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Archive for the ‘Dublin History’ Category

I’ve never heard this song sung, though it is sung to the same air as ‘Who Fears To Speak Of 98’ and ‘Who Fears To Speak Of Easter Week’. I picked it up from the excellent 1913:Jim Larkin and the Dublin Lockout book (1964), the hard work of the Workers Union of Ireland.

“It is appropriate that the Workers Union of Ireland should sponsor such a book as Jim Larkin was its founder and first general secretary as he had been the founder of and the first general secretary of the Irish Transport and General Workers Union”

If you’re wondering about the air, here is a version sung by Brendan Behan in relation to the 1916 rising that has been uploaded onto YouTube.

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“The National Graves Association and the Save 16 Moore Street Committee cordially invite you to an information meeting on Thursday 14th October 8pm at Wynns Hotel, Middle Abbey Street, Dublin. It is essential that as many people as possible attend this event. TDs, special guests and relatives of the 1916 leaders will be present.”

August 2005: The roof of 16 Moore Street.

Anyone who attended the recent free Heritage Week walking tours around the Moore Street area detailing the fighting there during the 1916 Rising would have come to the conclusion that it is not alone ‘the building’ of 16 Moore Street that is historically important, but the area itself. The buildings the Volunteer and Citizen Army men and women broke their way through, the laneway where they came under intense fire from the Rotunda hospital and the alleyways where some died are as historically important as the building with the plaque.

Growing up in Dublin, I was always fascinated by Moore Street. Even without the historical connection to 1916, the street is worth saving purely for its character today. It is a melting pot of the old and the new, and among the last markets of its kind. I love passing through it.

Under threat from a major planned development, the campaign to save the Moore Street sites continues. Did we learn nothing at Wood Quay? Nothing so clearly shows how a tokenistic historical feature can be dwarfed by an unsuited development. Come along.

“The plan of the property developers, Chartered Land, encompasses around 5.5 acres bordered by Upper O’Connell Street (including the Carlton building, a cinema in previous years), Henry Street and Parnell Street, right back to Moore Street. The objections centre around Moore Street itself and the perceived effect of the development on no.s 14-17, officially designated a National Monument, but also on the effect on Moore Lane. While the objectors agree with the need for development they hope to see one which will preserve the character of the terrace. Some objectors have also stressed their wish to keep the street market character of Moore Street in any development.”
-From a 2009 Indymedia report, located here.

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(Note: This is our 400th post. Wow! Our birthday is coming up in November. Watch this space)

It may take a while before someone writes the definitive history of the rave/dance/club scene in Dublin. Until then, here’s some links to keep you busy:

Articles:

History of Dublin Clubbing, John Braineon, September 2000. Excellent overview covering the 1988 – 1990 Acid House period.

Notes on an Irish disco landscape, Paul Tarpey, September 2008. Well researched piece that covers the Dance Club scene from the early 1970s to the late 1990s.

Belfield’s 1980s Rave Scene, Sam McGrath, December 2009. While today Belfield is a vacuous musical wasteland of commercial electro-pop and RnB, in the late 1980s it enjoyed a healthy, organic dance scene.

Internet forums:

– Legendary 695 (!) page ‘Asylum/Oldskoolthread on Boards.ie which is still going strong after five years.

– 2005 Boards.ie thread on ‘Legendary Clubs/Raves’ and a short thread from 2009 asking posters to vote for ‘Dublin’s Best Ever Club’.

– A more recent 12 page thread on the Bodytonic forum about the “History of rave/dance music culture in Ireland”.

Other:

– A 1,636 strong Facebook group dedicated to the “Old Skool Ravers” of Dublin. Heaps of pictures, youtube links and reminiscences.

– A fantastic resource of flyers from Irish dance clubs (1988 – 2008)

Videos:

Sides D.C. (1986 – 1996)

The Asylum (1992 – July 1994)

The Olympic Ballroom (Raves; April 1990 – 1994)

The Ormond Multimedia Centre (Mid 1990s?)

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A portrait of legendary bare-knuckle boxer Dan Donnelly.

