads: “L’histoire du conflit entre l’Irlande et la Grande-Bretagne a toutes ses pages tâchées de sang. – Un nouveau chapitre dramatique vient d’y être ajouté. A Londres le maréchal Wilson a été assassiné a coup de revolvers par des fanatiques Irlandais. C’est un brave soldat et un ami de la France qui vient de disparaître.” (Every page of the history of the conflict between Ireland and Great Britain is stained with blood. – Another dramatic chapter has just been added. In London Marshal Wilson has been assassinated by the revolvers of Irish fanatics. A brave soldier and friend of France has died.)

Via Twitter (Conorjh)

Jim Larkin’s statue will inevitably feature in our series on the statues of Dublin city. This mock up image on Twitter caught my eye earlier, of course it’s referencing events at the Labour conference in Galway earlier today when pepper spray was used on Household Charge campaigners.

The image of Larkin with his hands raised in the air upon his return to Ireland from the United States is one of the most iconic images in the history of this city in my own eyes. Part of the Cashman collection, it is under the ownership of the state broadcaster. I noticed that RTE recently objected to its use by DCTV in an advertisement for their planned output to mark the centenary of the Lockout. There’s something tragic in that.