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Posts Tagged ‘gig’

Next Saturday, Murray's Bar, O'Connell Street

Coinciding with the implosion of Fianna Fáil and the inevitable trundling in of our new Fianna Gael overlords is a great weekend of music in Murray’s Bar on O’Connell Street. It looks set to be a busy weekend for us here at CHTM! too, with our involvement in both gigs. JayCarax and DFallon are spinning the decks on Friday night at the ever excellent Punky Reggae Party while I’ll be hitting the stage at some point on the Saturday night at the above gig; a thumping line-up containing Dublin crust legends Easpa Measa, Droppin’ Bombs and newbies Dirge. Following the bands will be Punky Reggae DJs until 2.30 AM. The gig is a joint fundraiser for the IPSC, AFA and the St. Pauli Supporters Club Dublin. 
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Doors @ 9pm, first band @ 10pm.
Entrance – €8 waged / €5 unwaged.

Sounds of Resistance on Facebook
Event Page

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With all this weeks madness keeping us busy, I neglected to plug the visit to Dublin of an exceptionally talented lyricist and rap artist, a woman who Scroobius Pip has lauded from the high heavens and who tore the Electric Picnic a new one with her performance last summer. I’m talking about Kate Tempest. Brought to my attention by my brother a few months back, I had a listen to a couple of her tracks on youtube and was blown away.

Kate Tempest visits Dublin this Sunday

Slam poetry is something that you either get or don’t. I never really got it until I heard a man by the name of Marty Mulligan stun The Stables in Mullingar into silence with a four minute piece sometime back in 2003 or 2004. So when I heard that himself and my brother were bringing her over, I’ll admit it and say I was f*cking chuffed.

Influenced equally by a love of hip hop and a love of great literature Kate Tempest is a rapper,… poet and playwright. She has performed consistently and comprehensively since she began rapping in battles at 16.
Since then she has continued to develop her skills as a writer and a performer, and has made a name for herself in the UK hip hop, spoken word and live music scenes.

She’s visiting Kelly’s in Galway at 8.30 tomorrow (Friday 12th) and The Stables, Mullingar at 10.00 on Saturday before making her way up to us here in Dublin on Sunday.

She’s hitting the new Grand Social (used to be Pravda, I look forward to seeing what they replaced the murals with) at 8.15pm for a half hour set before heading down to Block T in Smithfield where she’s onstage at 9.45. Trust me folks, you need to see this. I know it’s short notice but tell everyone you know… there’s a Tempest a comin’.

The Facebook event page is here.

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This Grand Canal Theatre lark is going well so far, isn’t it? Along with Joanna Newsom, here’s another one for my list. I must have been chilling in the west the country when this one was announced, as it went completely over my head.

Not alone did Belle and Sebastian produce one of those albums you play all the time and nobody else in the house minds (Dear Catastrophe Waitress), but they’re also the subject of a comic book entitled Put The Book Back On The Shelf (Forbidden Planet stock it), which is quite cool. Fitting enough, when your bands name is a nod in the direction of a children’s book. Music (from my room) and comics (from the room next door) kept this house busy in days gone by.

The Glasgow bands brand of indie-pop works for me, and obviously millions of others. To quote a friend….

How could something from Glasgow sound so Edinburgh?

They’d be chuffed.

Belle and Sebastian roll into town on Friday December 3rd.
Tickets range from €39.50 to €44.50, from the usual sources.

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Telepathe

Soon, I will have no money at all. The logic behind this is that for the first summer in yonks plenty of international talent is making its way to the city, taking my income in exchange for gig tickets. The upcoming gig from Joanna Newsom was exciting enough at first.

Telepathe are a band I’ve been on and on about for months to anyone who’ll listen. Coming from that great electronic music borough that is Brooklyn, they came to my attention with their 2009 effort Dance Mother, produced by David Sitek of TV On The Radio. An electronic band if such specific labelling was required, their roots and influences span a broad musical field. Hip hop influences mix with punk and noise-pop influences, and the sound that comes out of the big musical machine is unique to say the least.

I’m not the biggest fan of Whelan’s (Too dark for me, few lightbulbs’d be great lads…) but as with my recent trip to see Ted Leo exceptions do arise. I look forward to this one.

Telepathe play Whelan’s on August 14. Tickets are available from tickets.ie , priced at €15. It’s a Saturday, if you’re wondering….

Also, that legend Andy Milonakis off the telly reckons they’re good for the money. You’d trust him.

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Ted Leo and the Pharmacists- I Got Your Number

I’m really off the radar at the minute, to the extent I’ve got plenty of those “where are you” texts that when you respond with something like “in the library” you get another one two minutes later saying “No, I mean like in general lately”. I’m AWOL, shit-deep in Microsoft Word.