Ye sons of proud Britannia, your boasting now give o’er,
Since by our hero Donnelly, your hero is no more;
Eleven rounds he got nine knocks down, broke his jawbone,
Shake hands, says she, brave Donnelly, the battle is our own.
(from the ballad “Donnelly and Cooper,” words here.)

Irish history is rich in stories of playwrights and poets whose characters matched if not outshone their talent with a pen. When it comes to sports people, we are arguably equally rich in those characters. When it comes to boxing, one name that comes to my mind (and in honesty, only because I saw an excellent documentary on TG4 about the man) is Dan Donnelly, beknighted (though that tale behind this is a story in itself) prize fighter who won the hearts and minds of Irish men and women in the early 19th Century.

Dan Donnelly

With Ireland still under British rule, and with ten years yet to pass until the uprising of 1798, Dan Donnelly was born into poverty and a house already full of children (eight before him, with another eight to come after him) in the heart of Dublin’s Docklands. He trained as a carpenter at early age, but it was with his fighting prowess that he excelled, garnering a reputation as a man “handy” with his fists with a few pints in him; what wages he had left after he had provided for his family, he spent on drink, or on some occasions, the other way around.  He grew to be a formidable beast of a man, standing six foot and one half inch tall and weighing fourteen stone. His arms were said to be unnaturally long (a fact since proven false) giving him a reach to worry opponents. But as scary as he looked, he was said to be a man of manners, and on more than one occasion stepped in to stop muggings or assaults around the area of Townsend Street where it is said he lived. (His introduction to boxing came from fighting, and beating, a bullying English sailor in a bar close to his home.)

Dan’s infamy as a bareknuckle boxer grew, and he soon progressed from drunken brawls outside taverns to organised fights, with a purse to be taken home by the winner; and though it is said he only ever took part in three of these bouts, it is the manner of the victories and the opposition he faced and defeated that ensure his place in history.

The fight he is remembered for was his second and took place on December 13th, 1815 in The Curragh of Co. Kildare. Now called Donnellys Hollow, the area was a natural amphitheatre with sloping hillsides surrounding a flat area of ground where the fight took place. It is said that over 30, 000 people made the trek to Kildare for the fight by foot and carriage, with the upper classes mixing with slum dwellers, as each had a stake on the outcome.

The fight itself was said to be a dour affair, with the favourite Cooper (1/ 10 to win) using dirty tactics and falling to his knees on a couple of occasions in order to get a round to be stopped. Donnelly put paid to the Englishmans arrogance when he broke his jaw with a right hook in the eleventh round, taking the fight in the process.

A victory against English opponents these days is greeted with a cheer, so it’s hardly suprising that Donnellys victory against Cooper was seen as a national event. His trip back to Dublin is said to have taken over two weeks, so many were his stops, doing his best to spend the £60 purse he earned from the fight in taverns along the way. His footsteps from the Hollow itself are still there to be seen, as supporters, keen to follow in his footsteps, did so physically, marking out the steps on the landscape, as people still do to this day- as can be seen from the photograph above.

The stone obilisk surrounded by an iron fence below marks the spot where the fight took place, bearing the inscription “Dan Donnelly beat Cooper on this spot 13th Dec. 1815.”

The Obelisk marking the spot.

Donnelly decided to make his way to England where he became parlour entertainment for the wealthy upper classes who welcomed him at their parties, no doubt as a lumpen Irishman with extraordinary strength. it was at one of these parties that Donnelly (according to legend as there is no documentation to prove so) knelt before the Prince Regent, George IV and was granted knighthood with a sword tap on each shoulder- an Irish pugilist who once worked with the brother of Anne Devlin, a figure central to Robert Emmets revolt of 1803 receiving knighthood from the future King of England. Implausible, but apparently true.

