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Posts Tagged ‘Dublin Grafitti’

The first post from me in a while this, and a bit of a mixed bag. The first four are from the Tivoli carpark, post-this years grafitti/ skate jam. The second two are dropped in to break up the post, the first a sign  spotted at the council offices in Rathmines, and the second, a group of workers abseiling down the side of Liberty Hall. The second lot of graf pictures is from the back of the Bernard Shaw, easily the best spot in Dublin for ever changing talent. Inside and out, the walls are covered with pieces from Dublin’s best artists, including our good friend Maser; the “Swim” piece is his, and was a work in progress at the time the below was snapped.

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I always re-iterate the fact that there’s nowhere in the world I’d rather be when the sun is shining than Dublin City. So heading down to Ormond Place to check out the grafitti wall there, and seeing the skyline as it is in the image below, I couldn’t help but take the camera out for a shot. skyline Ormond Place (behind Fibber’s Rock Bar) is apparently a designated grafitti spot set up by the Dublin City Council, and there are some fantastic pieces on it. I’ve covered three other such spots, I’ll link to them at the bottom of this set. Dublin is lucky to be home to some absolutely amazing artists, and say what you like about tagging, beautiful street art brightens up a city. 026

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I opened with a moody sunshine snap, so I’ll close with a moody night-time one. O’Connell Street came to a stand-still, with the backdrop of a near full-moon peeking out from the clouds behind the Spire. 010

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Other “Writings on the wall” sets:

https://comeheretome.com/2012/11/01/the-writings-on-the-wall/

https://comeheretome.com/2012/11/07/the-writings-on-the-wall-part-ii/

https://comeheretome.com/2012/11/22/the-writings-on-the-wall-part-iii/

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It took longer than I imagined it might to get down to Windmill Lane for this, the third in a series of posts looking at some of Dublin’s lesser known street art spots. I’ve been to Richmond Villas and Liberty Lane in the first two posts, and am on the look out for other gems. Strange though it may seem, given Windmill Lane’s historical connection to U2, that amongst the thousands of tags that cover the street, I couldn’t find one “Bono is a pox.”

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“The delights a stroll around Dublin can bring you. I’ve always carried my camera around with me, but have only recently started to take it out and not give a shite that I look like a tourist.”

Someone said of the last bunch of photo’s I stuck up that Dublin is starting to look like a proper shithole… Its not- its really not, its just that for whatever reason, I like taking pictures of graffiti, rundown buildings and, well, real Dublin. For any piece of eight or ten images, its possible to have taken fifty or sixty shots on my not very fancy camera. Subsequently, I have hundreds of shots of birds, trees, sunshine and flowers. But I still prefer the grittier side of things!

The Seahorses of Grattan Bridge. JayCarax has done some great work on the history of the Grattan statue on College Green. The  statue is, of course, surrounded by lamps bearing ornate seahorses. Grattan Bridge bears the same idols on its lamps.

I’ve recently moved gaff, so my cycle to work takes me down along the canal, from Rathmines to Inchicore. For three months, I’ve been cycling past this spot and never noticed this piece on the side of the bridge at Herberton Road until this week. The work of Solus, I think its a belter!

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Spotted this morning next to the Jervis Street Luas stop. Pretty sure it wasn’t there yesterday but then again, I hadn’t had my morning coffee when I walked past the spot then. I’m of the opinion things like this brighten up dreary canvasses and make this city a more interesting place.

Spotted this morning

And yet someone has had a go at it already…

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Its a pity, but we rarely get grafitti “i nGaeilge” in this city. Its even rarer to have grafitti in our own native tongue created by someone whose native tongue it isn’t. Below are two shots taken on the corner of Rainsford Street and Crane Street, in the bowels of the Guinness brewery, an area that, unless showing tourists around,  few city dwellers get to explore.

Stone upon stone upon fallen stone

A bit of research into whose the piece was, (i.e. typing the words into Google and hitting search) brought up the name Lawrence Weiner, a conceptual artist from the Bronx, who in his Declaration of Intent in 1968 stated his mantra:

1. The artist may construct the piece.
2. The piece may be fabricated.
3. The piece need not be built.

Each being equal and consistent with the intent of the artist the decision as to condition rests with the receiver upon the occasion of receivership.

Some of his work was part of an exhibition in the IMMA circa 2008, but either this piece has ages very quickly or it has been around a lot longer than that. Judging from his other work, its his first venture outside the English language too! Either way, its a bit of a curiosity.

Cloch ós cionn cloiche ós cionn cloiche leatha

A list of his work can be found here, though I’m of the opinion the above is his best:

http://radicalart.info/concept/weiner/

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