This made my day. I check those Facebook events too late to spot anything anymore (Nothing worse than spotting a great gig advertised over there and realising it started…..five minutes ago) but this stood out a mile.

Ted Leo and the Pharmacists have released three of my favourite albums to date. Shake The Sheets, Hearts Of Oakand Living With The Living. I play all three constantly, and even have a Ted Leo t-shirt (OMG) which is one of very few band shirts I’d wear around to be honest,it’s been there since I was 15 or 16 too.


Ted Leo And The Pharmacists- The Mighty Sparrow (From new album ‘The Brutalist Bricks’)

They’re neither an indie nor a punk band in my mind, and near impossible to label within traditional genres of music. They should appeal to fans of either genre. Their release of Rapid Response, an EP to benefit those arrested at the Republican National Congress in the U.S showed their political leanings.

This isn’t meant to be some grand sweeping statement on our part – it’s just a way for us to contribute SOMETHING real to the lives of real human beings, and show our material support for those whose actions and thoughts we value in this ideological struggle

Recent releases have hade a stronger sense of political identity, with songs like Bomb.Repeat.Bomb dealing with U.S Foreign Policy. Ted also writes a very good blog, over on the band site, which is worthy of a read. Read his post on Record Store Day, and nod in agreement.

The list of Ted Leo covers is mindblowing too, off the top of my head (with a sneaky MP3 player peek) it includes Samhain, Billy Bragg, The Waterboys, Cock Sparrer, Amebix, Generation X, Eddie And The Hot Rods, The Jam and eh…R Kelly. Along with Face to Face, they’re one of the only bands I think ever got away with a Stiff Little Fingers cover. Ted Leo, I salute you.


Ted Leo And The Pharmacists- Fisherman’s Blues

Tickets priced €14.50 are available from Tickets.ie
You can buy ‘The Brutalist Bricks’ from Matador Records here

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We are big fans of Damien Dempsey on this Blog, so much so that if you go back through our history, I think theres three or four articles about the man. Last week he played a show in The Good Bits, as advertised on here, and support game from a good friend of mine, Ciarán Lenehan; If you haven’t heard of him, you will- he was picked by Dempsey himself to support after seeing him play a couple of songs in Peadar Kearneys. After his set, with Ciarán was tucking into a pint, Dempsey walked up to him and said “I don’t know what it is, but you have it…” True story.

I was given a disk of tracks by Ciarán a couple of years back and remember being blown away; I knew him in his days in Lugosi and Ellentic, and wasn’t expecting this sound from him, not by a long shot. A mix of new and old, trad and punk; think Frank Turner crossed with the man he supported at the gig below:

Anyways. Enough of me gushing praise, theres a dozen or so videos of him on the Youtube, or you can get some tracks here, or on his Myspace.

For those interested, Ciarán plays upstairs in Whelans on the 7th of April. I, for one, will be there.

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Last Thursday, as some readers may know, the three of us behind CHTM went to check out seminal hardcore band Propagandhi in The Village. I was granted an oppurtunity to have a few words with guitarist/ vocalist Chris Hannah. And I nice guy he was too, though not a Dub, he has family in “Cork County.”
Chris Hannah, Propagandhi

Chris Hannah, Propagandhi

It’s good to have you guys back in Dublin, you’ve been here three times in the last nine years and a lot has changed in that time, not least your music; In my opinion you’ve evolved and matured from your early days and I would say that’s definitely for the better- what would you say?

I would say thank you, and obviously we would too and I think all bands should evolve and mature really, otherwise somethings wrong.

But it’s always good to hear the old stuff?

Yeah, of course, and it’s easier to play too!

You guys added another guitarist in Beaver a couple of years back, has that made a big difference to the band?

Well, yes. As a three piece, we struggled to reproduce the songs live as they were on record; it was always mildly disappointing to hear it live-  all our records have two guitars, and sound more layered. So this has helped us to get something more accurate when we play live- When Beaver plays, it gives things a better sense of atmosphere.

You obviously knew him since his I-Spy days – Was there any other Canadian bands that had an influence on you guys?

Well, older bands like SNFU, Guilt Parade, Voivod, NoMeansNo, Sacrifice, Razor – Mainly bands that had their heyday in the 80s. Some of them, like Voivod and SNFU are still playing, and are staging a revival having made some of their most compelling music in the last five years, and that’s really inspiring for us, we’re getting fucking old now, two of us are hitting forty and we’re starting to feel it!

So as you get older then, are there any bands from Canada/ North America you see as taking the torch from you guys?