He moved back to Ireland and with the money he had earned from his fights (and with his reputation still intact,) he decided to go into business, opening four bars in succesion. But, as is often the case, he was often the bars best customer and this was eventually his undoing. Of all the bars, Fallons Capstan Bar is the only one that remains in business today. He died broke and lonely on February 18th, 1920 at the young age of thirty two. The procession that followed his coffin numbered in the tens of  thousands and he was buried in Bullys Acre- a paupers graveyard and one of Dublin’s oldest. Within days, his body was stolen by grave robbers; Riots broke out in Dublin upon the news and Surgeon Hall, who had purchased the body, returned Donnelly to his grave in Bully’s Acre- minus his right arm. The arm was transported to Edinburgh University where it was used in anatomy lessons, was taken around England by a travelling circus, was brought back to Ireland and displayed in several pubs throughout the twentieth century, and went to New York and back before it found its resting place in The Hideout Bar, Kilcullen where it remained on show until 2006 before being removed from public viewing.

Dan Donnelly's arm

While undoubtedly, it’s Dan’s arm that garners most interest in him, its his story that gets me most. Maybe I’m just a sucker for social history but the thought of 30, 000 people making the trek out to the Curragh in the days before Bus Eireann to see what equates to an amateur bare- knuckle fight, the image of the streets lined on his victorious return, and the 70, 000 that showed up at his funeral, and yet I only know about him because of a chance viewing of a documentary on TG4 makes you think how many other stories like Dan’s have gone beneath the radar.

Underneath this pillar high,
Lies Sir Dan Donnelly;
He was a stout and handy man,
And people called him buffing Dan.
Knighthood he took from George’s sword,
And well he wore it by my word!
He died at last from forty seven
Tumblers of punch he drank one even.
O’erthrown by punch, unharmed by fist,
He died an unbeaten pugilist.
Such a buffer as Dan Donnelly,
Ireland never again will see.

—————————-

Links used for research on the above piece:

http://issuu.com/onlinemedia/docs/nw-19-08-2008/11?mode=a_p

http://sportsillustrated.cnn.com/vault/article/magazine/MAG1072458/index.htm

http://en.wikipedia.org/wiki/Dan_Donnelly_(boxer)

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A documentary called ‘Hill Street’ which deals with the history of skateboarding in Dublin is currently in post-production. Produced by JJ Rolfe and directed by Warrior Films, the film will deal with skateboarding in Dublin from the late 1980s to the present today. It will include contributions from many legends of the local scene including Clive Owens, Roger Kavanagh, Mike Keane, Graham McPhearson and Wayne Gallagher.

This will obviously be of interest to anyone who has ever skated in the city. My early teenage years were made up of skating the Central Bank, the ESB, Three Steps, the Conrad and the early days of Ramp n Rail every weekend.

It’s great to see a documentary being made about a Dublin youth culture at a time when the people involved are firstly, still alive and secondly, when they can still remember the details. Sadly, it’s far too common that people leave it too late to make documentaries or write books about social history, waiting for the individuals to either hit their 80s or 90s or pass away.

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Our friend Garry O’Neill (author of an anticipated photographic book on Dublin youth culture) is trying to get in contact with any of the girls mentioned in the following news article. You can reach Garry at cru71(at)hotmail.com

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The younger Fallon picked this up recently in a second-hand bookshop, for the great price of a single Pound.

In Dublin’s Fair City, by G. Ivan Morris, was a London published guide to Ireland for visitors.

“The author is a well-known Dublin publisher and master-printer who, in the midst of an unprecedented pressure of business, has taken the time to write this book for the guidance of visitors to Ireland.”

Here are a few scans of note, on everything from Yo-yo’s to Grafton Street.

We’ll begin with this, a warning on discussing Communism in Dublin. Notice it gives reference to New Books, a bookshop selling “Communistic literature”.

Apparently, drink used to be cheaper than in England. Half the price in fact.

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A few Guinness labels which were hiding in the cupboard right opposite this very PC.

What do I know about them? Very little. Obviously, they come from the period when Guinness was bottled by the seller. Interestingly, three of them read “Who bottle no other stout or porter” or variations thereof.

The beautiful Irish language label from D Ó Sciatháin’s notes the same As Gaeilge.

The P. Lynch label, from 144 Thomas Street, is by far the oldest. T.Younge, at the time based at 85 Queen Street and 1a Ellis Quay, became a Ballyfermot fixture. D Ó Siachtháin gives a Dorset Street address. The other two come from outside the capital.

With the week that’s in it, they’re a lovely oddity if nothing else. A recent post on the Jewish Museum included snaps of Guinness labels from Dublin’s Little Jerusalem.

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From archaeological excavations to Northside soul bands, it’s a varied night to kick off the weekend. Here’s a few I think are worth a look.

This Friday ,September 24, is Culture Night in Dublin. What’s that? A chance for Dubliners to switch off the telly (Ryan Tubridy, no thanks.), hit the streets and enjoy what the capital has to offer. Here’s my pick of what to do. For the most part, this is my own plan of action, so you know it’s a good one.

First of all, for the early birds: The Abbey are giving away thirty free tickets to the Plough and the Stars. I’m excited about the arrival of The Silver Tassie in Dublin soon, by far my favourite O’ Casey play, but The Plough and the Stars is perhaps ‘the’ play of what is often labelled O’ Casey’s Dublin trilogy. First come, first served Friday morning from 10.30am. You have to be there yourself at the box office, so set the alarm all you unemployed Come Here To Me readers.

Fans of O’ Casey should note that this isn’t the only chance you’ll have to take in some of his work on the night. Up on the Sean O’ Casey Bridge, at 5.30, 6.30 and 7.30, pieces from Shadow Of A Gunman and The Plough and the Stars will be performed. At the same times, the James Joyce and Samuel Beckett bridges will come to life with similar tributes to their namesakes, though you won’t catch me at either.

That great Dublin historian, Pat Liddy, is also lending his services to the night. Merrion Square and its Writers promises to be an excellent walking tour, kicking off from the Georgian House Museum, 29 Fitzwilliam Street Lower. Bring an umbrella, you never know.

Smithfield has plenty on offer on the night. The Jameson Distillery for example are offering free guided tours of the Distillery, which includes a free drink(!!!!!). First come first served over there. I imagine many will come, and many will be served. A fine start to the night perhaps. Space 54 and the Light House Cinema are both involved too on the night. The Complex play host to DIG, an exhibition of drawings and photographs from the Smithfield archaeological excavations.

In several cases the drawings record what was found under the actual gallery where the exhibition is displayed.

DIG opens tomorrow night, with Dr Ruth Johnson, Dublin City Archaeologist on hand to do the honours, but on Friday it remains open until 10pm, with the night that is in it.

A short walk away, at St. Mary’s Abbey, an exhibition titled ‘Vintage Irish Bookcovers’ is taking place from 6 to 9 pm. I’ve been known to lose lunch time to Niall McCormack’s Vintage Irish Bookcovers Blog, where everyone from Peadar O’ Donnell to Pádraic Ó Conaire features.

Free tours of Christ Church are on offer on the night, a must do for anyone who has been putting it off or writing it off as ‘too touristy’. Right next to it, by the site where Handel’s Messiah was first performed, The Contemporary Music Centre will host a night of music, “reflecting the very latest trends in contemporary music and sound art”. Handel’d love it.

In the belly of the beast, or Friday night Temple Bar, there are some more hidden gems. The Quakers Meeting House, where “Quakers have met in silence in Temple Bar for over 300 years”, opens its doors to the public and a one hour play titled ‘On Human Folly’ will be performed at 8pm. Filmbase are running a night of free activities for people like me who have no clue whatsoever how to edit or film. Exchange Dublin, The Gutter Bookshop and others down in the sometimes overlooked ‘Old City’ part of Temple Bar are also participating.

By this stage, you’re exhausted. You’ve knocked out one or two of the events above and you want to relax. Well, in Meeting House Square will find Dublin classic The Commitments being screened at 10.15pm. A nice way to bring it all to an end, even if we’ve all seen it a dozen times and own the VHS. One more viewing might convince me to buy the DVD.

See you on the streets.