Well, Protest the Hero are really young guys, when they started, they told us that they had been really into our records, and that’s cool. Since then, they’ve obviously evolved so much and become such amazing musicians. Hardcore is only really being heard in small basement shows in Canada now, it’s hard to find anything that’s above the radar!

Punk rock bands can be two a penny these days – What keeps driving you guys to play the music you do?

Well, being able to play with friends is a huge thing, playing with guys I’ve been friends with for many years. I always had this sense of wonder – I remember being six or seven and my mom bought home this tape recorder, pressed record and played it back; I remember listening back to my voice with this sense of wonder, and that’s something that has stayed with me, I have it when I listen to our songs back through the speakers, and I guess when that dies…

Propagandhi

Propagandhi

I’m sure it must be an amazing feeling when you hear something you’ve put so much into back?

For us, because each of us, separately don’t have much going for us, together  we’re able to cobble together songs that remind us of bands that we really like so we’re always impressed!

I wouldn’t say that- For me, you guys are probably one of the more technically proficient Hardcore bands out there!

Well, thanks for saying so!

Todays Empires in probably still my favourite Propagandi album; so what’s yours?

Well, the new one, but I’ve got a soft spot for Potempkin because it sort of disappeared from the radar, nobody knew much about it!

Would you say that it disappeared off the radar because you guys left almost five years between Todays Empires and Potempkin?

Partly that and partly because at the time, we didn’t really do any promotion, we didn’t tour and let it sit there; the record company knew that and just didn’t bother telling anybody about the record and I think also at that time we were a three piece and something was missing, and something it took us almost a year to work it out, so when we realized, we were like… get Beaver over here!

 So would you say you are as political as you always have been? The new record comes across more personally reflective than overtly political…

More-so than ever I would say. There’s individual members who are more politically engaged back home, whether that’s in progressive community initiatives or supporting international solidarity movements, the only thing that’s changed for us is the sense of the scope and the scale of what’s wrong – We haven’t felt as if we’ve mellowed at all… As for the new record, well it’s just a different writing style.

How do the songs come about? Is it words or ideas or music first?

It’s just a big mish-mash really; sometimes it’s easier when you’re playing with friends… sometimes. But again, Beaver is the only guy with any training or musical background so it’s sometimes hard to communicate ideas.

You guys were a driving force behind G7, but you seem to have pulled back from that a bit now. Are there any other projects you guys are involved in back home?

Well, the reason I pulled back from the G7 thing was to do the band full time, and that’s taken up all of 2009, and actually most of 2008 too, so that’ll probably be it until next year. When we’re home, Jord does a lot of organising with the Canadian Haiti Action Network,  he does a lot of stuff in the Refugee Centre down town, Beaver is working on a music programme in a poor area of the city. Also OCAP (Ontario Coalition Against Poverty,) they’re a kick ass organisation.

Your music has always been political in its lyrics and has stayed pretty true to its punk and thrash origins. Punks aren’t necessarily political as we all know – Do you guys ever get stick from crowds for your political beliefs?

Not really; not much anymore. It seems like a lot of those people have been weeded out over the years and they don’t come to shows any more, like back in the nineties, a lot of people were quite aggressive to the things we were saying but thankfully, that died down towards the end of the nineties…

I don’t want to  dwell too much on the past and talk about the Fat Wreck days but do you think there were some bands who hung around that scene who have, effectively, sold out on the political aspect of their music in order to make a quick penny?

The idea of “selling out” is hard because there is a spectrum of compromises you have to make within the framework of a capitalist society, and ones that we have to make sometimes, although we might not like them, but some people have a different zone, where that changes from necessary compromise to a “Sell-Out.” Not everyone agrees with this, but take a band like Rage Against the Machine, they did something worthwhile with what they did with a major label; I don’t think it’s impossible to use ubiquitous media to a large degree and come out with a positive experience. But it’s not for us, none of us has the facility to engage with mass media- We’re just these guys, we’re not well spoken, we play songs that aren’t particularly well received by the general public. Even the things we talk about has the capacity to offend more peoples core values explicitly than say, Rage, so there’d be no point in moving to a bigger label, it’d just be the same people listening to us anyways!

Even moving to Small-Man Records after a very well received album, staying true to your political beliefs and still managing to get to places like Dublin, I have to say, is enheartening! So what’s the next step for Propagandhi?

Go home, get our heads together and start, as far as the band goes, putting together new material to record next year, politically, Jord has his work with the community stuff he’s doing, Beaver has the music programme, and I’ll try and help out somewhere!

So will it be another three years before the next album?

No, I’d hope in perhaps a year and a half…

Fingers crossed!

Yeah, here too!

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