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On the fifth of June 1919, a concert was due to take place at the Mansion House to commemorate the anniversary of the birth of James Connolly. It had been organised by his comrades in the labour movement, including members of his beloved Irish Citizen Army. Under the Defence Of the Realm Act (DORA) the concert was deemed illegal days in advance, and as one would expect things turned ugly. A small crowd arrived on the night, and while the crowd were being moved in the direction of Grafton Street by the Dublin Metropolitan Police, the Irish Times of the following day noted that “Without a seconds warning, three or four young men faced the police with revolvers in their hands”. Shots were fired, officers injured, and the concert was held at the Trades Hall on Capel Street that night.

How fitting this documentary should first air in the Mansion House then.

Firstly, one must state before beginning any review of this documentary that the fingerprints of Liberty Hall today are clear to be seen on this work. It is introduced to the audience gathered in the Mansion House by not alone Jack O’ Connor of Siptu, but also Liz McManus of the Labour Party. She features in the documentary, as do her party colleagues Dick Spring and Eamon Gilmore. The Labour Party are the only party from the left in Ireland to feature with the exception of a brief appearance from Eugene McCartan of the Communist Party of Ireland, and as the documentary comes to an end to the sound of Paul Cleary of The Blades singing about the fighting spirit of the capital, it is an image of contemporary Liberty Hall which appears on-screen.

With a title like ‘James Connolly-Working Class Hero’, this work was always going to be one of admiration, with many of its contributors from left-wing traditions. Still, it is an important work, and one which almost lives up to my (rather high) expectations. It attempts to not only explore James Connolly, the giant we know from history, but also another James Connolly. The Connolly raised in what became ‘Little Ireland’, a slum of Edinburgh. The Connolly who first visits Ireland not as a socialist revolutionary, but a member of the British Army. The Connolly who noted that his life was forever darkened by the loss of his eldest daughter to an untimely death.

It is a testament to those behind this documentary that they succeeded in attracting such a diverse group of individuals to the project. Colm Meaney in particular deserves great praise for his readings of the work and letters of Connolly. Meaney delivers the correspondences and writings in an almost perfect Edinburgh accent, and captures perfectly the passion in the written words of Connolly.

Connolly himself remarked in 1907 that “Until the movement is marked by the joyous, defiant, singing of revolutionary songs, it lacks one of the distinctive marks of a popular revolutionary movement; it is a dogma of a few, and not the faith of the multitude”.

It is fitting, as Connolly wrote many poems and songs in his time of course, that music and poetry should feature so centrally in this documentary. Christy Moore delivers the first musical performance of the documentary, singing ‘Connolly Was There’, a number he learned from Dominic Behan. Andy Irvine delivers a rendition of ‘James Connolly’, that excellent song by Patrick Galvin that asks “Who will carry high the burning flag?” Jimmy Kelly, Adrian Dunbar and Paul Cleary also lend their voices to proceedings, occasionally with the assitance of a a number of excellent musicians.

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One of my very first posts on this blog (back in November 2009) was an appeal to the public to upload, digitize or give me a long list of 1st wave Dublin Punk/New Wave singles that were out of print and hard to find.

Surely but slowly these singles have been uploaded online and now are available to all to enjoy.

On February 11 2010, I uploaded The Blades’ fourth single ‘Revelation of Heartbreak’.

The Blades - Revelations of Heartbreak (1982)

On March 29 2010, I uploaded The Blades’ first single ‘Hot For You’.

The Blades - Hot For You (1980)

On June 5 2010, our close friend Conor McCabe from Dublin Opinion uploaded the 1983 single ‘Secrets’ from Autobop.

Autobop - Sercrets (1983)

Also on June 5 2010, Conor, got there before me and, uploaded The Rhythm King’s second single ‘John Wayne’.

The Rhythm Kings - John Waybe (1981)

On June 19 2010, I was finally able to get my hands on and upload the classic first and only single from D.C. Nien. (If anyone has their Red Tapes recording, please get in touch!)

D.C. Nien - Nightclub (1980)

On June 23 2010, I finally got around to uploading the 3rd single ‘Procession’ from The Atrix

The Atrix - Procession (1981)

On August 11 2010, Bristol Boy from the My Life’s A Jigsaw blog made my month by uploading the first and only single ‘Private World’ from The Teen Commandments.

The Teen Comandments - Private World (1981)

However, there are still a lot of classic singles still not online. If you have the following, please get in touch.

Alsatians:

5 Honours & A 175 / Denise Denise
7″ – Libra Records – LHS002 – IRL – June 1982 – PS

• I Wanna Be Your Man / Money Back
7″ – Libra Records – LHS003 – IRL – 1982

• I’ll Never Forget It (AKA Two Sucks) / Suicide
7″ – Scoff Records – DT028 – IRL – 2 September 1983 – PS

The Blades: (Note: I’m only looking for the B-Sides)

Ghost of a Chance / Real Emotion
7″ – Energy/Polygram Records – NRG-5 – IRL – 1981 – PS paper labels

Last Man In Europe / Sadlands
7″ – Reekus Records – RKS013 – IRL – 1984 – PS

The Boomtown Rats:

• Neon Heart, Etc.. (At Home And Away)
K7 – Demo – 1976

Camino Organisation:

• Human Voices // Executivity / The Bust Up Of Love
7″ – Reekus Records – RKS 004 – 1982 – PS

New Versions:

• Like Gordon of Khartoum / What You Want
7″ – Mulligan Records – LUNS 744 – IRL – 1981 – PS

Negatives:

• Love Potion No.9 / The Prize
7″ – WEA Records – K18420 – 1980 – PS

Pop Mechanics:

• Soldier Boys / It Feels Like I’m Alone Again
7″ – Polydor Records – 2078 144 – IRL – 1982 – PS

The Radiators From Space: (Note: I’m only looking for the B-Sides)

Enemies // Psychotic Reactions
7″ Chiswick NS-19 – 1977

Sunday World//(Why Can’t I Be) A Teenager In Love
7″ – CBS Records – 5527 – IRL – 1977

Let’s Talk about Weather//Hucklebuck //Try & Stop Me
7″ – Chiswick NS-45 & CHIS-113 1979

Kitty Rickets/Things (with Peter O’Brien)
7″ – Mulligan Records – LUNS720 – IRL – 1979

Revolver:

• Silently Screaming / On The Run
7″ – Rockburgh Records – ROCS203 – UK – 1978 – PS

The Romantiks:

• Said If You Needed Me / Little Queenie
7″ – G.I.Records – GI003 – 1978 – no PS

The Shade:

• 6:05 / Talk To Me
7″ – Juverna Records – JUV-001 – 1981 – no PS?

Watching You / Touch Sensitive
7″ – EMI Records – IEMI 5093 – 1982 – PS

Strange Movements:

• Dancing In The Ghetto / Amuse Yourself
7″ – Good Vibrations International – GVI GOT-5 – N.IRL – 1980 – poster PS

The Sussed:

Don’t Swim On The East Coast / I Wanna Conform

7″ – Dead Records – DEAD U2 – 1981 – PS

The Tabs:

Million Miles / Gotta Get Away
7″ – Vixen Records – FM001 – 1982 – PS

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Over 100 people attended the History Ireland discussion yesterday afternoon on ‘Dublin Punk & New Wave’ in the late 1970s as part of the Phibsboro Community Arts Festival (Phizzfest). The final line up was Pete Holidai (The Radiators From Space), Eamon Delaney (Ex. Punk & current Indo columnist), Billy McGrath (UCD Ents 1976/77 & manager of The Atrix), Dave Donnelly (Ex. Black Catholics) and Cllr. Cieran Perry (Ex. Punk).

The response was overwhelmingly positive with the only complaints focused on the lack of female participation in the panel and no chance for a questions and answers session. Hopefully, this will be the start of a number of public discussions on different aspects of Dublin youth/music culture e.g. Skinhead, Rockabilly, Mod/Soul and Dance/Rave.

Here’s my playlist from yesterday. Would you have chosen differently? Left out any particular song? Added in something else?

1. The Radiators From Space – Television Screen (1977)

2. The Boomtown Rats – Lookin’ After Number One (1977)

3. The Vipers – I’ve Got You (1978)

4. The Vipers – No Such Thing (1978)


5. The Boomtown Rats – Rap Trap (1978)

6. U2 – Stories For Boys (1979)

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